At the start of The Vaster Wilds, we meet a servant girl, “bony and childish small”, on the run from a disease-ridden English settlement in Jamestown, Virginia. The reason for her flight is not immediately disclosed, though her fingernails are tellingly bloody. Armed with a knife, a thick cloak stolen from her mistress and leather boots taken from a dead child, she heads out into the winter wilderness. There, in the face of ice storms, potentially hostile Powhatan villages and a soldier charged with task of capturing her “living or dead”, she must be fearless and resourceful to stay alive.
Lauren Groff’s vivid and visceral story of survival – think Man vs Wild meets The Revenant – is set in the early 17th century when smallpox and starvation pose the greatest threat to life. Our protagonist, formerly the child of a prostitute living in a London poorhouse, was given the name Lamentation as an infant but has spent most of her life known as “girl” – “Think not of it, girl,” she murmurs while contemplating the bleakness of her situation. We follow her as she builds fires, skins squirrels, forages for grubs and berries and sprints across frozen rivers, her plight set against the deprivation and patriarchal violence of the so-called new world.
Our narrator is seasoned voice actor January LaVoy, whose reading is compelling and incantatory, drawing out the dark lyricism of Groff’s writing. As the girl pushes on through the cold and her own physical pain, she observes the shards of sunlight in the frozen forest and is awed by the “perfect beauty” of her surroundings. And so, in turn, are we.
Available via Penguin Audio, 7hr 5min
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