Looted from Syria, sold on Facebook: antiquities smuggling surges after fall of Assad

TruthLens AI Suggested Headline:

"Antiquities Smuggling in Syria Increases Significantly Following Assad's Regime Collapse"

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TruthLens AI Summary

In the ancient city of Palmyra, looters are engaging in grave robbery under the cover of darkness, using tools like pickaxes and jackhammers to unearth graves that are over 2,000 years old. This illicit activity has resulted in significant destruction of the archaeological landscape, leaving deep holes where ancient burial crypts once stood. Mohammed al-Fares, a local activist, expressed concern that the mixing of different historical layers due to looting will hinder future archaeological understanding. Palmyra, which has already suffered damage from the Islamic State's destruction in 2015, is emblematic of the broader looting crisis that has escalated since the fall of Bashar al-Assad's regime. Experts note that the looting and trafficking of Syrian antiquities have surged dramatically, with the Antiquities Trafficking and Heritage Anthropology Research Project (ATHAR) reporting nearly one-third of the documented cases occurring since December 2022 alone. The collapse of state security and rising poverty have fueled this surge, leading to a gold rush of sorts for individuals seeking to sell ancient artifacts for quick cash.

The situation is exacerbated by social media platforms, particularly Facebook, which have become major venues for the sale of stolen antiquities. Despite Facebook's ban on the sale of historical artifacts, the platform is rife with groups dedicated to the trading of these items, connecting looters in Syria with criminal networks that facilitate the smuggling of artifacts to markets in neighboring countries and beyond. As a result, items that were once buried for centuries are now being sold online in a matter of weeks. The local government has attempted to combat the looting by offering finder’s fees for returned artifacts and threatening severe penalties for offenders. However, the ongoing conflict and economic despair make effective regulation nearly impossible. Experts argue that the onus ultimately lies with Western countries, which are the primary consumers of these antiquities, to curb demand and help preserve Syria's rich cultural heritage. In Palmyra, local residents are left to guard what remains of their historic city, a poignant reminder of the cultural loss experienced during years of conflict and looting.

TruthLens AI Analysis

The article sheds light on the alarming rise in antiquities looting in Syria, particularly in Palmyra, following the fall of Bashar al-Assad's regime. It highlights the dire consequences of this illicit activity not only for the cultural heritage of Syria but also for the broader implications of such actions in a war-torn region. The piece emphasizes the urgency of addressing the ongoing crisis of antiquities trafficking, which poses a significant threat to historical understanding and preservation.

Impact of Looting on Heritage

The article vividly describes the methods used by looters and the destruction they leave behind, such as deep holes in the ground where ancient graves once stood. This emphasizes the loss of cultural heritage, as crucial archaeological layers are disturbed, making it difficult for future generations to understand the history of the region. The mention of local activist Mohammed al-Fares and the organization Heritage for Peace adds credibility and a human element to the narrative, illustrating the local community's distress over these actions.

Surge in Trafficking Post-Assad

The report points out a significant increase in looting incidents after the fall of Assad, suggesting that the lack of governmental control has led to a breakdown of previously existing constraints. The statistics provided by the Antiquities Trafficking and Heritage Anthropology Research Project (ATHAR) illustrate the severity of the issue, with a notable surge in documented cases since December. This data serves to underline the scale of the crisis and the urgency for intervention.

Public Awareness and Response

There is a clear intention to raise public awareness about the plight of Syria's antiquities and the broader implications of cultural erasure. By focusing on the looting crisis, the article aims to generate a sense of urgency and provoke a response from both local and international communities. The framing of looting as a moral and cultural crisis seeks to engage audiences and encourage action.

Potential Concealments or Omissions

While the article effectively conveys the urgency of the situation, it may overlook the complexities of the conflict in Syria, including the roles of various factions and the geopolitical interests at play. By focusing on looting, there is a risk of simplifying the narrative, potentially obscuring other critical issues, such as the humanitarian crisis or the political dynamics influencing the looting.

Manipulative Elements and Reliability

The article carries a manipulative undertone in its emotional appeal to the loss of cultural heritage. While the facts presented are credible and based on research, the narrative is constructed to evoke a strong emotional response, aiming to mobilize public sentiment against looting. The reliability of the information is bolstered by the cited research and local testimonies, but the choice of language and framing guides readers toward a specific emotional response.

