Richard Flanagan: ‘When I reread Evelyn Waugh’s Scoop it had corked badly’

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"Richard Flanagan Reflects on His Literary Influences and Personal Reading Journey"

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Richard Flanagan shares his literary journey, beginning with fond childhood memories of his mother reading Kenneth Grahame's "The Wind in the Willows" in a small mining town surrounded by rainforest. The comforting sound of rain on the tin roof became a backdrop for his love of reading, which flourished at the local library where he explored a myriad of genres, from comics to pulp fiction. As he grew older, books became a means of self-discovery and exploration, with each new read offering fresh insights into life and the adult world. His teenage years were marked by a profound encounter with Albert Camus's "The Outsider," where he absorbed the text not as a revelation but rather as a powerful experience that shaped his understanding of literature.

Flanagan recounts pivotal moments in his writing journey, including a transformative experience with Kafka's "Metamorphosis" that ignited his passion for storytelling. He reflects on the influence of William Faulkner, who inspired him to pursue writing despite feeling isolated. As he revisits various authors throughout his life, he notes the lasting impact of Thomas Bernhard and the recent discovery of Marguerite Duras, whose unique blend of style and story resonates with him. However, he candidly admits to disappointment upon rereading Evelyn Waugh's "Scoop," feeling a sense of loss as if something fundamental had been taken from him. Flanagan's current reading includes Konstantin Paustovsky's memoir, which offers reflections on different ways to live, and he finds solace in the humor of James Boswell's "Life of Samuel Johnson," reminding him of the importance of laughter and friendship amidst challenging times.

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My earliest reading memoryMy mother reading Kenneth Grahame’sThe Wind in the Willowsto me – and reading it again and again, because I loved it and her. I was perhaps three. We lived in a little mining town in the middle of the rainforest. It was always raining and the rain drummed on the tin roof. To this day that’s the sound I long to hear when I relax into a book – a voice in the stormy dark reminding me that I am not alone.

My favourite book growing upBooks were an odyssey in which I lost and found myself, with new favourites being constantly supplanted by fresh astonishments. Rather than a favourite book I had a favourite place: the local public library. I enjoyed an inestimable amount of trash, beginning with comics and slowly venturing out into penny dreadful westerns and bad science fiction and on to the wonderfully lurid pulp of Harold Robbins, Henri Charrière, Alistair MacLean and Jackie Collins, erratically veering towards the beckoning mysteries of the adult world.

The book that changed me as a teenagerAlbert Camus’s The Outsider. It didn’t offer a Damascene revelation, though. I was 11. I absorbed it like you might absorb an unexploded cluster bomb.

The writer who changed my mindWhen I was 27, working as a doorman for the local council, counting exhibition attenders, I read in ever more fevered snatches Kafka’s Metamorphosis, which I had to keep hidden beneath the table where I sat, balanced on my knees. A close family forsaking their son because he has turned into a giant cockroach, after the death of which they marvel at their daughter’s vitality and looks? It dawned on me that writing could do anything and if it didn’t try it was worth nothing. Beneath that paperback was a notebook with the beginnings of my first novel. I crossed it out and began again.

The book that made me want to be a writerNo book, but one writer suggested it might be possible for me – so far from anywhere – that I perhaps too could be a writer. And that wasWilliam Faulkner. He seemed, well, Tasmanian. I later discovered that in Latin America he seemed Latin American and in Africa, African. He is also French. Yet he never left nor forsook his benighted home of Oxford, Mississippi, but instead made it his subject. Some years ago I was made an honorary citizen of Faulkner’s home town. I felt I had come home.

The book or author I came back toWhen I was young, Thomas Bernhard seemed an astringent, even unpleasant taste. But perhaps his throatless laughter, his instinctive revulsion when confronted with power and his incantatory rage speak to our times.

The book I rereadMost years, Bohumil Hrabal’s Too Loud A Solitude, humane and deeply funny; and Anna Karenina, every decade or so, over the passage of which time I discover mad count Lev has again written an entirely different and even more astounding novel than the one I read last time.

The book I could never read againOn being asked to talk in Italy on my favourite comic novel I reread Evelyn Waugh’s Scoop. It had corked badly. My fundamental disappointment was with myself, as if I had just lost an arm or a leg, and if I simply looked around it would turn back up. It didn’t.

The book I discovered later in lifeGreat stylists rarely write great novels. Marguerite Duras, for me a recent revelation, was an exception. For her, style and story were indivisible. Her best books are fierce, sensual, direct – and yet finally mysterious. I have also just read all of Carys Davies’s marvellous novels, which deserve a much larger readership.

The book I am currently readingKonstantin Paustovsky’s memoir The Story of a Life, in which the author meets a poor but happy man in the starving Moscow of 1918 who has a small garden. “There are all sorts of ways to live. You can fight for freedom, you can try to remake humanity or you can grow tomatoes.” God gets Genesis. History gets Lenin. Literature gets the tomato-growers.

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My comfort readOf late, in our age of dire portents, I have been returning to the mischievous joy of James Boswell’s Life of Samuel Johnson: “There is nothing worth the wear of winning, but the laughter and love of friends.”

Question 7 by Richard Flanagan is published in paperback by Vintage. To support the Guardian, order your copy atguardianbookshop.com. Delivery charges may apply.

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Source: The Guardian