They have starred on stage in the West End, taken part together on reality TV and are now the UK's first all-female group to compete at Eurovision this century. Remember Monday, a country-pop trio from Surrey and Hampshire, take to the stage in Basel in Switzerland on Saturday night hoping to be the UK's first winner since 1997. Holly-Anne Hull, from Camberley, Charlotte Steele, from Farnham, and Lauren Byrne, from Fleet, all co-wrote What The Hell Just Happened? which they hope will "stand out" in the 69th annual contest. The band toldBBC Radio Surrey: "We are all theatre girlies and we are not going to shy away from putting on a show." Performing is in the blood of all three band members. They have been friends for 12 years after meeting at sixth-form college in Farnborough studying performing arts. They said: "We just began performing together. "Monday was always our day where we had free periods and that's when we would rehearse. "That's where our band name comes from." With studies completed top West End shows followed, including Phantom of the Opera, Six and Matilda. Alongside their stage performances the band stayed together and in 2019 the trio reached the knockout stages of TV reality show The Voice. The trio made their first of nine appearance on BBC Introducing in Sussex and Surrey in February 2019. The band said: "BBC Introducing supported us before anyone else did. We will always remember hearing ourselves on the radio for the first time." Melita Dennett, the show's presenter, said: "It's been fantastic to support an act which has come so far through sheer hard work, dogged determination and strong songwriting." Eurovision is now set to give them a global audience. Lauren said: "It's so overwhelming. It doesn't feel real. "I'm currently living my dream with my two best friends." Holly-Anne said: "Eurovision is the perfect place to release your inhibitions. "We're going to bring loads of fun, energy and hopefully do something that you won't have seen before on the Eurovision stage." Charlotte is, by her own admission, "a huge Eurovision fan". She said: "My parents would often host Eurovision parties and we used to dress up in different outfits and bring food from each country." So is she bringing her whole family to the contest in Switzerland? "We only get two tickets each," she said. "Tickets are like gold dust." Brenda Tuppen, Lauren's great aunt who lives in Thakeham, West Sussex, toldBBC Radio Sussex: "I was so excited when they got chosen. "They certainly won't get nul points as there are so many of us in the family who will vote for them." Remember Monday's Eurovision song What The Hell Just Happened? chronicles the aftermath of a "fun night out with friends", and, according to the band, has "a lot of influences in there from our favourite artists". Holly-Anne said: "We've thrown the kitchen sink at it. "We think it will stand out." Follow BBC Surrey onFacebook, onX. Send your story ideas tosoutheasttoday@bbc.co.ukor WhatsApp us on 08081 002250.
UK Eurovision hopefuls ready to 'put on a show'
TruthLens AI Suggested Headline:
"Remember Monday Represents UK as First All-Female Group in Eurovision 2023"
Bbc News
6.4
TruthLens AI Summary
The UK is represented by Remember Monday, an all-female country-pop trio from Surrey and Hampshire, as they prepare to compete in the Eurovision Song Contest taking place in Basel, Switzerland. Comprising Holly-Anne Hull, Charlotte Steele, and Lauren Byrne, the group has a rich background in performing arts, having met during their studies at a sixth-form college in Farnborough. They have developed their musical talents over the years, transitioning from local performances to notable appearances in top West End productions such as Phantom of the Opera and Matilda. Their song, 'What The Hell Just Happened?', which they co-wrote, is aimed at capturing the attention of the Eurovision audience and represents their journey and experiences. The band expressed a strong desire to showcase their theatrical background and bring an energetic performance to the stage, aiming to stand out in the 69th annual contest, which would mark the UK's first win since 1997.
The trio's journey to Eurovision has been supported by various platforms, including BBC Introducing, which helped them gain recognition early in their career. Their participation in the reality show The Voice in 2019 further solidified their presence in the music scene. As they prepare for the contest, the members reflect on their shared history and the excitement of performing on such a prestigious global stage. Charlotte, a self-proclaimed Eurovision fan, reminisces about her family's Eurovision parties, while Lauren describes the overwhelming feeling of living her dream alongside her bandmates. Their song, which explores the aftermath of a fun night out, reflects their personal influences and creative ambitions. With family and friends rallying behind them, Remember Monday hopes to capture the hearts of audiences and judges alike, aiming for a memorable performance that resonates with viewers around the world.