Broader Implications

This news piece has the potential to affect public opinion regarding the ongoing conflict in Syria and the international community's responsibility towards protecting cultural heritage. It may also influence policy discussions around heritage preservation and illicit trafficking. Additionally, the focus on antiquities looting could resonate with heritage preservation advocates and cultural institutions, potentially leading to increased support for initiatives aimed at combating such practices.

Community Engagement

The article likely appeals to communities invested in cultural preservation, history, and humanitarian efforts. It targets individuals and organizations concerned about global heritage and the impacts of war on cultural identity. The narrative seeks to engage these groups in advocacy and action, raising awareness about the consequences of looting.

Market and Economic Impact

In terms of economic implications, the focus on antiquities looting could impact markets related to art and cultural heritage, potentially driving investments in preservation efforts. However, there may also be negative impacts on tourism in Syria, as the ongoing looting and destruction of heritage sites could deter visitors and investors in the region.

Geopolitical Context

From a geopolitical standpoint, the article aligns with ongoing discussions about post-conflict reconstruction and the need for international cooperation in protecting cultural heritage. It serves as a reminder of the importance of cultural preservation in times of conflict, highlighting a critical area that warrants attention in global policy discussions.

Use of AI in Article Composition

There is no direct evidence in the article to suggest that artificial intelligence was used in its writing. However, if AI were involved, it could have contributed to the gathering of statistics, the analysis of data on looting incidents, or even the structuring of the narrative to enhance readability and emotional impact. The language used, while compelling, does not exhibit characteristics typical of AI-generated content, such as overly formal or generic phrasing.

In conclusion, the article effectively communicates the urgency of the antiquities looting crisis in Syria while raising awareness about the implications for cultural heritage. Its reliability is supported by credible sources, though its emotional framing may skew the narrative. The broader societal impacts and potential community engagement highlight the significance of this issue in a global context.

Unanalyzed Article Content

They come by night. Armed with pickaxes, shovels and jackhammers, looters disturb the dead. Under the cover of darkness, men exhume graves buried more than 2,000 years ago in Syria’s ancient city of Palmyra, searching for treasure.

By day, the destruction caused by grave robbers is apparent. Three-metre-deep holes mar the landscape of Palmyra, where ancient burial crypts lure people with the promise of funerary gold and ancient artefacts that fetch thousands of dollars.

“These different layers are important, when people mix them together, it will be impossible for archaeologists to understand what they’re looking at,” said Mohammed al-Fares, a resident of Palmyra and an activist with the NGO Heritage for Peace, as he stood in the remains of an ancient crypt exhumed by looters.

He picked up a shattered piece of pottery that tomb raiders had left behind and placed it next to the rusted tailfin of a mortar bomb.Palmyra, which dates back to the third century BC, suffered heavy damage during the period of Islamic State control, when militants blew up parts of the ancient site in 2015, deeming its ruins apostate idols.

Palmyra is not the only ancient site under threat. Experts and officials say the looting and trafficking of Syria’s antiquities has surged to unprecedented levels since rebels overthrew the former Syrian president Bashar al-Assad in December, putting the country’s heritage further at risk.

According to the Antiquities Trafficking and Heritage Anthropology Research Project (ATHAR), which investigates antiquities black markets online, nearly a third of the 1,500 Syrian cases it has documented since 2012 have occurred since December alone.

“When the [Assad] regime fell, we saw a huge spike on the ground. It was a complete breakdown of any constraints that might have existed in the regime periods that controlled looting,” said Amr al-Azm, a professor of Middle East history and anthropology at Shawnee State University in Ohio and co-director of the ATHAR project.

The collapse of Syria’s once-feared security apparatus, coupled with widespread poverty, has triggered a gold rush. Located in the heart of the fertile crescent where settled civilisation first emerged, Syria is awash with mosaics, statues and artefacts that fetch top dollar from collectors in the west.

In one post on Facebook in December, a user offered a pile of ancient coins for sale. “I have been holding them for 15 years, Free Syria,” the user wrote.

Katie Paul, a co-director of the ATHAR project and the director of Tech Transparency Project, said: “The last three to four months has been the biggest flood of antiquities trafficking I have ever seen, from any country, ever.”

