Octopus! review – Phoebe Waller-Bridge’s ocean documentary is a total waste of her talents

TruthLens AI Suggested Headline:

"Phoebe Waller-Bridge's "Octopus!" Blends Humor and Education in Nature Documentary"

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AI Analysis Average Score: 6.2
These scores (0-10 scale) are generated by Truthlens AI's analysis, assessing the article's objectivity, accuracy, and transparency. Higher scores indicate better alignment with journalistic standards. Hover over chart points for metric details.

TruthLens AI Summary

The documentary "Octopus!" featuring Phoebe Waller-Bridge brings together stunning visuals of cephalopods with a unique narrative style, but its execution raises questions about the appropriateness of its format. Amazon's choice to partner with Waller-Bridge, a prominent writing talent, for a nature documentary may seem puzzling given her comedic and dramatic strengths. The film showcases breathtaking footage of octopuses, supplemented by expert commentary and whimsical animations. However, the humorous asides and fourth-wall breaks by Waller-Bridge may detract from the seriousness of the ecological challenges faced by these creatures. While the documentary aims to educate viewers about the fascinating life of octopuses, the juxtaposition of lighthearted narration against the backdrop of serious ecological discussions can create an uncomfortable viewing experience, potentially alienating some audience members.

Despite these concerns, "Octopus!" is visually captivating and well-directed, effectively conveying the elegance and complexity of these marine animals. It provides a historical context for the octopus, tracing perceptions from Aristotle's time to contemporary understandings of their intelligence. Notably, the documentary features knowledgeable marine biologists who offer insights without the distractions of celebrity interviews, which enhances the educational value of the film. Although the inclusion of celebrity perspectives, such as Tracy Morgan's, may seem superfluous, the expertise of scientists like Dr. Jenny Hofmeister shines through, reinforcing the film's informative aspects. Ultimately, while "Octopus!" may not fully utilize Waller-Bridge's talents, it remains an enjoyable and enlightening experience for viewers, leaving one hopeful that her next project will align more closely with her unique creative strengths.

TruthLens AI Analysis

The article critically reviews "Octopus!", a nature documentary featuring Phoebe Waller-Bridge. It raises questions about the appropriateness of her talents being utilized in this format, suggesting a mismatch between her narrative style and the documentary's subject matter. The review expresses disappointment in how the film blends humor and ecological seriousness, leading to a potentially alienating experience for viewers.

Intent Behind the Publication

The review likely aims to inform the audience about the perceived shortcomings of the documentary. By highlighting the disconnect between Waller-Bridge’s comedic style and the gravity of the documentary’s subject matter, the article seeks to engage readers who value meaningful content in nature documentaries. There is an implicit critique of how streaming platforms may prioritize marketable talent over suitable content.

Public Perception

The article may provoke a sense of disappointment among fans of Waller-Bridge, as it suggests that her involvement in this project is a "waste" of her talents. It could lead to an altered perception of both the documentary and Waller-Bridge herself, potentially diminishing her artistic reputation.

Hidden Agendas

There doesn’t appear to be any overt attempt to conceal information from the public. However, the article might downplay the documentary's potential appeal to a different audience, which may appreciate its humorous and unconventional approach.

Manipulative Elements

The review has a moderately manipulative tone, as it employs sarcasm and criticism that could bias readers against the documentary. The choice of words and framing of Waller-Bridge’s contributions suggests a disapproval that may not reflect the views of all viewers.

Truthfulness of the Content

The article presents a subjective opinion rather than objective reporting. While it accurately describes elements of the documentary, such as its humor and visual appeal, the overall judgment is based on personal taste.

Societal Implications

This critique could influence public discourse surrounding the documentary and Waller-Bridge's future projects. If widely accepted, it may impact viewer engagement with similar nature documentaries and the industry's approach to talent casting.

Target Audience

The review likely resonates more with audiences who are fans of Phoebe Waller-Bridge and those who prefer traditional documentary formats. It may alienate viewers looking for a lighter take on nature documentaries.

Market Impact

While this article might not have a direct impact on the stock market, it could influence the perception of Amazon as a content creator and its investment decisions in talent. If the documentary receives poor ratings, it could reflect negatively on Amazon's content strategy.

Geopolitical Context

There are no significant geopolitical implications tied to this review. However, the general discussion around media consumption trends and the role of streaming platforms in shaping content can be tied to broader cultural conversations.

