Six years after their original outing, actors Blake Lively and Anna Kendrick are back for “Another Simple Favor.” This time, a destination wedding on a sun-drenched Italian island is the backdrop to intrigue, murderous intent, and floppy hats the size of small parachutes. The sequel to 2018’s dark comedy “A Simple Favor” sees the cunning Emily (Lively) reunite with frenemy Stephanie (Kendrick) after the former’s early release from prison for double murder. The simple favor in question this time? “Will you be my maid of honor?” Emily asks — a surprising turn as Stephanie played a key role in the arrest and conviction of Emily years prior. Nonetheless, the two jet off to Capri, Italy, for the lavish wedding of Emily and the very suave and wealthy Dante (played Michele Morrone) where betrayal, snappy dialogue and vintage mob boss-inspired suits await them. Fans of Emily and Stephanie’s wardrobe in 2018 can look forward to more bold, opulent statement pieces and elevated looks, according to the film’s costume designer Renee Ehrlich Kalfus. “I’d say the whole of the picture was to attain more of a grand and over the top style,” Kalfus told CNN over email. “The costumes altogether were designed to be imposing and memorable.” When we first see Emily, her outfit leaves us in no doubt where she’s been these last few years. Her jumpsuit is a couture twist on the cartoonish striped getup of a jailbird. Her hooped earrings resemble separated handcuffs, and her belt reminiscent of one you might see on a member of a chain gang. Wedding bells and whistles Then there’s the highly-anticipated wedding itself. For the extravagant nuptials, director Paul Feig (who clearly knows a thing or two about on-screen weddings, having directed 2011 comedy “Bridesmaids”) took particular inspiration from one real life union. “Paul came to me and his team to tell us to look at this video of fashion editor, Giovanna Bataglia, marrying Oscar Englebert,” Kalfus says of the lavish gathering, also held on Capri. “He wanted his movie to have the look of grandeur, and he wanted us to create an ostentatious and gorgeous wedding.” One of the film’s most memorable garments is Emily’s one-of-a-kind wedding dress — complete with 40-foot veil — designed by Kalfus herself. The gown features a bustier and leggings made of latex courtesy of designer Renee Masoomian, with a satin skirt by Tirelli Costume House. “It is an unexpected mix of beauty and harshness,” Kalfus says — the garment an embodiment of how Emily herself could be described. The extravagant veil was bordered with hundreds of crystals dipped in blood-red as a “harbinger of things to come,” according to Kalfus. Suits you The dress — latex aside — is a surprisingly traditionally feminine look for Emily. Fans may remember her appearing in several tailored (and largely monochromatic) suits throughout “A Simple Favor” — a look which was inspired by the way Feig dresses in real life. “We were trying to figure out what Blake’s look was,” explained Feig in an on-set interview during the production of the first film. “Over the course of trying to figure it out, she became enamoured with the way I dress,” he added. Kalfus, who designed the looks for both films, adds that, “Both Blake and I, we looked at each other and go ‘somebody should dress like Paul, don’t you think?’ Every day he wears a three-piece suit.” Emily’s outfits ended up making their way off screen, with Lively promoting the first film in tailored pantsuits by Ralph Lauren, Roland Mouret and Vivienne Westwood among others. In the sequel, “Emily’s style is pushed, much more heightened,” according to Kalfus. Her dresses, accessories, and that hat — the striped number worn while descending a hotel’s grand staircase (that could block out the sun for a small village) — have all increased in size. Emily’s black and white lines, neckties and waistcoats are juxtaposed with Stephanie’s colorful floral sweaters and flowing skirts. You also see Emily’s dramatic couture going toe to toe with an often dressed down Stephanie — appearing in sweatshirts and sweatpants, “showing her reluctance to be part of the wedding,” Kalfus says. When Stephanie is in more formal attire, it errs towards a more youthful femininity, while Emily’s appears more mature and domineering, lending a “psychological edge” over Stephanie, Kalfus says. That “edge” may be the key as to why Emily’s looks are so striking. However, as Dante’s mother Portia (Italian actress Elena Sofia Ricci) says, “No amount of fashion can save this wedding from being a disaster.” She may just have a point.
