Peter Josip: the 10 funniest things I have ever seen (on the internet)

TruthLens AI Suggested Headline:

"Comedian Peter Josip Reflects on His Favorite Internet Humor"

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AI Analysis Average Score: 7.6
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TruthLens AI Summary

In a humorous reflection on the nature of internet content that resonates with him, comedian Peter Josip shares a list of some of the funniest things he has encountered online. He begins by acknowledging his complicated relationship with social media, where he oscillates between deleting apps and obsessively scrolling through feeds. Josip humorously compares his perspective as a comedian to that of a chef, suggesting that what entertains him may not align with mainstream tastes. This unique viewpoint sets the stage for his exploration of various comedic moments that have left a lasting impression on him.

Josip highlights several specific instances of internet humor, from nostalgic references to the Wendy Williams Show, where outrageous antics were celebrated, to the artistry of content creator Big Vincenz, who captures the essence of Italian culture through his videos. He expresses admiration for a young figure known as The Rizzler, whose charisma and humor have made a significant impact despite his young age. Josip also reflects on the enduring appeal of classic internet videos, sharing personal anecdotes that connect these pieces of content to his own experiences. He concludes by praising the comedic talents of his friends and fellow performers, illustrating the vibrant and diverse landscape of humor that continues to thrive online.

TruthLens AI Analysis

The article presents a humorous perspective on internet culture through the lens of comedian Peter Josip. It juxtaposes personal anecdotes with observations about the media and entertainment landscape, particularly focusing on comedic content found online. The tone is casual and relatable, aiming to engage readers with shared experiences regarding social media and humor.

Purpose of the Article

The intent behind the publication appears to be to entertain and provide a light-hearted commentary on the absurdities of modern internet culture. By sharing personal insights and humorous references, the author aims to connect with readers who may share similar sentiments about the evolving nature of comedy and media consumption.

Community Perception

The article likely seeks to foster a sense of community among those who appreciate humor that stems from the internet. By referencing well-known figures and viral content, it creates a shared cultural experience, appealing to a demographic that values relatability and humor in everyday life.

Omissions and Underlying Issues

While the article focuses on humor, it may gloss over more significant societal issues tied to internet culture, such as the impact of social media on mental health or the commodification of content. By centering on comedic elements, it diverts attention from these deeper, potentially troubling aspects of contemporary life.

Manipulative Nature and Credibility

The piece exhibits a low level of manipulation, primarily using humor to engage the audience rather than provoke a specific ideological response. However, it does play into the nostalgia for earlier media formats, which can subtly suggest that current content lacks depth. The overall credibility of the article is relatively high, as it reflects personal opinions and observations rather than unfounded claims.

Societal Messaging

The message conveyed is that humor is subjective and often influenced by context, particularly for those in the entertainment industry. It emphasizes how comedians navigate and interpret the world differently than average audiences, thus highlighting a rift in comedic appreciation.

Connections to Other News

When compared to other articles focusing on internet culture or humor, there may be a thematic connection in exploring how digital platforms shape our understanding of entertainment. This piece contributes to a broader discourse on the evolution of humor in the age of social media.

Industry Image

The publication positions itself within a trend of media that celebrates internet culture, potentially appealing to younger audiences who are more engaged with digital content. This aligns with a growing industry focus on humor as a tool for connection and relatability.

Potential Societal Impact

The societal implications of this article are limited but could contribute to ongoing discussions about the role of humor in coping with modern stresses. Economically, it may encourage increased engagement with platforms like TikTok and Instagram, influencing advertising and content creation strategies.

Audience Targeting

The article likely appeals to younger adults and internet-savvy individuals who enjoy humor derived from social media. It targets a community that values light-hearted content and relatable experiences, often found in comedic circles.

Market Influence

While the article does not directly impact stock markets, its focus on social media trends may influence investments in tech companies and entertainment platforms that cater to comedic content. Stocks related to TikTok and Instagram could see interest based on the popularity of humor-driven content.

Global Power Dynamics

The article does not specifically address global power dynamics; however, it reflects a cultural moment where internet influence is significant in shaping narratives. This aligns with current discussions about media consumption and cultural exchange in a global context.

