The Last of Us recap: season two, episode six – many happy returns (of Joel)

TruthLens AI Suggested Headline:

"The Last of Us Season Two Episode Six Explores Joel and Ellie's Evolving Relationship"

View Raw Article Source (External Link)
Raw Article Publish Date:
AI Analysis Average Score: 7.2
These scores (0-10 scale) are generated by Truthlens AI's analysis, assessing the article's objectivity, accuracy, and transparency. Higher scores indicate better alignment with journalistic standards. Hover over chart points for metric details.

TruthLens AI Summary

In the sixth episode of season two of 'The Last of Us,' viewers are treated to an extended flashback that explores the evolution of Joel and Ellie’s relationship over several years. The episode begins with a poignant scene set in 1983 Austin, Texas, where a young Joel is seen covering for his younger brother Tommy, showcasing the themes of familial loyalty and the cycle of violence within their upbringing. This backstory introduces Joel's complex character and sets the tone for the father-daughter dynamic that unfolds throughout the episode. As the narrative jumps forward in time, we witness significant milestones in Ellie’s life, including her 15th and 16th birthdays, where Joel attempts to provide her with a semblance of normalcy and joy amid the harsh realities of their world. The episode effectively balances moments of levity, such as Joel's awkward attempts to discuss puberty with Ellie, with the underlying tension of their survivalist existence.

As the timeline progresses, the episode delves deeper into the challenges faced by both characters as Ellie matures into a young adult. Joel's protective instincts clash with Ellie’s burgeoning independence, leading to a pivotal moment when he awkwardly intervenes during a date that embodies the typical fears of an overprotective father. The narrative culminates in a heartbreaking confrontation where Ellie demands the truth about past events, particularly regarding a traumatic incident in Salt Lake City. This moment not only tests their bond but also foreshadows the impending tragedy that looms over their relationship. The episode concludes with a glimmer of hope as Ellie expresses her desire to rebuild trust with Joel, setting the stage for the emotional stakes leading into the season finale. Overall, this episode serves as a reflective exploration of love, loss, and the complexities of human relationships in a post-apocalyptic world.

TruthLens AI Analysis

The article provides an in-depth recap of the sixth episode of the second season of "The Last of Us," highlighting significant character developments and narrative choices made by the showrunners. It evokes a sense of nostalgia and intrigue while addressing the audience's emotional connection to the characters, particularly Joel and Ellie. By focusing on the return of Joel and exploring his backstory, the article aims to engage fans who have been invested in the series.

Intent Behind the Article

This piece aims to analyze the show's narrative direction while keeping fans informed about the story's progression. By discussing character arcs and the choices made by the creators, the article emphasizes the importance of character development over mere plot advancement. The intention seems to be to maintain audience interest and excitement for the series, particularly after a major character's death.

Audience Perception

The article seeks to create a positive perception of the show's creative choices, particularly in how it handles character relationships and past events. It suggests that the showrunners are thoughtfully crafting a narrative that respects the source material while also expanding the lore. This can foster a sense of trust among viewers that the series is in capable hands.

Potential Omissions

While the article praises the show, it may overlook criticisms regarding pacing or the potential dissatisfaction among fans who prefer a closer adherence to the original game. By focusing primarily on the positive aspects of the episode, it may not address concerns some viewers might have about the show's trajectory or character decisions.

Manipulative Elements

The article leans towards a positive portrayal of the episode, which could be seen as slightly manipulative if it ignores valid critiques. The language used is predominantly appreciative, which may influence readers to share similar sentiments without considering opposing viewpoints. This could reinforce a unidimensional perspective on the show.

Trustworthiness of the Article

The article appears to be reliable as it provides a recap based on the episode's content and character development. However, its positivity could suggest a lack of critical analysis, making it essential for readers to seek additional perspectives for a well-rounded understanding of the show's reception.

Connections to Broader Themes

This discussion about "The Last of Us" may resonate with broader themes in television, such as the adaptation of video games and the evolving landscape of storytelling in media. By examining how different narratives are developed, it aligns with current trends in entertainment, particularly the rise of adaptations.

Impact on Communities

The article likely appeals to fans of the original game, as well as new viewers who appreciate character-driven storytelling. It fosters a community around shared interests in the series, potentially strengthening viewer loyalty and engagement.