Possible AI Involvement

It's plausible that AI tools were used in the analysis or editing of the article, particularly in structuring the review or generating engaging language. However, the review's subjective nature suggests human oversight in crafting its tone.

Overall, the article presents a subjective critique of "Octopus!" that may resonate with certain audiences while alienating others. The emphasis on Waller-Bridge's comedic talents versus the documentary's serious subject matter creates a tension that shapes the reader's perception.

Unanalyzed Article Content

Anature documentary on an order of cephalopods is probably not quite what Amazon had in mind in 2019 when it signed television’s hottest writing talent,Phoebe Waller-Bridge, up to a “golden handcuffs” deal worth $100m over five years. But here is Octopus! and quite how or why it came about will probably remain a mystery as deep and unknowable as any eight-armed creature disappearing into the crevices of the ocean floor ahead of a curious camera.

Ours is not to reason why, but to sit back and enjoy an idiosyncratic nature show, full not just of breathtaking footage of the extraordinary creature and input from experts in the field, but of animated, stop-motion recreations of parts of its life cycle, interviews with celebrity fans and plentiful comic asides and fourth-wall breakings from the narrator, Waller-Bridge herself. Describing one female great pacific octopus’s last few months collecting plentiful “sperm packets” from passing males, Waller-Bridge adds: “Legend.” When Ms Great Pacific chooses “Mike’s” packet”, Waller-Bridge explains that although he has “zero prospects, commitment issues and lives in a rough part of the ocean … he was the tallest, after all.” She – or rather Gabriel Bisset-Smith, who wrote the narration, which must also have Amazon execs rubbing their eyes and flicking through that deal contract again – plays too on the famous Fleabag line and comments, “This is not a love story.”

How this sits with you is a matter of personal taste, though I think that for everyone it must jar with the section in which ecologists and researchers stress the difficulties of understanding creatures so different from us and warn against anthropomorphism. Such asides risk undercutting the subject and/or creating an air of smug superiority that alienates the viewer. If PWB has avoided both, I suspect it is only by the thinnest of margins.

The bulk of the two-part documentary, however, is both gorgeously shot (by cinematographers including Luis Lamar, who also appears as an interviewee) and skilfully directed by Niharika Desai. It captures the bizarre elegance and unsettlingeverythingabout the boneless beings while dishing out enough facts and figures to leave you slightly better informed about them and as awed as when you began.

This includes a little social history of the octopus, beginning with an early mention by Aristotle who considered them “stupid” creatures, on through Danish bishop Pontopiddan’s choice to base the kraken sea monster on them and give them an enduring association with villainry until Japanese artist Hokusai complicated things by including two of them and a fisher’s wife in an 1814 erotica collection. Google this, if you must, very carefully. It wasn’t until a documentary by oceanographer and film-maker (and co-inventor of the first successful scuba equipment, known as the aqualung – see, I can educate too!) Jacques Cousteau in 1972 that the idea of octopuses as intelligent creatures and fascinating in their own right began to gain currency. Forty years later, octopuses were named alongside whales, magpies and great apes in the Cambridge Declaration of Consciousness and your plate of tapas became that much more problematic overnight.

Comedian and actor Tracy Morgan (best known here for playing Tracy Jordan in 30 Rock, which after Octopus! may stand revealed as a far less attenuated version of his real self than previously believed) is an octopus fan. He used to house them in aquariums at his home until he realised how fast and how large they could grow. But he is, PWB tells us, “a walking encyclopedia” of marine facts. I’m not sure, then, why he is restricted to showing us his own collection of venomous sea creatures and joining in the overlong closing section of the show filled with guff about the interconnectedness of all things.

Fortunately, there are enough non-celebrities with expertise who can give us the benefit of it without distraction. Foremost among them are marine biologist Dr Jenny Hofmeister and behavioural ecologist Piero Amodio, whose charm, marrow-deep love for their subjects and ego-free talent for sharing their knowledge with lay viewers should, in a just world, lead them to be given a show of their own. But we are where we are.

It remains a strange choice for PWB – you could even go further and say it is a waste of the finite time she has to share her profuse and valuable gifts with the world. That is not to say the documentary itself is a waste of time – it’s fun and enlightening and a delighted cephalopod PR department will surely be waving its many arms in the air – but you can only hope that it was done in a bit of downtime as Waller-Bridge works on her next great, as yet unspecified, thing.

Octopus! is on Prime Video now.

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Source: The Guardian