AI Usage in Content Creation

It is unlikely that AI significantly influenced the writing of this article. While certain elements, like formatting or basic fact-checking, can be AI-assisted, the personal tone and subjective humor suggest a human touch. However, AI could play a role in analyzing trends or generating content suggestions based on popular themes.

Conclusion

In summary, the article is a light-hearted take on humor in the digital age, reflecting personal opinions while engaging with broader cultural themes. Its credibility is supported by relatable experiences, and while it lacks deeper societal critique, it successfully entertains and fosters community among readers.

Unanalyzed Article Content

Idon’t have many vices, but my phone is one of them. I know, such a unique problem to have in 2025. I go through phases with it though: sometimes I delete all my social media apps and other times I treat the algorithm as though it’s an Olympic event and in order to win gold I need to scroll to the end.

Comedians often have a warped sense of humour. I think it’s because we perform it and watch it every night so what makes us laugh is often not what makes civilians laugh. We’re like the line cooks of the entertainment industry: we dish out perfectly good pub food while surviving on stuff you wouldn’t even consider food.

Here’s some of the funniest things I’ve seen. If you don’t agree with it, I don’t care; you can make your own decisions – I’m not your mum.

I’m not one of those losers who says things like “I was born in the wrong generation” and yearns for a time gone by. I like this period of Earth I’m living in. However, I do wish I could have been born a generation earlier so that I could have gone to a Wendy Williams Show taping. Who else could consistently fart and burp (often at the same time) live on air and still have an illustrious career?

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Martin Scorsese could attempt to capture Italian culture a million times over and he might, but he’d never transport you to 2006 Lygon Street the way Big Vincenz does. All his videos are masterpieces. The voiceover, the random Italian words, the early 2000s club music, the dancing, the random cuts of other influencers inserted into his videos as characters. It’s more Oscar-worthy than Goodfellas.

This one’s a certified hood classic.

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I’m not joking when I say this: I would die for The Rizzler! He’s a kid, but get this, he has rizz, short for charisma in case you were wondering or have no swag. I don’t know why but The Rizzler saying “unicorn” makes me shit my pants, it’s so funny. That orwhen he went on The Tonight Show Starring Jimmy Fallon, or when heplayed for the New York Knicks at Madison Square Garden. This nine-year-old has really lived a life. I definitely wasn’t doing any of that at nine. If only I had some rizz …

This video was on repeat for me when I was a kid. “I ain’t going to be part of your system”, “So-called girlfriend”, “This ain’t my dad, this is a cellphone”. I would say these in conversations at school and my classmates had no clue what I was on about, then they would throw me on the ground.

I love how he tells him exactly how to do a burnout then when he gets offered to do one he’s like, uhhh I gotta run. Also, hilarious that he knows how to do a burnout with a car, but can’t mono a BMX.

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She is on to something though. Every Krispy Kreme I’ve had has never been crispy. This video really made me question things I took at face value. In hindsight, this video pinpoints the exact moment in time society finally woke up. Also fun fact: this lady was in a few Seinfeld episodes.

If you’ve spent any time near the Melbourne standup comedy scene you would have encountered Adem Ulutas. He’s a friend of mine and he runs Dirty SecretsComedyon Smith Street. I’ve watched many sets of his over the years and no one, and I mean NO ONE, makes me laugh as much as he does! Actually, the only person who makes me laugh more than Adem Ulutas is Adem Ulutas’s old YouTube videos, and this one is a prime example that gets me every time!

Saying “Nek Minnit” in a conversation in 2025 is lame and cringe (sorry I don’t make the rules). However, the video still holds up. Everyone only remembers the “Nek Minnit” part of it though, but for me the panning down to just the board of the scooter is the funniest part. It’s like that old saying “always the bridesmaid, never the bride”. Always the “Nek Minnit” never the “left my scooter outside the dairy”.

I think this might be the funniest and tightest 20 minutes of standup comedy I have seen. James Donald Forbes McCann is proving that it is possible for good things to come out of Adelaide. Also we should 100% change the national anthem to Thunderstruck!

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Source: The Guardian