Winner takes it all: Pride of Arras channels spirit of 70s for the Derby

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"Owner-Breeder Vimy Aykroyd's Pride Of Arras Emerges as Derby Contender"

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AI Analysis Average Score: 7.9
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TruthLens AI Summary

The Derby at Epsom, a race steeped in history since its inception in 1779, continues to capture the essence of thoroughbred racing, with the latest contender, Pride Of Arras, embodying the traditional spirit of the sport. Vimy Aykroyd, the owner of Pride Of Arras, has shown a deep commitment to the art of breeding and racing horses, much like the early owner-breeders who laid the foundation for the sport. Aykroyd, along with her husband David, bred Pride Of Arras from their mare Parnell’s Dream, a lineage that reflects years of planning and dedication. The emergence of Pride Of Arras as a strong contender for the Derby, following a successful run at the Dante Stakes, signifies a potential revival of the small-scale owner-breeder, a demographic that has faced challenges since the influx of wealth into horse racing from the late 1970s onward. This shift has seen large operations like Godolphin and Coolmore dominate, making the success of individual owner-breeders increasingly rare and desirable.

As the Derby approaches, it is surrounded by a sense of unpredictability, with an unusually large field of 19 lightly raced colts vying for the prestigious title. The potential for rain adds another layer of uncertainty, which could shift the dynamics of the race and open the door for unexpected outcomes. Pride Of Arras stands out not only for his lineage but also for his impressive performance in prior races, suggesting he has the stamina and capability to handle the Derby's demands. With prominent competitors like Delacroix and Ruling Court also in the mix, the race is poised to be highly competitive. Aykroyd remains grounded despite the excitement, emphasizing a patient approach as they look ahead to the race. The Derby, with its rich tradition and evolving landscape, remains a significant event in the racing calendar, and Pride Of Arras's story reflects the enduring passion and dreams that characterize the sport.

TruthLens AI Analysis

The article delves into the heritage and evolution of the Derby, drawing parallels between historical figures and modern-day participants in the event. It highlights the changing dynamics of horse racing ownership and breeding, particularly emphasizing the emergence of Pride of Arras as a strong contender for the Derby.

Historical Context and Evolution

The piece references the origins of the Derby, dating back to 1779, when decisions were made in a more personal and less commercialized manner. The narrative contrasts this with the current landscape dominated by wealthy owners and large operations like Godolphin and Coolmore Stud, indicating a significant shift in how the sport is approached and experienced. This context sets the stage for understanding the significance of new contenders like Pride of Arras.

Emergence of Pride of Arras

Pride of Arras represents a nostalgic return to the traditional values of horse breeding and ownership that characterized the sport for centuries. Its owner-breeder, Vimy Aykroyd, symbolizes the small-scale, passionate contributors to the racing world, presenting an alternative to the big-money players. This narrative not only serves to elevate Pride of Arras but also rekindles interest in grassroots participation in horse racing.

Perception and Public Sentiment

The article seems to aim to foster a sense of nostalgia and community among racing enthusiasts who may feel alienated by the commercialization of the sport. By highlighting the story of Pride of Arras, it appeals to those who appreciate the traditional aspects of horse racing, thereby generating a more positive public perception towards smaller-scale owners and breeders.

Potential Concealment of Issues

While the article glorifies the return of traditional values, it may inadvertently downplay the challenges faced by smaller owners in a predominantly commercial environment. The focus on one emerging horse could create an illusion that the landscape is more favorable for grassroots participants than it truly is.

Manipulation Assessment

The article’s manipulation rate appears low; it mainly presents a narrative that encourages a romantic view of horse racing. However, the emphasis on Pride of Arras as a symbol of hope for smaller owners could lead readers to overlook the larger systemic issues affecting the sport.

Reliability of Information

The article seems credible, as it references historical facts and provides context for the current state of horse racing. However, the romanticized portrayal of Pride of Arras may skew the reader's understanding of the broader challenges within the industry.

