Research confirms that Samson and Delilah is a Rubens | Letter

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"National Gallery Confirms Attribution of 'Samson and Delilah' to Rubens Through New Research"

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The recent publication of detailed art-historical and technical research on the National Gallery's website has confirmed that the painting 'Samson and Delilah' is indeed attributed to the renowned artist Peter Paul Rubens. This research was carried out by a collaborative effort between the gallery's curatorial and scientific teams, employing advanced imaging and analytical techniques to assess the painting's authenticity. The findings provide substantial evidence supporting the painting's authorship and aim to clarify the ongoing debates surrounding its provenance. The National Gallery emphasizes the importance of transparency in its research process, which not only reinforces the attribution but also contributes significantly to the broader discourse in art-historical scholarship.

The attribution of 'Samson and Delilah' has been a topic of considerable interest and discussion within the art community over the years. The National Gallery hopes that the publication of this research will serve as a valuable resource for both scholars and the general public. By making this information accessible, the gallery intends to foster a deeper understanding and appreciation of the work, while also addressing any lingering doubts regarding its authenticity. Director Gabriele Finaldi highlights the gallery's commitment to rigorous research and the importance of sharing knowledge within the field, reinforcing the significance of 'Samson and Delilah' in the context of Rubens' oeuvre and the art world at large.

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Re your report (A £2.5m dud? Fresh doubt cast on authenticity of National Gallery Rubens, 15 June), I’d like to draw readers’ attention to the recent publication ofdetailed art-historical and technical research on the National Gallery’s websiteconfirming the attribution of Samson and Delilah to Peter Paul Rubens.

This extensive study, conducted by our curatorial and scientific teams using the latest imaging and analytical techniques, provides compelling evidence in support of the painting’s authorship. It offers transparency around our research process and contributes meaningfully to the wider field of art-historical scholarship.

Given the interest and debate this painting has attracted over the years, we hope this publication will be of value to scholars and the public alike.Gabriele FinaldiDirector, the National Gallery

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Source: The Guardian