Gangster tells BBC why India's biggest hip-hop star was murdered

TruthLens AI Suggested Headline:

"Gangster Goldy Brar Discusses Motives Behind Sidhu Moose Wala's Murder"

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AI Analysis Average Score: 7.9
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TruthLens AI Summary

The murder of Sidhu Moose Wala, a prominent Punjabi hip-hop artist, sent shockwaves across India, revealing the intricate ties between music, crime, and politics in the region. Moose Wala was shot dead while driving through his village in Punjab in May 2022, with the attack being executed by hired gunmen who left his SUV riddled with bullets. The incident was claimed by Punjabi gangster Goldy Brar, who asserted that the killing was a consequence of Moose Wala's perceived arrogance and mistakes that could not be overlooked. Despite the arrests of several individuals connected to the murder, the main orchestrator, Brar, remains at large, believed to be in Canada. The investigation has been hampered by the murky motives behind the killing, which some suggest was linked to Moose Wala’s connections to rival gangs and his involvement in a violent underworld that he often depicted in his lyrics. His rise to fame was marked by an exploration of identity and social issues in Punjab, which resonated with a broad audience, yet also drew the ire of gangsters who felt threatened by his influence.

Moose Wala's career, which began with his migration to Canada for engineering studies, quickly evolved into a musical phenomenon that challenged traditional norms in Punjabi music. His lyrics often touched on themes of violence, revenge, and political decay, paralleling the darker realities of life in Punjab. However, his growing prominence attracted the attention of notorious gangsters like Lawrence Bishnoi and Goldy Brar, leading to escalating tensions. The feud reportedly began when Moose Wala promoted a kabaddi tournament organized by Bishnoi's rivals, which angered the gangster. Following a series of violent incidents, including the murder of a mutual associate, relations between Moose Wala and Bishnoi soured irreparably, culminating in Moose Wala's assassination. The aftermath of his death has seen an alarming rise in gangster influence within the music industry and beyond, as extortion has become more prevalent, impacting not only artists but also local businesses. Brar’s unapologetic justification for the murder highlights the grim reality where gangsters feel justified in taking the law into their own hands, reflecting a breakdown of trust in the judicial system in India.

TruthLens AI Analysis

The murder of Punjabi hip-hop star Sidhu Moose Wala sent shockwaves through India, highlighting the intersection of celebrity culture and organized crime. The article delves into the chilling details surrounding his assassination, as well as the subsequent claims of responsibility by gangster Goldy Brar. The narrative presents a grim portrayal of Moose Wala's fate, raising questions about the broader societal implications of such violence.

Motivation Behind the Article

The purpose of this news piece appears to be to inform the public about the brutal realities of violence in India, particularly in the context of the entertainment industry. By providing insights from Goldy Brar, the article seeks to explain the motives behind the murder, which may evoke a mix of shock, fear, and curiosity among readers.

Public Sentiment and Perception

The article likely aims to create a sense of urgency and concern within the community regarding the safety of public figures and the pervasive influence of gang culture. It may also provoke discussions about the glamorization of violence in popular music and its real-life consequences, potentially fostering a critical view of how celebrity culture interacts with crime.

Potential Omissions or Concealments

While the article focuses on the motivations behind Moose Wala's murder, it may overlook broader systemic issues such as the socio-economic factors contributing to gang violence. The narrative might benefit from a more comprehensive exploration of the cultural and political environment in Punjab that allows such crimes to occur, which could lead readers to question what is not being discussed.

Manipulative Elements and Reliability

The article contains a significant level of detail, including direct quotes from Brar, which suggests a degree of reliability. However, the sensational nature of the content may also serve to manipulate public sentiment by focusing on the dramatic aspects of the murder rather than on preventive measures or societal solutions. It is essential to note that while the facts presented may be accurate, the framing of the story can influence public perception.

Cultural and Economic Impact

The news piece contributes to a larger narrative about crime in India, which could have implications for the music industry and public safety. The portrayal of Moose Wala as a victim of gang violence may affect how artists and fans engage with hip-hop culture, potentially leading to calls for change within the industry.

Audience Engagement

This article seems to resonate more with urban youth and fans of hip-hop culture, as well as individuals concerned about crime and safety in India. The emotional weight of the story may attract readers from various backgrounds interested in understanding the complexities of celebrity and violence.

Market Repercussions

While the immediate impact on stock markets may be minimal, the story could influence sectors related to entertainment and security. Companies involved in the music industry or security services may see shifts in public interest or investment depending on the public's reaction to the issue of violence in celebrity culture.

Geopolitical Relevance

The article does not directly address global power dynamics but highlights internal issues within India that may resonate with broader discussions about law enforcement and governance. The circumstances surrounding Moose Wala’s murder may reflect regional instability and could have implications for international perceptions of safety in India.

Artificial Intelligence Involvement

It is unlikely that artificial intelligence significantly influenced the article's content, given its reliance on firsthand accounts and investigative reporting. However, AI could have been used in data analysis to identify trends related to crime and celebrity culture, which might inform future reporting.

