Three French works make a disparate but rounded programme on this release from theNeave Trio. Saint-Saëns took years to write his Trio No 2, and the result was a sprawling five-movement work that gets an appropriately wide-ranging and meaty performance here. The first movement roils and surges, the players catching both the push and pull of the restless theme and the brief passage of stillness later on. The slow third movement sings .with wistful nostalgia, and the fourth flows by in a waltz-like whirl pitched somewhere between Chopin and Dvořák. But the second movement, with its obsessively repeated rhythmic motif, perhaps needs a little more imagination to make it work.
The two movements ofMel Bonis’s Soir et Matin, written in 1907, are the opposite way round in atmosphere from how you might expect: Soir (Evening) is soulful, expansive and melodic; Matin (Morning) altogether more strange, impressionistic and beguiling. Finally, there’s something unexpected on a chamber music recital: Debussy’s painterly orchestral showpiece La Mer. Rendering the orchestra’s highly textured writing for a chamber group is no easy task but this version, made by the composer Sally Beamish in 2013, is imaginative and beautifully judged, emerging more like a new work in its own right than a mere arrangement.
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