Turnstile review – punk crossover quintet bring the heat to Brooklyn

TruthLens AI Suggested Headline:

"Turnstile Celebrates New Album Release with Energetic Concert in Brooklyn"

View Raw Article Source (External Link)
Raw Article Publish Date:
AI Analysis Average Score: 6.2
These scores (0-10 scale) are generated by Truthlens AI's analysis, assessing the article's objectivity, accuracy, and transparency. Higher scores indicate better alignment with journalistic standards. Hover over chart points for metric details.

TruthLens AI Summary

On a scorching 86-degree day in Brooklyn, approximately 9,000 fans gathered Under the K Bridge to celebrate the release of Turnstile's new album, Never Enough. The event, dubbed 'Turnstile summer' by Charli XCX, marked a significant milestone for the Baltimore-based hardcore band, which has been making waves in the mainstream music scene. Following their 2021 album Glow On, which showcased a blend of heavy riffs and melodic elements, Turnstile has garnered three Grammy nominations, opened for Blink-182, and received notable recognition at events like Coachella and Jimmy Fallon’s Tonight Show. The concert was a vibrant spectacle, characterized by an energetic atmosphere where the audience passionately sang along to the title track, Never Enough, almost as if they had known it for years, despite its recent release.

The band’s performance was a high-octane affair, featuring a 23-song set that heavily favored songs from Glow On, with crowd favorites like Mystery and Holiday eliciting enthusiastic responses. Turnstile’s frontman, Brendan Yates, engaged the audience with his dynamic stage presence, encouraging crowd-surfing and moshing throughout the show. The band also introduced new material, such as I Care, which received a warm reception from fans familiar with their recent television appearance. A highlight of the night was the surprise guest appearance by Hayley Williams, who joined the band for a lively rendition of Seein’ Stars, much to the delight of the audience. The concert concluded with Birds, one of the first singles from Never Enough, leaving attendees exhilarated and reinforcing the sentiment that Turnstile's live performances are an essential experience for fans of the genre.

TruthLens AI Analysis

The article captures the excitement surrounding Turnstile's recent album release concert in Brooklyn, highlighting the band's rise in popularity and their blending of musical genres. It offers a glimpse into the cultural significance of the event, celebrating not just the music but also the communal experience shared among fans.

Purpose of the Article

By focusing on the vibrant atmosphere of the concert and the band's achievements, the article aims to promote Turnstile as a leading force in the music scene, particularly within the hardcore and punk crossover genres. It also serves to reinforce the idea of "Turnstile summer," a phrase that evokes a sense of community and shared joy among fans.

Public Perception

The piece likely aims to create a positive perception of Turnstile, showcasing their ability to attract large crowds and their growing mainstream recognition. This portrayal can enhance the band's image as not only a hardcore band but as a versatile act that appeals to a broader audience.

Concealed Information

While the article celebrates the band's success, it may downplay any potential criticisms regarding the commercialization of punk music or the dynamics within the hardcore scene. There is no mention of dissenting voices or the nuances of the band's evolution, which could be relevant to their fanbase.

Manipulative Elements

The article leans towards a celebratory tone, which could be seen as manipulative in terms of shaping public opinion to favor Turnstile. The language used emphasizes the energy and excitement of the concert, potentially overshadowing any critical perspectives on the band’s shift in style or industry pressures.

Truthfulness of the Content

The details provided, such as the attendance figures and the descriptions of the concert atmosphere, seem credible, reflecting the author's firsthand observations. However, the overall narrative is heavily positive, which may limit a more balanced view of the band's current status.

Cultural Narrative

The article contributes to a cultural narrative that values musical diversity and community experiences. It positions Turnstile within a larger context of genre-blending, which is increasingly popular in contemporary music, thus appealing to a diverse audience.

Connections to Other News

When compared to other articles in the music industry, this piece fits into a trend of highlighting live music experiences as pivotal cultural moments. It shares similarities with coverage of other emerging artists who are gaining traction, suggesting a broader movement within the music landscape.

Impact on Society and Economy

Events like the Turnstile concert can stimulate local economies through increased foot traffic and spending in surrounding areas. They may also reflect broader societal trends toward live entertainment and community engagement post-pandemic.

Target Audience

The article seems to appeal primarily to younger audiences and those within punk and hardcore music communities. It also targets casual listeners who may be curious about the band’s rise and their new music.

