Rachel Roddy’s recipe for millefoglie, or puff pastry and cream sandwich cake | A kitchen in Rome

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"Rachel Roddy Shares a Simplified Recipe for Millefoglie Dessert"

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TruthLens AI Summary

Millefoglie, a traditional Italian dessert, is a delightful creation that showcases layers of puff pastry filled with a rich diplomat cream, a blend of custard and whipped cream. At La Torricella, a local restaurant, this dessert is a highlight, often displayed prominently near the entrance to entice customers. The restaurant's millefoglie is substantial, roughly the size of a vinyl record, and is prepared only for special occasions when a large enough order is placed. This method of preparation not only ensures the dessert remains a treat for celebrations but also allows for the possibility of making extra servings, benefiting all patrons in the restaurant. The name 'millefoglie' translates to 'a thousand leaves,' aptly describing the delicate, layered appearance of the pastry that is both inviting and visually appealing.

Inspired by La Torricella’s version, Rachel Roddy shares her own approach to making millefoglie, utilizing a simplified method that involves rough puff pastry and a cornflour-supported pastry cream. Although she admits to experiencing anxiety during the preparation process, the end results are rewarding and delicious. Roddy emphasizes that even if the pastry does not turn out perfectly, the dessert remains enjoyable. She encourages creativity in presentation, suggesting that if one struggles with cutting neat slices, the elements can be transformed into a delightful mess reminiscent of Eton mess. The recipe provided serves 4-6 people and includes detailed instructions on preparing both the pastry and the cream, ensuring that anyone can attempt to recreate this classic dessert in their own kitchen, even if the final product varies from the traditional form.

TruthLens AI Analysis

The article offers a glimpse into the culinary culture surrounding millefoglie, a traditional Italian dessert, and highlights its significance in the local restaurant scene in Rome. By sharing a personal journey of trying to recreate this dessert, the piece connects readers to both the joy of cooking and the cultural heritage of Italian cuisine. The focus on La Torricella as a source of inspiration indicates an appreciation for local dining experiences that shape culinary memories.

Culinary Tradition and Personal Connection

The narrative emphasizes the importance of millefoglie not just as a dessert, but as a part of celebratory occasions in a communal dining setting. La Torricella's practice of making millefoglie for larger groups underscores the social aspect of food in Italian culture, suggesting that dining is not only about the food itself but also about shared experiences. This connection fosters an emotional resonance with readers who may have similar traditions in their own lives.

Simplifying Complexity

The author introduces a simpler version of millefoglie, indicating that the complexity of traditional pastry-making can be daunting. By using rough puff pastry and an easier version of pastry cream, it makes the dessert more accessible to a broader audience. This approach signals to readers that cooking can be enjoyable and less intimidating, encouraging home cooks to experiment with traditional recipes without the fear of failure.

Culinary Accessibility

The mention of turning an imperfect millefoglie into an Eton mess illustrates an important theme in the article: that culinary endeavors should be enjoyable rather than anxiety-inducing. This perspective promotes a sense of creativity in the kitchen, inviting readers to embrace imperfections as part of the cooking process. The joy derived from making this dessert, regardless of its appearance, aligns with a growing trend in culinary narratives that prioritize experience over perfection.

Cultural Reflection

The article subtly reflects the values of the community in Rome, particularly the significance of food as a cultural touchstone. By showcasing a beloved dessert from a local restaurant, there is an implicit celebration of Italian culinary traditions. The narrative may also resonate with audiences who appreciate food as a form of cultural expression, strengthening the article's appeal to food enthusiasts.

In summary, the piece presents a warm and inviting perspective on the process of making millefoglie, showcasing its cultural relevance while also making it accessible to readers. The article does not appear to manipulate or hide information but rather celebrates the joys and challenges of cooking. It fosters a positive and encouraging view of culinary exploration, emphasizing that the journey in the kitchen is just as important as the outcome.

Unanalyzed Article Content

Every now and then, a local restaurant called La Torricella hasmillefoglieamong its regular offerings of lemon sorbet, tiramisu, pineapple-cut-into-a-fan, and pine nut or vanilla gelato with strawberries. Customers are very likely to have spotted themillefoglielong before seeing it typed up on the paper menu, though, because it will be sitting near the front door, either on the dessert trolley or zinc bar.

Named because the concertina puff of the pastry looks like a thousand (mille) leaves (foglie), La Torricella prepares a millefoglie that is more or less the size of a vinyl LP, its three rings of pastry sandwiched with a mixture of custard and whipped cream, otherwise known as diplomat cream. The layers of preparation make it a special-occasion dessert – in fact, La Torricella makes millefoglie only when a large enough group requests one. The rest of the room, however, then benefits from someone else’s celebration, because the kitchen might as well make two while they’re at it. Or at least I think that’s how it works.

Inspired by La Torricella, and also by every millefeuille and cream slice I have ever eaten, I have wanted to include a version of millefoglie in this column since the beginning. Ten years on, however, I am still nowhere near mastering real puff pastry or unsupported pastry cream. A friend suggested I write about a version using rough puff (Jane Grison’s version) and pastry cream supported by cornflour – a millefoglie with bike stabilisers, if you like. I am not going to lie, however, because making both the pastry and cream still caused me anxiety, which was, I promise, then offset by immense joy.

The wonderful thing about millefoglie is that, even if things haven’t gone exactly to plan, and however the pastry, custard and cream come together, it will still taste good. And remember, if all else fails, you can treat the elements like Eton mess. In fact, a mess has its benefits, because cutting a beautiful rectangle can be a nightmare; use a pointy knife to perforate the pastry top like a postage stamp, then try cutting your thousand leaves.

Serves4-6

250g plain flour220g very cold butter, diced1 tsp salt2 tsp lemon juice500ml whole milk, warmed1 whole egg plus 3 yolks80g caster sugar65g cornflour150ml double creamIcing sugar, for dusting

Wash a bowl so it is very cold, then dry. Put the flour in the bowl, add three cubes of the butter and rub together so the mix resembles fine breadcrumbs. Add the salt, then toss through the remaining cubes of butter. Add 125ml iced water and the lemon juice, and bring the dough together into a scraggy mass.

Working on a floured board, shape the dough into a 10cm x 20cm rectangle and flour the top. Use a floured rolling pin to roll out the rectangle to double its original size, then fold in both ends so they meet in the middle and fold again over the central divide, so the pastry now looks a bit like a book. Rotate the book and repeat the process, extending, folding in the ends and turning the pastry back into a book. Wrap and chill for an hour.

Meanwhile, working in a pan off the heat, beat the whole egg, egg yolks, sugar, cornflour and a few tablespoons of the warmed milk to make a thick paste. Put the pan on a low heat and add the rest of the warmed milk, whisking constantly until the crema is thick. Take off the heat, tip into a bowl and leave to cool. Beat the cream until it’s thick, then chill.

Working on a floured surface, roll the dough into a 25cm x 20cm rectangle, then cut it into three even strips. If possible, chill the strips, then arrange them side by side on a baking tray lined with greaseproof paper and prick all over. Bake in a 180C (160C fan)/350F/gas 4 oven for 30 minutes, until golden, then remove and leave to cool completely. Meanwhile, fold the whipped cream into the crema.

Put one of the pastry strips on a plate, then spread or pipe a layer of the cream mix on top. Lay a second pastry strip on top, cover with of the cream mix, then top with the last strip of pastry and dust with icing sugar.

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Source: The Guardian