Economic Implications

While the article itself may not directly affect stock markets, the success of "The Last of Us" can influence related industries, such as streaming services and merchandise. Companies involved in these areas may see changes in their stock values based on the show's reception and viewership metrics.

Geopolitical Relevance

The article does not specifically address geopolitical issues but reflects cultural trends in media consumption. The popularity of adaptations can influence global entertainment dynamics, showcasing how stories resonate across different cultures.

Role of Artificial Intelligence

It is possible that AI tools were used in drafting the article for language optimization or summarization. However, any influence on the narrative style seems limited, as the piece maintains a human touch in its emotional engagement. The use of AI could suggest an emphasis on efficiency and accessibility in news reporting.

The overall analysis of the article indicates that while it is mostly trustworthy and engaging, its positive bias may limit critical discourse regarding the show. Readers should consider additional sources for a comprehensive understanding of the series and its implications.

Unanalyzed Article Content

This article contains spoilers for theThe Last of Usseason two. Please do not read unless you have seen episodes one to six.

Back in early 2023 The Last of Us launched toadmiring reviewsand millions of viewers around the world. When it wasquickly renewed for a second seasonthere was speculation about how showrunners Craig Mazin and Neil Druckmann would approach the task. Would they skip straight to adaptingthe second (and so far final) video game, which picks up the action five years after the original? Or would they take a more scenic route, inventing new post-apocalyptic adventures for surrogate father-daughter duo Joel (Pedro Pascal) and Ellie (Bella Ramsey) to have during that considerable time gap? It would certainly be an easy way to eke another lucrative season or three out of the source material.

In the end, Mazin and Druckmann chose to remain faithful to the video game byjumping five years aheadandbrutally killing off Joelin the early running. But tonight’s extended flashback episode shaded in some details of what happened in the interim. Like a stone skipping over a gorgeous Wyoming lake, it jumped ahead a year at a time (rather like the recent final season ofAndor) to track the ebb and flow of Joel and Ellie’s relationship as she matured from rebellious young teen to even more rebellious older teen.

For those who had been keenly feeling the absence of Joel, an hour in the company of Pascal as he tried to whittle down some of his character’s more anguished edges felt like a thoughtful, handcrafted gift. There was also an all-too-brief but memorable appearance from Joe Pantoliano. But first there was the surprise of seeing Joel himself as a scowling, defiant teen.

An opening flashback to Austin, Texas, in 1983 sees young Joel and Tommy stressing about their father coming home. It’s obvious that Tommy has done something very naughty but Joel is determined to take the blame so that his younger brother avoids a beating. The first surprise is that Mr Miller (played by Tony Dalton) is a cop. The second is that his approach to disciplining Joel – whom he instinctively knows is covering for his sibling – involves offering him a can of beer. As they sip their Buds, Miller Sr tells a story from his own childhood about being caught shoplifting. His vengeful father broke his jaw with one punch. He is clearly aware that raising his hands to his own sons is perpetuating a cycle of violence. But by not sending them to the hospital he thinks he is at least managing to do things “a little better than my father did”.

After the credits, we are still in flashback mode but it is now two months since Joel and Ellie got back to Jackson Hole at the end of season one. Joel is preparing a surprise for Ellie’s 15th birthday, trading salvaged Legos with gruff bartender Seth (Robert John Burke) to secure a cake and some materials he needs to restore an acoustic guitar. But his Repair Shop-style woodworking reverie is interrupted by Tommy (Gabriel Luna) rushing an injured Ellie back to the house.

While working in the settlement’s kitchen she badly burned her forearm on a cooking pot. It’s obvious Ellie did this deliberately to obscure the suspicious bite mark on her arm. The injury does not put a dampener on her birthday celebration the next morning, but it does mean she cannot actually strum the acoustic guitar that Joel has given her. He allows himself to be cajoled into performing a rough cover of Pearl Jam’sFuture Days. It earns him some uncharacteristically high praise from Ellie: “Well … that didn’t suck.”