Market Influence

While this article may not directly impact stock prices, it highlights trends in the music industry that can influence associated businesses, such as concert venues, merchandise sales, and streaming platforms. Investors in these sectors may find the band's rising popularity noteworthy.

Global Context

The article does not directly address global power dynamics but reflects a cultural moment that can resonate widely, particularly among youth culture. The emphasis on music as a unifying experience speaks to broader themes of connection and identity in a fragmented world.

Use of Artificial Intelligence

It is unlikely that AI was used in the writing of this article, as the personal observations and emotional nuances suggest a human touch. However, if AI were employed, it might have influenced the style to emphasize excitement and community.

The analysis reveals that the article, while largely celebratory and positive, is somewhat one-dimensional in its portrayal of Turnstile. It effectively builds a narrative around the band's success but may overlook critical perspectives, making it essential for readers to seek out a variety of viewpoints for a fuller understanding of the band's impact and the music scene.

Unanalyzed Article Content

It’s only fitting that “Turnstile summer” – coined byCharli xcxherself – would kick off on Brooklyn’s hottest day yet. About 9,000 sweaty people crammed Under the K Bridge (yes, it’s literally under the Kosciuszko Bridge) on the 86F day to celebrate the release of the hardcore band’snew album, Never Enough.

And there was plenty to celebrate for the Baltimore-based group, who have found themselves on the edge of the mainstream. Following their2021 album Glow On, where frontmanBrendan Yatestraded in some screaming for singing over a blend of heavy riffs, soul and even dream pop, Turnstile has picked up three Grammy nominations, opened for Blink-182, received the aforementioned Charli xcx shoutout at Coachella and, this past week, found themselves onJimmy Fallon’s Tonight Showto promote Never Enough.

Their new album takes Glow On’s blueprint and expands on it with hints of the Police, jazzy flutes, and guest spots from Hayley Williams and Dev Hynes, but Turnstile is still a hardcore band at heart. The album release concert was a chaotic, wild affair – the kind of show where you can’t keep both feet on the ground at the same time (and if you do, you might end up losing your shoe, like the man next to me did).

They opened with the title track, Never Enough, and even though the single had been released only weeks earlier, nearly every person in the audience sang it back to Yates as loudly as possible – ready to celebrate a new album and new era. The band wasted no time quickly launching into TLC (Turnstile Love Connection), and you could feel the energy reverberating off the bridge above the stage. The crowd exploded, feeding off Yates’s energy as he bounced around the stage, as fan after fan crowd-surfed toward the stage, limbs flailing everywhere.

The end-to-end mosh pit didn’t let up for the 23-song set, the crowd hungry for more after each song. Everyone breathed a sigh of relief whenever a slight breeze would pass through the tightly packed crowd, only to quickly return to dancing, moshing and crowd surfing.

The setlist was unsurprisingly heavy on Glow On, with Mystery and Holiday getting some of the biggest reactions from the crowd. Yates would hold the mic stand in the air, no need to sing, as the crowd was doing it loudly enough for him. Despite Glow On’s dominance, the band also pulled out some older cuts that had the crowd shouting in excitement, including 7 off of 2013’s Step 2 Rhythm.

One of the few moments Yates spoke to the audience was to introduce I Care, which the band was performing for a live audience for the first time. It was clear a good chunk of the crowd saw their Fallon performance – or were just quick to pick up the simple chorus – repeating the hook back to him. Despite the crushingly emo lyrics of heartbreak (“But do you really want to fall apart? / And do you really want to break my heart in two?”), they were all dancing to the 80s-style pop groove.

The biggest surprise of the night came near the end of the show, as Williams kick-danced her way to the center of the stage in bright red boots to join the band for Seein’ Stars. While you can barely make her out on the studio version, Williams took center stage at Under the K Bridge, belting out the song as Yates bounced closer to the back of the stage. There’s no denying the cars on the bridge above must have heard the crowd’s reaction as the two sang the chorus together, arm in arm.

The night ended with one of the first singles off Never Enough, Birds. The heavy guitar rhythm – reminiscent of No Doubt’s Hella Good – was the perfect endnote to a powerful show. As their previous album’s song No Surprise puts it: “You really gotta see it live to get it.”

Back to Home
Source: The Guardian