Paul, along with Azm, tracks the route of trafficked Middle Eastern antiquities online and has created a database of more than 26,000 screenshots, videos and pictures documenting trafficked antiquities dating back to 2012.

“This is the fastest we’ve ever seen artefacts being sold. Before for example, a mosaic being sold out of Raqqa took a year. Now, mosaics are being sold in two weeks,” said Paul.

Syria’s new government has urged looters to stop, offering finder’s fees to those who turn in antiquities rather than sell them, and threatening offenders with up to 15 years in prison. But preoccupied with rebuilding a shattered country and struggling to assert control, Damascus has few resources to protect its archaeological heritage.

Much of the looting is being carried out by individuals desperate for cash, hoping to find ancient coins or antiquities they can sell quickly. In Damascus, shops selling metal detectors have proliferated while ads on social media show users discovering hidden treasure with models such as the XTREM Hunter, which retails for just over $2,000 (£1,470).

Others operate as part of sophisticated criminal networks. A local archaeological watchdog in the city of Salamiya, central Syria, filmed a video while walking through the bronze age-era settlement of Tall Shaykh Ali, where uniform 5-metre-deep holes dug by heavy machinery pockmarked the ground every few steps.

“They are doing this day and night. I am scared for my safety, so I don’t approach them,” said a researcher with the watchdog in Salamiya, speaking anonymously for fear of reprisal from criminal looting networks.

Other cases show entire mosaics removed intact from sites, the work of experienced professionals.

Once out of the ground, antiquities make their way online. Experts say Facebook has emerged as a key hub for the sale of stolen antiquities, with public and private groups offering everything from ancient coins, entire mosaics and heavy stone busts to the highest bidder.

The ATHAR project provided the Guardian with dozens of screenshots and videos of Syrian antiquities, including mosaics and Palmyran busts, being sold on Facebook groups. A single Facebook search of “antiquities for sale Syria” in Arabic yielded more than a dozen Facebook groups dedicated to the trading of cultural artefacts, many of them public.

In a March video from a Facebook group, a man with a Syrian accent displays a mosaic depicting Zeus on a throne, using his mobile phone for scale. The mosaic is still in the ground in the video, but later surfaces in another photo, removed from the site. “This is just one of the four mosaics we have,” the man brags.

In other groups, looters have gone on Facebook Live from archaeological sites, asking users for advice where they should dig next and drumming up excitement from potential buyers who tune in.

In 2020, Facebook banned the sale of historical antiquities on its platform and said it would remove any related content. However, according to Paul, the policy is rarely enforced despite continued sales on the platform being well documented.

“Trafficking of cultural property during conflict is a crime, here you have Facebook acting as a vehicle for the crime. Facebook knows this is an issue,” said Paul. She added that she was tracking dozens of antiquities trading groups on Facebook that have more than 100,000 members, the largest of which has approximately 900,000 members.

A representative from Meta, the parent company of Facebook, declined to respond to the Guardian’s request for a comment.

The Facebook groups are used as a gateway for traffickers, connecting low-level looters in Syria to criminal networks that smuggle the artefacts out of the country into neighbouring Jordan and Turkey.

From there, the pieces are shipped around the world to create fake bills of sale and provenance so they can be laundered into the grey market of antiquities. After 10 to 15 years they make their way into legal auction houses, where collectors and museums, primarily located in the US and Europe, snap them up.

With 90% of Syria’s population living in poverty, stopping desperate individuals from looting is a gargantuan task. Instead, experts have said that the responsibility for regulation should fall on the west, which is the primary buyer of the Middle East’s cultural antiquities.

“How do we stop this? Stop the demand in the west,” Azm said. “Until the security issue improves, you won’t see an improvement. We focus on the supply side to abrogate the responsibility of the west.”

In Palmyra, Fares is still coming to terms with how much his home town has changed since returning in December after years of displacement. Broken stones lie at the feet of the Roman-era Arch of Triumph and the carved faces of sarcophagi in the Tomb of the Three Brothers have been gouged out – all a product of IS iconoclasm.

At night, he and other residents stand guard in the ancient city, determined not to let looters steal what remains of a place already plundered by 15 years of war.

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Source: The Guardian