In summary, the reliability of this news article is supported by its factual basis and direct quotes, but its framing and narrative choices may steer public perception in specific ways. The complex interplay of crime, celebrity, and culture is a significant theme that resonates throughout the piece, reflecting deeper societal issues.

Unanalyzed Article Content

It was a killing that shocked India: Punjabi hip-hop star Sidhu Moose Wala shot dead through the windscreen of his car by hired gunmen. Within hours, a Punjabi gangster named Goldy Brar had used Facebook to claim responsibility for ordering the hit. But three years after the murder, no-one has faced trial - and Goldy Brar is still on the run, his whereabouts unknown. Now, BBC Eye has managed to make contact with Brar and challenged him about how and why Sidhu Moose Wala became a target. His response was coldly articulate. "In his arrogance, he [Moose Wala] made some mistakes that could not be forgiven," Brar told the BBC World Service. "We had no option but to kill him. He had to face the consequences of his actions. It was either him or us. As simple as that." On a warm May evening in 2022, Sidhu Moose Wala was taking his black Mahindra Thar SUV for its usual spin through dusty lanes near his village in the northern Indian state of Punjab when, within minutes, two cars began tailing him. CCTV footage later showed them weaving through narrow turns, sticking close. Then, at a bend in the road, one of the vehicles lurched forward, cornering Moose Wala's SUV against a wall. He was trapped. Moments later, the shooting began. Mobile footage captured the aftermath. His SUV was riddled with bullets, the windscreen shattered, the bonnet punctured. In trembling voices, bystanders expressed their shock and concern. "Someone get him out of the car." "Get some water." "Moose Wala has been shot." But it was too late. He was declared dead on arrival at hospital - hit by 24 bullets, a post-mortem would later reveal. The 28-year-old rapper, one of modern-day Punjab's biggest cultural icons, had been gunned down in broad daylight. A cousin and a friend who had been in the car with Moose Wala at the time of the ambush were injured, but survived. Six gunmen were eventually identified. They carried AK-47s and pistols. In the weeks that followed the murder, about 30 people were arrested and two of the suspected armed men were killed in what the Indian police described as "encounters". Yet even with arrests piling up, the motive remained murky. Goldy Brar, who claims to have ordered the hit, wasn't in India at the time of the killing. He is believed to have been in Canada. Our conversation with him unfolded over six hours, pieced together through an exchange of voice notes. It gave us a chance to find out why Moose Wala had been killed and to interrogate the motives of the man who claimed responsibility. Sidhu Moose Wala was born Shubhdeep Singh Sidhu in a Jat-Sikh family in rural Punjab, before moving in 2016 to Canada to study engineering - a journey familiar to hundreds of thousands in the Punjabi diaspora. But it was there, far from his village of Moosa - the inspiration for his rap name - that he reinvented himself as one of Punjabi music's most influential artists. In just five years, Moose Wala became the unmistakable voice of Punjabi hip-hop. With his signature swagger, flashy style, and lyrical grit, Moose Wala sang openly about identity and politics, guns and revenge, pushing the boundaries of what Punjabi music had been willing to say. He was fascinated by rapper Tupac Shakur, who had been murdered, aged 25, in 1996. "In terms of personality, I want to be like him," Moose Wala once told an interviewer. "The day he died, people cried for him. I want the same. When I die, people should remember that I was someone." Over a brief but explosive career, the singer spotlighted the darker undercurrents of India's Punjab region - gangster culture, unemployment, and political decay - while evoking a deep nostalgia for village life. Moose Wala was also a global force. With more than five billion views of his music videos on YouTube, a Top 5 spot in the UK charts, and collaborations with international hip-hop artists including Burna Boy, Moose Wala swiftly built a fan base stretching across India, Canada, the UK and beyond, powered by a diaspora that saw him as both icon and insurgent. But fame came at a cost. Despite his rising star and socially conscious lyrics, Moose Wala was drifting into dangerous territory. His defiant attitude, visibility, and growing influence had drawn the attention of Punjab's most feared gangsters. These included Goldy Brar, and Brar's friend Lawrence Bishnoi, who even then was in high-security jail in India. Not much is known about Brar, apart from the fact he is on the Interpol Red Notice list, and is a key operative in a network of gangsters operated by Bishnoi – orchestrating hits, issuing threats and amplifying the gang's reach. It is thought he emigrated to Canada in 2017, just a year after Moose Wala himself, and initially worked as a truck driver. Bishnoi, once a student leader steeped in Punjab's violent campus politics, has grown into one of India's most feared criminal masterminds. "The first [police] cases filed against Lawrence Bishnoi were all related to student politics and student elections… beating a rival student leader, kidnapping him, harming him," according to Jupinderjit Singh, deputy editor of Indian newspaper the Tribune. This led to a spell in jail which hardened him further, says Gurmeet Singh Chauhan, Assistant Inspector General of the Anti-Gangster Task Force of Punjab Police. "Once he was in jail, he started to get deeper into crime. Then he formed a group of