Community Support and Target Audience

The narrative likely resonates with traditional racing fans, small-scale breeders, and enthusiasts who value the sport's heritage. It targets a community that appreciates the personal stories behind the horses and their owners.

Economic and Market Implications

While the article primarily focuses on horse racing, it could indirectly influence markets related to horse breeding, racing, and associated industries. Stocks related to major racing operations might see fluctuations based on public sentiment stirred by stories like that of Pride of Arras.

Global Context

The piece does not directly impact global power dynamics. However, it reflects broader trends in sports commercialization that are relevant today. The emphasis on nostalgia might resonate with those seeking authenticity in various sectors amidst growing commercialization.

AI Involvement

The article's writing style suggests potential AI involvement, particularly in structuring the narrative and ensuring a coherent flow. AI models could have been utilized to analyze historical data and generate engaging narratives. This might subtly influence how readers perceive the significance of traditional values in modern racing.

Conclusion

Overall, the article presents a compelling story that celebrates the return of traditional values in horse racing, focusing on Pride of Arras as a beacon of hope for smaller owners. However, it could gloss over systemic issues faced by these owners in a commercialized environment. The reliability of the information is reasonable, but readers should remain aware of the broader context in which these narratives are situated.

Unanalyzed Article Content

Lord Derby and Sir Charles Bunbury, who flipped a coin in 1779 to decide whose name would be attached to a new race at Epsom, would still recognise the Derby’s switchback route around the Surrey downs if they could somehow be spirited along for the latest renewal of the Classic on Saturday. While so much else has changed at Epsom since Bunbury’s colt, Diomed, was the first winner nearly a quarter of a millennium ago, they would see a kindred spirit in Vimy Aykroyd, the owner of Pride Of Arras, one of the favourites to be the 246th.

Enthusiastic owner-breeders, mating the best with the best and then hoping for the best, were the bedrock of thoroughbred racing from its earliest days. For the first 200 years of Classics at Epsom, the typical winners were three-year-olds that had been bred and raced by owners with a lifelong passion for both sides of the game. Breeding a Derby winner was as much of an achievement, if not more so, than having it race in your colours.

The old way of doing things was swept aside by new money and sovereign wealth from the end of the 1970s as owners such as Sheikh Mohammed of Dubai and his three brothers compiled huge strings of horses and other major players were forced to compete. The small-scale owner-breeder, driven by the dream of striking it lucky at Epsom in early June, was suddenly an endangered species and as the big-money operations – Godolphin and Ireland’s Coolmore Stud in particular – dominated the Derby, it even seemed possible that they might be extinct.

As a result, there is a distinct sense of a 70s revival about the sudden emergence of Pride Of Arras as a leading contender. He raced once as a two-year-old, winning a minor race at Sandown in mid-August, and was an 18-1 outsider – and a 66-1 chance for the Derby – when he cantered to post for the Dante Stakes at York last month.One brisk dispatch of a useful field laterhe was down to 5-1 for Epsom.

Aykroyd, who bred Pride Of Arras with her husband, David, has four broodmares at her base in Yorkshire, including Parnell’s Dream, a mare who was also born and raised there and raced in her colours. She produced Pride Of Arras, her fourth foal, in 2022 after a mating with New Bay. While the first three were all winners, her latest ticket in the genetic lottery of thoroughbred breeding is a potential jackpot.

Pride Of Arras’s two-and-a-half minute run for glory is the result of many years of planning, patience and enthusiastic optimism. “We bought his grand-dam, Kitty O’Shea, privately from Coolmore. She had several foals and we kept Parnell’s Dream,” Aykroyd says. “She’s bred quite a few winners already but nothing of his calibre and we’re just incredibly lucky to have bred a horse with enormous potential.”

Kitty O’Shea, a daughter of the great stallion Sadler’s Wells, was sourced for the Aykroyds by the bloodstock agent Patrick Cooper, David Aykroyd’s nephew, who has already been involved with an Epsom Classic winner inSnow Fairy, who took the Oaks in 2010.