Blake Lively packs her outrageously big hat for the destination wedding film of the year
TruthLens AI Suggested Headline:
"Blake Lively and Anna Kendrick Star in 'Another Simple Favor' Set Against an Italian Wedding Backdrop"
CNN
7.1
TruthLens AI Summary
Blake Lively and Anna Kendrick reunite for the much-anticipated sequel, 'Another Simple Favor,' six years after the original film captivated audiences. Set against the stunning backdrop of a sun-drenched Italian island, this dark comedy delves into themes of intrigue and betrayal, as the two characters navigate a complex friendship marked by past transgressions. In this installment, Lively's character, Emily, who has recently been released from prison for double murder, asks Stephanie (Kendrick) to be her maid of honor for a lavish wedding in Capri. This request is particularly surprising given Stephanie's involvement in Emily's previous conviction. The film promises a mix of snappy dialogue and stylish visuals, with the characters attending the extravagant nuptials of Emily and her wealthy fiancé, Dante, played by Michele Morrone. The costumes, designed by Renee Ehrlich Kalfus, aim to elevate the fashion stakes even higher than the first film, showcasing bold and opulent designs that reflect the characters' personalities and the film's extravagant setting.
The film's wedding scene is a central highlight, with director Paul Feig drawing inspiration from a real-life wedding to create a visually stunning event. Kalfus's designs include Emily's striking wedding dress, which features a dramatic 40-foot veil adorned with blood-red crystals, symbolizing the dark undertones of the narrative. The contrast between Emily's powerful, couture looks and Stephanie's more casual style adds depth to their characters, with Emily's outfits reflecting her complex persona. Kalfus notes that while Emily's fashion is more mature and domineering, Stephanie's attire embodies youthful femininity. This juxtaposition not only enhances the visual storytelling but also serves to underline the psychological dynamics between the two women. The film sets the stage for a captivating exploration of friendship, rivalry, and the unexpected twists that accompany a glamorous destination wedding, all while hinting at the potential chaos that lies ahead, as indicated by Dante’s mother’s ominous remark about the wedding's fate.
TruthLens AI Analysis
The article focuses on the return of Blake Lively and Anna Kendrick in the sequel "Another Simple Favor," presenting a story filled with intrigue set against a lavish Italian wedding backdrop. It highlights the characters' complex relationship, costume design, and the overall thematic elements of the film, which blend comedy with a darker narrative.
Purpose of the Article
This piece appears to serve the purpose of generating excitement around the film's release, leveraging the star power of Lively and Kendrick, and drawing attention to the film's lavish production values and intriguing plot twists. By emphasizing the film's unique setting and costume design, the article aims to capture the interest of potential viewers, positioning it as a must-see movie.
Public Perception and Sentiment
The article attempts to create a perception of glamour and high stakes within the narrative. By describing the extravagant wedding setting and the characters' tumultuous history, it invites readers to anticipate a blend of humor and drama, which may appeal to fans of the genre. The focus on fashion and visual elements also suggests a target demographic that values aesthetics alongside storytelling.
Information Omission
There is no evident attempt to conceal significant information in the article. However, the focus on fashion and comedic elements may overshadow deeper themes of betrayal and morality, which could invite a more critical analysis of the characters’ motivations and the consequences of their actions.
Manipulative Elements
The article has a moderate level of manipulativeness, primarily through its language that glorifies the characters and their fashion choices. It creates a sense of allure and excitement that may influence public perception positively, steering it toward a favorable reception of the film.
Authenticity of the News
The news appears to be credible, as it includes insights from the film's costume designer and references to director Paul Feig's previous work. The information aligns with the publicity surrounding the film’s release, suggesting that it is grounded in reality rather than speculative claims.
Target Audience
The article is likely aimed at fans of romantic comedies and those interested in fashion and celebrity culture. It caters to an audience that appreciates both the narrative and the visual spectacle of films, particularly those that feature strong female leads.
Potential Societal Impact
While this article may not directly influence broader societal, economic, or political landscapes, it contributes to the cultural conversation surrounding media representation and entertainment trends. By showcasing strong female characters and complex relationships, it may inspire discussions around these themes in a wider context.
Market Influence
The film's promotion could potentially impact sectors related to entertainment, such as streaming services and box office revenues. Companies involved in film production and distribution may see fluctuations in stock related to the film's success, particularly if it garners significant viewer engagement.
Global Context
In terms of global power dynamics, the film and its promotion reflect ongoing trends in Hollywood, where female-led narratives are becoming more prominent. This resonates with current discussions around gender representation in film, aligning with broader societal movements advocating for equality.
AI Usage in Writing
It is possible that AI tools could have been used in drafting this article to generate engaging language and structure. Elements such as stylistic choices and emphasis on fashion and visuals may reflect algorithmically derived trends in entertainment journalism, aiming to attract reader interest.
Overall, the article serves primarily as promotional content designed to build anticipation for a feature film, while incorporating elements that cater to specific audience interests in fashion and character dynamics.