Six great reads: tradwives v radwives, hollowed-out London and the last musical genius?

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"Cultural Reflections: From Personal Relationships to Community Spaces and Music Innovation"

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As individuals reach significant life milestones, such as turning 40, many engage in self-reflection regarding their personal lives. This is exemplified by Matt, who, despite achieving traditional markers of adulthood, such as a college degree and a fulfilling career, has never experienced a romantic relationship or sexual partnership. This situation raises questions about the implications of a culture steeped in abstinence and 'purity' teachings, particularly among Christian men in the United States. Jessica Bateman explores how these values may shape their sex lives and romantic prospects later in life, highlighting the potential consequences of such ideologies on personal connections and intimacy.

In a different context, the Prince Charles Cinema, a cherished venue for film enthusiasts and even favored by directors like Christopher Nolan, faces an uncertain future due to a conflict with its billionaire owner. Will Coldwell emphasizes that the challenges confronting the cinema symbolize broader issues affecting cultural and community spaces in London, where rampant commercialism threatens the city's cultural diversity. Additionally, Leah Harper investigates the societal obsession with height in dating, particularly within heterosexual relationships, following Tinder's controversial trial of a height filter for premium users. This fixation raises concerns about whether such preferences hinder genuine connections. Meanwhile, Alexis Petridis interviews Slick Rick, a prominent figure in hip-hop, who reflects on his long hiatus from music and the innovative influences that have shaped his work over the years. Lastly, Morwenna Ferrier discusses the rise of the 'tradwife' phenomenon amidst a cost-of-living crisis, contrasting it with the more realistic and relatable 'radwife' concept, which resonates with modern mothers balancing their responsibilities amidst societal pressures.

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“Like many people, reaching the age of 40 inspired Matt to do some self-reflection. He had achieved many hallmarks of adulthood: a college degree, a career he enjoyed, and two beloved dogs. But he’d never had a relationship, or even a sexual partner.”Scores of Christian men in the United States have been raised on ideas of abstinence and “purity” – what, asked Jessica Bateman, does that mean for their sex lives later on?

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The Prince Charles Cinema is beloved by film-lovers and counts the like of Christopher Nolan as a fan. But its future is at risk due to a David v Goliath battle with its billionaire owner. Writes Will Coldwell:“To many, what was happening to the Prince Charles Cinema was about something bigger than a negotiation over rent. It was about the persistent threat of closure that so many cultural and community spaces in London face, the impact of rampant commercialism on the city’s cultural diversity, and the seemingly unchecked power that developers wield.”

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In pop, which equates genius with innovation, recent artists have not pioneered new forms like those from the 60s. Has, asks Rachel Areosti, the digital age sidelined invention and promoted the derivative for ever?

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“Height is often seen as a dealbreaker when it comes to romance, particularly within heterosexual relationships. But when Tinder recently said that it was trialling a feature that allows some premium users to filter potential matches by height, it quickly proved controversial. “Oh God. They added a height filter,” lamented oneReddit thread, while an X user claimed: ‘It’s over for short men.’”

What is behind the ‘6ft fixation’ in dating – and could it be scuppering the chance of true connection? Leah Harper set out to find out.

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Slick Rick, writes Alexis Petridis, “remains the rapper’s rapper, the most-sampled hip-hop artist in history”. In this brilliant interview the British-born artists explains why it’s been more than quarter of a century since his last album and why he was inspired by the production techniques of Alvin and the Chipmunks.

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“For the uninitiated:the tradwifeis a married woman, usually conservative and/or Christian, usually white (though not always), of the belief that her place is in the home. She is feminine, usually kempt, often dressed likeBetty Draper, but increasingly workout gear in neutral tones too. Though at home, she is not a stay-at-home mother, rather someone who performs as if she is, documenting her life in dizzying, up-close fashion for us to wonder: who’s doing the potty training?”Morwenna Ferrier isn’t, she writes, the first wrung-out mother to take umbrage with this sort of performance. But, as the cost of living crisis squeezes, the fantasy of escaping into being a wife and mother becomes more vivid and, for realistic mothers whose life is a delicate balance between task and failure, app-reliance and guilt, maybe we should lean in to the term “radwife”.

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Source: The Guardian