Jonny Greenwood and Israeli musician Dudu Tassa condemn ‘silencing’ after UK concerts pulled

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"Jonny Greenwood and Dudu Tassa Address Concert Cancellations Amid Censorship Concerns"

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TruthLens AI Summary

Jonny Greenwood, the guitarist of Radiohead, and Israeli musician Dudu Tassa have expressed their dismay over the cancellation of their upcoming concerts in the UK, which were intended to promote their collaborative album, Jarak Qaribak. In a joint statement, they indicated that credible threats against the venues in London and Bristol led to the decision to cancel the shows, which were scheduled for June. Greenwood and Tassa lamented the manner in which this cancellation could be perceived, noting that it might be celebrated by some progressives while simultaneously being exploited by reactionary figures. They emphasized that intimidating venues into canceling performances does not contribute to the broader goal of achieving peace and justice in the Middle East, and they see no merit in what is being touted as a victory by those campaigning against their performances.

The artists criticized the Boycott, Divestment and Sanctions (BDS) movement for claiming that their actions do not constitute censorship. They argued that forcing musicians to cancel performances and denying audiences the opportunity to experience their music is, in fact, a form of silencing. Greenwood and Tassa highlighted the cultural diversity represented in their music, which features influences from various Middle Eastern countries. They expressed frustration at being caught in the crossfire of political ideologies, stating that some on the right disapprove of their inclusive music, while some on the left view their performances as a means of absolving guilt. They called for a response to the current climate of censorship and expressed hope that one day they would be able to perform their love songs together, emphasizing that such a concert would symbolize a victory for shared respect and appreciation for music, rather than a triumph for any political or religious agenda.

TruthLens AI Analysis

The article addresses the recent cancellation of concerts featuring Jonny Greenwood and Israeli musician Dudu Tassa in the UK, which has sparked a lively debate surrounding artistic expression, political activism, and censorship. Greenwood and Tassa express their concerns regarding the implications of their concert cancellations, particularly in how they may be perceived and exploited by various groups.

Concerns Over Censorship and Artistic Freedom

Greenwood and Tassa's statements highlight the tension between artistic expression and political activism. They argue that the cancellations, resulting from credible threats, represent a form of censorship, despite the claims of the Boycott, Divestment and Sanctions (BDS) movement, which seeks to protest Israeli policies. The duo stresses that intimidating venues into canceling shows undermines the essence of free artistic expression, which they believe is crucial for achieving peace and justice.

Political Implications of the Cancellations

The cancellation of these concerts has broader implications within the context of the Israeli-Palestinian conflict. The BDS movement views the cancellation as a victory, framing it as a successful effort to hold artists accountable for their associations. This raises questions about the nature of activism and the extent to which it can influence cultural events. Greenwood and Tassa argue that such actions may ultimately hinder dialogue and understanding, which are essential for resolving conflicts.

Public Reaction and Divided Opinions

The reactions to this incident are likely to be polarized. Supporters of BDS may view the cancellation as a necessary step towards accountability, while others may see it as a dangerous precedent that limits artistic freedom. The article suggests that this situation may provoke a backlash against censorship, potentially galvanizing support for artists who feel similarly threatened.

Potential Economic and Cultural Impact

The fallout from this cancellation may have economic ramifications, particularly for venues and artists who rely on a diverse range of performances. If a pattern emerges where artists feel pressured to cancel shows due to political backlash, it could lead to a chilling effect on cultural events and artistic collaborations, particularly those that cross political and cultural boundaries.

Community Support and Target Audience

This news piece may resonate more with progressive communities who advocate for free speech and artistic expression. Conversely, it may alienate groups that support BDS and view the cancellations as a necessary stance against Israeli policies. By highlighting the complexities of the situation, the article seeks to engage a broad audience in discussions about the intersections of art, politics, and ethics.

Market and Global Implications

While the immediate economic impact on stock markets may be limited, the cultural implications of such events could influence the perception of companies associated with the music and entertainment industries. As artists navigate increasingly complex political landscapes, investors may become more cautious about aligning themselves with controversial figures or movements.

Relevance to Global Power Dynamics

In the current geopolitical climate, this incident underscores the ongoing tensions in the Middle East and the role of cultural figures in political discourse. As global attention remains focused on the Israeli-Palestinian conflict, events like these can amplify discussions about cultural representation, activism, and the responsibilities of artists.