his own. When it became an inter-gang thing, he needed money for survival. They need more manpower, they need more weapons. They need money for all that. So, for money, you have to get into extortion or crime." Now 31, Bishnoi runs his syndicate from behind bars - with dedicated Instagram pages and a cult-like following. "So while Bishnoi sits in jail, Brar handles the gangs," says Assistant Inspector General Chauhan. Securing BBC Eye's exchange with Brar took a year of chasing - cultivating sources, waiting for replies, gradually getting closer to the kingpin himself. But when we got through to Brar, the conversation cast new light on the question of how and why he and Bishnoi came to see Moose Wala as an enemy. One of the first revelations was that Bishnoi's relationship with Moose Wala went back several years, long before the singer's killing. "Lawrence [Bishnoi] was in touch with Sidhu [Moose Wala]. I don't know who introduced them, and I never asked. But they did speak," said Brar. "Sidhu used to send 'good morning' and 'good night' messages in an effort to flatter Lawrence." A friend of Moose Wala's, who spoke anonymously, also told us that Bishnoi had been in touch with Moose Wala as early as 2018, calling him from jail and telling him he liked his music. Brar told us that the "first dispute" between them came after Moose Wala had moved back to India. It began with a seemingly innocuous match of kabbadi - a traditional South Asian contact team sport - in a Punjabi village. Moose Wala had promoted the tournament which was organised by Bishnoi's rivals - the Bambiha gang - Brar told us, in a sport where match-fixing and gangster influence are rampant. "That's a village our rivals come from. He was promoting our rivals. That's when Lawrence and others were upset with him. They threatened Sidhu and said they wouldn't spare him," Brar told BBC Eye. Yet the dispute between Moose Wala and Bishnoi was eventually resolved by an associate of Bishnoi's called Vicky Middhukhera. But when Middukhera himself was gunned down by gangsters in a parking lot in Mohali in August 2021, Brar told us Bishnoi's hostility towards Sidhu Moose Wala reached the point of no return. The Bambiha gang claimed responsibility for killing Middukhera. The police named Moose Wala's friend and sometime manager Shaganpreet Singh on the charge sheet, citing evidence that Singh had provided information and logistical support to the gunmen. Singh later fled India and is believed to be in Australia. Moose Wala denied any involvement. The Punjab police told the BBC there was no evidence linking Moose Wala to the killing or to any gang-related crime. But Moose Wala was friends with Shaganpreet Singh, and he was never able to shake off the perception that he was aligned with the Bambiha gang - a perception that may have cost him his life. Although he can cite no proof of Moose Wala's involvement, Brar remains convinced that the singer was somehow complicit in the killing of Middukhera. Brar repeatedly told us that Shaganpreet Singh had assisted the gunmen in the days before Middukhera's shooting - and inferred that Moose Wala himself must have been involved. "Everyone knew Sidhu's role, the police investigating knew, even the journalists who were investigating knew. Sidhu mixed with politicians and people in power. He was using political power, money, his resources to help our rivals," Brar told BBC Eye. "We wanted him to face punishment for what he'd done. He should have been booked. He should have been jailed. But nobody listened to our plea. "So we took it upon ourselves. When decency falls on deaf ears, it's the gunshot that gets heard." We put it to Brar that India has a judicial system and the rule of law - how could he justify taking the law into his own hands? "Law. Justice. There's no such thing," he says. "Only the powerful can... [obtain] justice, not ordinary people like us." He went on to say that even Vicky Middukhera's brother, despite being in politics, has struggled to get justice through India's judicial system. "He's a clean guy. He tried hard to get justice for his brother lawfully. Please call him and ask how that's going." He appeared unrepentant. "I did what I had to do for my brother.  I have no remorse whatsoever." Outside the UK,watch on YouTube, orlisten on BBC.com The killing of Moose Wala has not just resulted in the loss of a major musical talent, it has also emboldened Punjab's gangsters. Before the singer's murder, few outside Punjab had heard of Bishnoi or Brar. After the killing, their names were everywhere. They hijacked Moose Wala's fame and converted it into their own brand of notoriety - a notoriety that became a powerful tool for extortion. "This is the biggest killing that has happened in the last few decades in Punjab," says Ritesh Lakhi, a Punjab-based journalist. "The capacity of gangsters to extort money has gone up. [Goldy Brar]'s getting huge sums of money after killing Moose Wala." Journalist Jupinderjit Singh agrees: "The fear factor around gangsters has risen amongst the public." Extortion has long been a problem in the Punjabi music industry, but now after Sidhu's murder, Singh says: "It's not just people in the music and film industry who are being extorted - even local businessmen are receiving calls." When BBC Eye quizzed Brar on this, he denied this was the motive, but died admit - in stark terms - that extortion was central to the gang's working. "To feed a family of four a man has to struggle all his life. We have to look after hundreds or even thousands of people who are like family to us. We have to extort people. "To get money," he says, "we have to be feared."

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Source: Bbc News