'The Kardashians used a song we wrote in a cupboard'

TruthLens AI Suggested Headline:

"Edinburgh Band The Eves Gains Recognition with Song Featured on The Kardashians"

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AI Analysis Average Score: 7.6
These scores (0-10 scale) are generated by Truthlens AI's analysis, assessing the article's objectivity, accuracy, and transparency. Higher scores indicate better alignment with journalistic standards. Hover over chart points for metric details.

TruthLens AI Summary

The Eves, an Edinburgh-based musical duo comprised of Caroline Gilmour and Marissa Keltie, have achieved a significant milestone by having their song 'Brand New Day' featured in the second season of the Kardashians reality show. Despite their modest beginnings, recording music in a cupboard during the pandemic, the duo's track was selected for a scene at the prestigious Met Gala, marking a notable moment in their burgeoning career. Caroline explains that their agent, who specializes in film and television, facilitated this opportunity, leading to an unexpected global audience for their music. The duo's journey began with a coffee meeting that blossomed into a creative partnership, as they discovered a shared passion for artists like Sheryl Crow and Lucie Silvas. Their first live performance at the Country to Country festival in Glasgow was both thrilling and nerve-wracking, as they had only recently penned their songs. This initial exposure helped them garner interest from record labels, including Sony and Universal, but the onset of the COVID-19 pandemic halted their momentum, leaving them to regroup and focus on their craft.

Despite the challenges faced during the pandemic, The Eves have continued to pursue their musical ambitions, regularly performing and releasing new music. They have opened for renowned acts like Sister Sledge and Belinda Carlisle, experiences that have further validated their talent. The duo has also turned down opportunities like Britain's Got Talent, preferring to maintain their artistic integrity rather than risk their credibility in the reality television arena. Alongside their music career, they are deeply involved in philanthropic efforts through Pico's Pack, a dog rescue initiative that supports abandoned animals in Serbia. Their commitment to both music and social causes reflects their dedication to making a positive impact. As they prepare to perform at the Liquid Rooms in Edinburgh, Caroline emphasizes the importance of live music, recalling a poignant moment when a fan expressed how their song resonated with her during a difficult time, underscoring the emotional connection that music can create.

TruthLens AI Analysis

The article presents an intriguing story about an Edinburgh band, The Eves, who managed to get their song featured on the reality show "The Kardashians." This narrative contrasts the band's humble beginnings with the glamorous lifestyle of the Kardashian family, highlighting themes of perseverance, creativity, and the intersection of different worlds in the entertainment industry.

Purpose Behind the Publication

The intent seems to be to inspire aspiring musicians by showcasing a success story that emerged from unexpected circumstances. By detailing how The Eves recorded their song in a cupboard and subsequently had it featured on a high-profile reality show, the article conveys that talent can be recognized regardless of one's initial status or resources. It serves to motivate others in the creative field to pursue their passions, illustrating that significant opportunities can arise from hard work and innovation.

Public Perception and Sentiment

This story likely aims to generate a positive sentiment toward independent musicians and the power of music in popular culture. By featuring a relatable success story, it fosters a sense of hope and encourages support for local artists. The contrast between the Kardashians' wealth and the band's humble beginnings may evoke empathy and admiration from the audience.

Information Omitted or Concealed

While the article focuses on the band's achievements, it may downplay the challenges they face as unsigned artists in a competitive industry. The narrative centers on their success without delving into the complexities of navigating the music business, potentially glossing over the struggles many musicians experience.

Manipulative Elements

The story's manipulative elements, if any, stem from its framing of success as an attainable goal for everyone. While the article is largely inspirational, it may unintentionally create unrealistic expectations about the ease of achieving similar recognition. The language used is uplifting, which could influence readers to pursue their dreams without fully understanding the hurdles involved.

Truthfulness of the Report

The reliability of the article appears high, considering it presents a specific story with identifiable individuals and events. However, while the details may be accurate, the overall narrative of easy success can be misleading.

Cultural Context

This piece reflects a broader cultural trend where independent artists gain visibility through unconventional means, often facilitated by social media and reality shows. It resonates with audiences who appreciate authenticity and relatability in a landscape dominated by commercial success.

Potential Societal Impact

This narrative could encourage more people to support local music scenes, possibly leading to increased attendance at gigs or investments in independent artists. The story may inspire young musicians to pursue their craft, thereby enriching the cultural landscape.

Target Audience

The article primarily appeals to music enthusiasts, aspiring musicians, and fans of the Kardashian brand. It resonates with those who appreciate stories of perseverance and creativity against the odds.