One year later, Joel and Ellie are on a ramble to mark her 16th birthday. Perhaps inspired by being out in nature, Joel attempts to broach the subject of the birds and the bees, which goes about as well as you might imagine. (“You mean dicks and vaginas?” is the response.) But while Ellie has had to grow up fast, Joel seems obsessed with carving out space for some happy childhood experiences. He has planned this trip to a ruined Wyoming museum so Ellie can see an actual Apollo space capsule and, at least for a moment, imagine what it might be like to leave their compromised world behind. Her joy is palpable.

Another year later, things aren’t going quite as smoothly. Joel’s attempt to surprise Ellie with a 17th birthday cake sees him awkwardly gatecrashing a date that ticks off every fear in an overprotective parent’s nightmare: sexual experimentation, drug use and getting a tattoo. Joel even finds himself reaching for a hoary old mantra that will probably outlast any apocalypse: “This is my house, and when you’re under my roof …” But after a quick consultation with town shrink Gail (Catherine O’Hara) Joel seems to see the sense in giving Ellie her own space by letting her move into the garage. He even has some complimentary words about her new moth tattoo.

This time the jump ahead is two years, to Ellie’s 19th birthday, and by now she and her Nirvana posters are fully installed in the garage. We eavesdrop as she rehearses asking Joel some awkward questions about what really happened in Salt Lake City. Five years on, she has begun to realise his story about how they escaped does not stand up to scrutiny. She is interrupted by Joel, who is belatedly granting her desperate wish to go out on patrol. It will turn out to be a baptism of fire.

An emergency call over the radio sends Joel and Ellie racing to protect another patrol from an infected attack. It is too late for poor Adam but they see a confused Eugene (Joe Pantoliano), who reveals that he has been bitten. All he wants to do is get back to the outskirts of Jackson before he turns so he can say goodbye to his wife, Gail. Under pressure from Ellie, Joel agrees to help. But after he sends Ellie to retrieve their horses it seems that his plan all along was to escort the doomed Eugene to the shore of a peaceful lake and shoot him there.

As the pair ride back to the settlement, dragging Eugene’s body, Joel impresses on Ellie that he intends to tell Gail “what she needs to know and nothing more”. She now has stomach-churning confirmation that Joel will flat-out lie if he thinks it serves a greater good. But when faced with Gail’s grief Ellie refuses to let Joel sugarcoat what happened and tells everyone the truth: Joel shot him in the head.

There is one final time jump, to nine months later and the New Year’s Eve shindig fromthe opening episode. We see the dancefloor confrontation between homophobic Seth and the canoodling Ellie and Dina from Joel’s point of view as he unwisely wades in. But we also see more of the aftermath, as he and Ellie have a bruising heart-to-heart on their porch. She gives him “one last chance” to tell the truth about what happened in Salt Lake City, but it is so traumamatic that Joel cannot even speak. All he can do is shake his head or nod as Ellie works through her questions and finally gets truthful answers. This is the point where their relationship could shatter for ever. But there is still room to end on an unlikely glimmer of hope. “I don’t think I can forgive you for this,” says Ellie. “But I would like to try.” Is it uplifting to know that our heroes could have rebuilt their relationship? Or is it even more heartbreaking to hear with the foreknowledge that Joel is fated to die the very next day?

If Dalton and his moustache looked familiar, he has appeared in Disney+ Marvel showsHawkeyeandDaredevil: Born Againas New York socialite Jack Duquesne, AKA dashing vigilante Swordsman. Dalton will also star in forthcoming PlayStation 5 gameIntergalactic: The Heretic Prophetfrom The Last of Us creators Naughty Dog.

Yes, Pearl Jam didn’t release the songFuture Daysuntil 2013, which makes it a little weird to hear Joel covering it when the world-wrecking outbreak took place back a decade earlier. Maybe 2003 megahitBring Me to Life by Evanescencewould have been more fitting?

The actualApollo 15command module is on display at theNational Museum of the United States Air Forcein Dayton, Ohio rather than an overgrown museum in Wyoming.

Next week: it’s back to Seattle forthe season finale, which seems to have come up very fast. Start the countdown …

What did you think? Was this a fitting sendoff for Joel? Do you feel ready for the season to end? Have your say below, but please avoid spoilers from the game …

Back to Home
Source: The Guardian