“It’s down to a lot of patience and a lot of luck,” Cooper says. “When the Aykroyds wanted to set up a small breeding operation, it was with the intention of breeding mile-and-a-half horses and to try to win the Oaks was the plan, but of course, we’d settle for the Derby.

“We bought two mares privately and neither was a great success, but the daughter of one of them has become a great success, so it’s been 15 years in the making.”

Ralph Beckett was an obvious choice to train Pride Of Arras, as the Aykroyds have had horses in the yard since he set up as a trainer nearly a quarter of a century ago. “I was brought up with Ralph’s father as a child, so I’ve known the family for years and when he started, I decided to have a horse with him. It’s gone on ever since,” she says.

“I’m very lucky to have a very good trainer and I’m a bit what will be, will be [about Saturday’s race]. I’ve been in racing since I was born so I’ve seen all the ups and downs and I’m just very excited about it all.”

There is an Abba tribute band on the schedule for Epsom’s popular music nights later in the year and the back-to-the-70s theme could be a winner on Saturday as well although Aykroyd will not get carried away. “I don’t think ahead [from the Derby],” she says. “One step at a time, you can get carried away by thinking ahead and then you get disappointed. I can’t see the point of that.”

The Derby looks as open as any running this century, with three horses vying for favouritism on Friday afternoon. The strong possibility of rain on Saturday adding a further layer of uncertainty as 19 lightly raced colts – the biggest field for 22 years – prepare for their one and only chance to win the sport’s most famous Classic.

It is a race with obvious potential for an upset, all the more so if significant rain gets into the ground, when even an 80-1 shot such as Lazy Griff, the Chester Vase runner-up, might suddenly become an each-way proposition. It is a contest where at least two of the three market leaders have significant questions to answer.

On the face of it, Delacroix, the Leopardstown trial winner, has plenty to recommend him. He quickened well in his trial, is the chosen ride of Ryan Moore, Aidan O’Brien’s stable jockey, from three possibles. UnlikeRuling Court, the 2,000 Guineas winner, it is fair to expect him to get the trip, even if it may not bring much improvement in a colt who is seven races into his career.

On the minus side, his last race had little depth, the runner-up has been steered around Epsom and Moore seemed unsure about his ride until late in the day. The view at Ballydoyle seemed to be that The Lion In Winter was their prime contender until his defeat behind Pride Of Arras in the Dante at York, which suggests in turn that the Dante may have been the strongest of the trials.

If so, then Damysus, the runner-up, and Nightwalker, who ran on well into fifth from some way off the pace, deserve to enter the conversation, but there is no compelling reason why either colt – with three and five starts respectively – should improve past the twice-raced winner.

Pride Of Arras has more scope for progress than any of the beaten horses at York. He is the son of a strong-staying mare with few concerns about stamina and is expected to handle the conditions if the going turns soft. His stable companion, Stanhope Gardens, and the unbeaten French challenger Midak could be significant threats, but at around 9-2,Pride Of Arras (3.30)can emerge from the pack as the 246th winner of the Derby.

Epsom 1.00:David Menuisier’sSironahad decent form on an easy surface last autumn and Ryan Moore, who was aboard for her sole win in 2024 in a Listed race at Newmarket, is back in her saddle.

Epsom 1.35:The versatileDocklandshas not added a win to his record since the Britannia Handicap at Royal Ascot two years ago, but he has been impressively consistent much better company. Sardinian Warrior, who beat him by half a length at Ascot last time, was a length away from a Group One win next time and Harry Eustace’s five-year-old faces nothing of that standard here.

Epsom 2.10:The high numbers are generally favoured on the straight course when there is ease in the ground and the front-runningRuby’s Profit,who made all to win well at Goodwood last time, has a perfect pitch in stall 19.

Epsom 2.45:Tees Spiritlanded this speed test three years ago, goes on any ground and has a fine draw in stall 16 as he bids for a repeat.

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Source: The Guardian