TruthLens AI Analysis
The article highlights the journey of an all-female musical trio, Remember Monday, as they prepare to represent the UK at the Eurovision Song Contest. Their background in performing arts and reality TV adds an intriguing dimension to their story, emphasizing their dedication and talent. The narrative aims to build excitement and support for the group as they strive to achieve success in a competition that has eluded the UK for over two decades.
Intent Behind the Article
The primary goal is to generate enthusiasm and support for Remember Monday as they participate in Eurovision. By showcasing their history, talent, and the emotional significance of their journey, the article seeks to engage readers and create a sense of national pride. This is particularly relevant as the UK has not won the contest since 1997, which adds a layer of urgency and hope to their participation.
Public Perception
This article aims to foster a positive perception of the group and the Eurovision event. By focusing on their artistic journey and camaraderie, it paints a picture of determination and ambition, appealing to readers who value underdog stories in the arts. The portrayal of the trio as relatable and hardworking performers may also resonate with audiences who appreciate authenticity in the entertainment industry.
Potential Omissions
While the article is largely celebratory, it may downplay the challenges faced by the group in the competitive landscape of Eurovision. There might also be unspoken concerns regarding the potential for failure, especially given the UK’s historical performance in the contest. Such omissions could be seen as a strategic choice to maintain a positive narrative.
Manipulation Assessment
The article appears to have a moderate level of manipulation, primarily through its selective emphasis on the trio's achievements and camaraderie. It encourages a particular emotional response from the audience, promoting a favorable view of the group while glossing over the difficulties inherent in competing on an international stage. The language used is uplifting and aims to inspire, which can be interpreted as a form of manipulation to generate support.
Credibility of the Information
The information presented seems credible, as it is based on the trio's personal experiences and achievements. However, the narrative is crafted in a way that may enhance their appeal rather than present a balanced view of their journey. The reliance on personal anecdotes and emotional statements may create a perception of authenticity, but it can also skew the overall representation of their challenges and the competitive nature of Eurovision.
Comparative Context
In comparison to other articles covering Eurovision, this piece stands out due to its focus on an all-female group, potentially drawing attention to gender representation in the music industry. Other articles may emphasize different aspects, such as competition mechanics or historical performances. This differentiation could foster a broader discourse on inclusivity in entertainment.
Potential Societal Impact
The enthusiasm generated by this article may enhance community support for the group and influence public interest in Eurovision. A successful performance could lead to increased visibility for the UK music scene and inspire future generations of female artists. Conversely, a poor performance might reinforce negative stereotypes about the UK's Eurovision prospects.
Target Audience
The article seems to appeal primarily to music enthusiasts, particularly those who support female artists and local talent. It may also resonate with audiences who enjoy uplifting stories of friendship and perseverance within the arts, thereby broadening its appeal.
Market Influence
While this article may not directly impact stock markets or global financial markets, it could influence sectors related to entertainment and music, particularly companies involved in Eurovision or those promoting UK artists. The success of Remember Monday could lead to increased investments in similar acts or events.
Geopolitical Relevance
Although the article does not directly address geopolitical issues, Eurovision often serves as a platform for cultural exchange and soft diplomacy. The UK's participation can be viewed in a broader context of national identity and cultural representation on an international stage.
AI Involvement
There is no clear indication that AI was used in crafting this article. However, elements of structured narrative and emotional appeal suggest a deliberate choice of language that could be influenced by AI writing models focusing on engagement and relatability. If AI were involved, it might have shaped the emotional tone and highlighted certain aspects of the trio's story to maximize reader engagement.
In conclusion, the article serves a specific purpose of promoting Remember Monday while creating an emotional narrative around their Eurovision journey. It successfully builds excitement but does so by selectively emphasizing certain elements of their story. Overall, the credibility is bolstered by personal anecdotes, though it may lack a comprehensive view of the challenges they face.