Given the complexity and multifaceted nature of this issue, it is reasonable to conclude that the article is designed to provoke thought and discussion about the roles of artists in political movements and the implications of censorship. The framing of the narrative suggests a nuanced perspective that challenges readers to consider the balance between activism and artistic freedom.

The reliability of the information presented seems strong, as it is based on direct statements from the involved parties and reflects ongoing debates within society. However, the potential for manipulation exists in the way the narrative frames the conflict between artistic freedom and political activism, possibly aiming to elicit sympathy for artists facing censorship while downplaying the motivations of those advocating for BDS.

Unanalyzed Article Content

After the cancellation of two UK performances with the Israeli musician Dudu Tassa, Radiohead’sJonny Greenwoodhas said that they “dread the weaponisation of this cancellation by reactionary figures as much as we lament its celebration by some progressives”.

In a statement, Greenwood and Tassa said that venues in London and Bristol as well as “their blameless staff” had received enough credible threats to conclude that it was not safe to proceed with the gigs.

“Intimidating venues into pulling our shows won’t help achieve the peace and justice everyone in the Middle East deserves,” they said. “This cancellation will be hailed as a victory by the campaigners behind it, but we see nothing to celebrate and don’t find that anything positive has been achieved.”

The two shows were due to take place in June in support of the duo’s 2023 albumJarak Qaribak, which translates as Your Neighbour Is Your Friend. The record features Arabic love songs and was recorded in Tel Aviv, Oxfordshire and across the Middle East. The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), a founding member of the BDS movement, described the planned events as “artwashing genocide” and welcomed their cancellation.

Greenwood and Tassa accused the Boycott, Divestment and Sanctions campaign – known as BDS – of having it “both ways”.

“The campaign which has successfully stopped the concerts insist that ‘this is not censorship’ and ‘this isn’t about silencing music or attacking individual artists’ … Forcing musicians not to perform and denying people who want to hear them an opportunity to do so is self-evidently a method of censorship and silencing.”

Greenwood and Tassa highlighted the heritage of the performers, among them singers from Syria, Lebanon, Kuwait and Iraq. “The silencing campaign has demanded that the venues ‘reaffirm (their) commitment to ethical, inclusive cultural programming’,” they said. “Just not this particular mix of cultures, apparently.”

They lamented the corner they had found themselves in politically. “For some on the right, we’re playing the ‘wrong’ kind of music – too inclusive, too aware of the rich and beautiful diversity of Middle Eastern culture. For some on the left, we’re only playing it to absolve ourselves of our collective sins.”

They said “meekly agreeing to be silenced without some response feels wrong” and drew contrasts with recent music industry support for Irish rap trio Kneecap in the face of censorship and moral panic. “We have no judgment to pass on Kneecap but note how sad it is that those supporting their freedom of expression are the same ones most determined to restrict ours.”

They praised the bravery of the performers in the band for their conviction in touring with them. “Their artistic achievements are toweringly important, and we hope one day you will get to hear us play these songs – love songs mostly – together with us, somewhere, somehow. If that happens, it won’t be a victory for any country, religion, or political cause. It’ll be a victory for our shared love and respect of the music – and of each other.”

In 2024, Greenwood and Tassaperformed in Tel Aviv. At the time, PACBI called for “peaceful, creative pressure on … Radiohead to convincingly distance itself from this blatant complicity in the crime of crimes, or face grassroots measures”.

At the time, Greenwoodsaid in response: “I think an artistic project that combines Arab and Jewish musicians is worthwhile. And one that reminds everyone that the Jewish cultural roots in countries like Iraq and Yemen go back for thousands of years, is also important.”

He added that he could not join any call to silence art made by Israeli Jews, calling it “unprogressive … Not least because it’s these people that are invariably the most progressive members of any society.”

Greenwood’s wife, artist Sharona Katan, is Israeli. Their nephew was killed in 2024 while serving in the Israeli Defence Force.

Radiohead have a long history with Israel. Their 1992 debut single Creep first became a success on Israeli radio after initially failing to break through elsewhere, and the band have continued to perform in the country throughout their career, despite protests from fans and activists.

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Source: The Guardian