Market Influence

While the article may not directly impact stock markets or global economics, it underscores the growing relevance of independent musicians in popular culture. Companies involved in music production, streaming services, or talent management might take note of trends highlighted in such stories.

Geopolitical Relevance

There is no significant geopolitical relevance in this story. However, it can be seen as part of a larger narrative about cultural production in the entertainment industry.

Use of Artificial Intelligence

There is no evidence suggesting artificial intelligence was used in crafting the article. If AI were involved, it might have influenced the tone or structure to make it more engaging, but the personal story conveyed seems too nuanced for AI to have created independently.

This article serves as an uplifting reminder of the potential for success in the arts, encouraging readers to pursue their passions while highlighting the importance of supporting local talent.

Unanalyzed Article Content

It is a world away from the glamorous lifestyle of Kim, Khloe and Kourtney Kardashian. But an Edinburgh band managed to get one of their songs on the siblings'famous reality show- having recorded it in a cupboard. The Eves, made up of friends Caroline Gilmour and Marissa Keltie, saw their track Brand New Day appear on the second season of the Kardashians in 2022. Now the unsigned duo are hoping to record an album, as they juggle musical ambitions with daytime jobs. "An agent we were working with specialises in film and TV, and has access to our whole catalogue," says Caroline, explaining how they ended up soundtracking a scene wherethe Kardashians were at the Met gala. "We got an email one day saying the Kardashians show would like to use one minute of footage from Brand New Day, and we thought it was amazing – it went worldwide. "I turned a cupboard into a recording booth during the pandemic so we could work on songs remotely, and we'd performed vocals in the cupboard - and that was the song that went on the Kardashians!" However while the reality stars are famously wealthy, the Eves have had to scrap hard for any success. The duo had were aware of each other through Edinburgh's gigging scene, when Marissa suggested they get a coffee and discuss writing together. Caroline admits she wasn't exactly keen to shelve her solo plans, only to discover considerable chemistry in person, as they bonded over a shared love of the likes ofSheryl Crowand Lucie Silvas. Their ambitions only grew when they landed their first gig, playing Glasgow's massive OVO Hydro venue. Sort of... "It was forthe Country to Country festival, and although they have the main stage there's other stages there too," explains Marissa. "We were on the Record Store stage, but it was still our first gig and we're pulling up outside the Hydro to load in! "We'd literally only written our songs a few weeks before it, so it was one of our most terrifying gigs. It was a nice venue to start in…" Although the Eves couldn't have asked for a bigger start, the following years have seen a variety of ups and downs. Two years into the band's career, they were gigging regularly and picking up record company interest. Then the Covid pandemicbrought everything to a screeching halt. "The hardest part was that we had talks with Sony and with Universal," recalls Caroline, who works in financial services as her day job. "They were interested in working with us and it all faded away when the pandemic happened. We'd both been working up to this for years even before the Eves, and to be going down to London and having meetings… It was like we were so close to getting something." However the pair simply knuckled down and went back to work, with gigs and releasing music. The duo have picked up other admirers of their melodic harmony-led pop over the years, opening for the likes of soul legends Sister Sledge ("they told us we sounded great" says Marissa proudly) and Heaven Is A Place On Earth singerBelinda Carlisle, who left the friends starstruck and disappeared into the night in a limousine after her gig ended. It also led to the duo being approached by a scout for Britain's Got Talent, a proposition the Eves were uninterested in. "Everything is laid bare for the public to rip into rather than the talent being at the heart of it," says Marissa, who works as a model and voiceover actress when she's not gigging. "It's a bit pantomime and as much as it can make a career it can completely break any credibility you've built up." Instead the duo focused on other projects, releasing the EP Both Sides via the independentLast Night From Glasgow labellast year. They also have a non musical venture close to their hearts - the dog rescue team Pico's Pack, a volunteer partnership between Serbia and the UK that tries to help abandoned and abused street dogs in Belgrade. "Stray dogs don't get treated well in a lot of Balkan countries and it's really heart-breaking" say Marissa. "Pico's Pack tries to feed them and keep them alive. I was playing netball with a woman who was involved in them and mentioned it, and we paid to get a promo video. We built it up from there. "Fundraising is always hard but we've raised around £250k since we started." However music remains the duo's main priority. They return to the stage at the Liquid Rooms in Edinburgh on Saturday, and Caroline believes it's live music that still inspires the band to keep going. "We've had gigs where people tell us our songs made them think of something specific – we did a show with Skerryvore and this woman came up to us sobbing afterwards. "She'd lost her husband the day before but had still wanted to go to the show, and she said it made her think of him the whole way through. "We were all crying and hugging, but that's the human element of why it's important to keep doing what you're doing – because you're touching people."

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Source: Bbc News