‘I was the only person who didn’t know the words to Coldplay’: Anoushka Shankar’s honest playlist

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"Anoushka Shankar Shares Personal Playlist Reflecting Her Musical Journey"

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TruthLens AI Summary

Anoushka Shankar, the renowned musician and daughter of legendary sitarist Ravi Shankar, shares a deeply personal playlist that reflects her musical journey and emotional experiences. She begins with a nostalgic nod to her father's work, specifically the title track 'Tana Mana,' which sparked her imagination as a child. Growing up in California during the 1990s, she fondly remembers purchasing singles like 'Whatta Man' by Salt-N-Pepa, showcasing her affinity for R&B music. A pivotal moment in her musical evolution was the song 'Teardrop' by Massive Attack, which had a profound impact on her, resonating deeply from its very first beat. Shankar's love for uplifting melodies is evident in her choice of 'Bedia' by Rajery, a song that energizes her mornings and connects her to the joy of African music. Despite her passion for music, she humorously admits her disdain for karaoke, recalling an awkward moment when she was the only person unable to sing along to a Coldplay hit at a party.

Shankar reflects on the songs that have left lasting impressions on her life, including 'I Swear' by All-4-One, which holds nostalgic value as it reminds her of a childhood crush. She candidly expresses her difficulty in listening to her early albums, indicating a lack of personal passion in those works compared to her later releases, like her fourth album 'Rise.' The emotional depth of her playlist is further illustrated by her choice of 'Still Feel It All' by Maro, a song that evokes tears with its sparse beauty. Shankar also reveals her preferred song for intimate moments, 'Come Away With Me' by Norah Jones, and her celebratory pick for parties, 'Jimmy Jimmy Jimmy Aaja' by Parvati Khan, which evokes the vibrant fusion of Bollywood and disco. As she contemplates her legacy, she expresses a desire for 'Shanti-Mantra,' a piece by her father, to be played at her funeral, encapsulating her connection to her roots and the theme of peace. Anoushka Shankar's latest album, 'Chapter III: We Return to Light,' is currently available, and she is set to guest direct the Brighton Festival in May.

TruthLens AI Analysis

The article provides a personal glimpse into the musical influences and preferences of Anoushka Shankar, the daughter of the renowned sitar player Ravi Shankar. Through her curated playlist, she shares insights into her life experiences related to music, revealing both her cultural background and personal anecdotes.

Cultural Reflection

Shankar's choices highlight a blend of Western and Indian musical influences, showcasing her father's legacy while also embracing the R&B sounds that characterized her youth in California. This cultural fusion may resonate with a diverse audience, particularly those who appreciate global music trends and the intersections of different genres.

Personal Vulnerability

By expressing her distaste for karaoke and her embarrassment over not knowing Coldplay lyrics, Shankar reveals a relatable human side. This vulnerability can create a sense of connection with readers who may share similar feelings about popular culture or social situations, fostering a sense of community among fans of her music.

Authenticity in Artistry

Shankar’s candid remarks about her early work, which she feels lacks the passion she later found, speak to a broader theme in the music industry: the evolution of an artist’s sound and self-identity. This authenticity can be appealing to audiences, as it portrays her growth and dedication to her craft, thus enhancing her credibility as an artist.

Public Perception and Impact

The article’s focus on personal stories rather than just professional accomplishments can shift public perception of Shankar, painting her as more than just a musician but as a relatable figure. This approach may help broaden her appeal and attract a wider audience who appreciate artists with genuine narratives.

Potential Manipulation or Agenda

While the article is largely personal and reflective, one could argue that it subtly promotes Shankar's music and current projects by framing her experiences in a way that invites listeners to explore her discography. However, this does not necessarily indicate manipulation; rather, it aligns with common practices in artist interviews where personal stories serve to market their work.

Connection to Broader Trends

The themes in Shankar's playlist can be linked to larger cultural movements that emphasize authenticity in artistry and the blending of global music influences. This resonance with contemporary audiences might suggest an underlying trend towards diversity and inclusivity in the music industry, which can influence future artistic collaborations and audience expectations.

Conclusion on Reliability

This article appears to be a reliable portrayal of Anoushka Shankar's personal experiences and musical influences. The honesty and relatability of her reflections contribute to its authenticity, making it a credible source for understanding her perspective as an artist. The insights provided reflect genuine sentiments rather than sensationalism or fabricated narratives.

Unanalyzed Article Content

The first song I fell in love withTana Mana by my dad, Ravi Shankar. In the late 80s he was experimenting with synthesisers and released an album called Tana Mana, an anomaly in his discography. I remember my imagination would light up with the title song – I would picture a village dance, and I’d be acting it out in my living room for my mum.

The first single I boughtWhatta Man by Salt-N-Pepa. I was living in California in the 1990s and there was a lot of R&B around. I bought a lot of Salt-N-Pepa and TLC as a teenager.

The song that changed my lifeI was at Luz Records in California and they put Teardrop by Massive Attack on. I had a visceral response from the first beat.

The song that gets me up in the morningBedia by Rajeryis uplifting and happy. There’s a strand of my heart that belongs to music from Africa; these incredible melodies are unabashedly joyful.

The song I sing at karaokeI fucking hate karaoke. I despise it with a fiery passion. I don’t understand what’s fun about it. I remember being at a party in my early 30s where everyone started belting out a Coldplay song and I was probably the only person in the room who didn’t know the words.

The song I inexplicably know every lyric toI Swear by All-4-One. I was about 13 and had my first crush. I’d slow danced with him to this the night we met. Unfortunately, he lived in India. We would write letters – it was very romantic. I ended up completely obsessed with this song, I would listen on repeat. If it comes on, I act out the whole thing. It happened a couple of months ago; my kids were mortified.

The song I can no longer listen toAnything from my first three albums. The first one came out when I was 17, but I recorded it when I was 16. I was given an incredible opportunity, but there is not the inner passion that makes it unique. I took a break and released Rise, my fourth album, when I was 24. From then on, I love what I was doing.

The best song to have sex toCome Away With Me by Norah Jones. The funny thing is how many people over the decades have felt the need to tell me that my sister’s first record is great to make love to. Clearly I’m not having sex to that record, but apparently it’s a good one.

The best song to play at a partyJimmy Jimmy Jimmy Aaja by Parvati Khan. There was a magic moment where Bollywood tied with early disco in such a perfect way in the 70s and 80s. If I put this on, without fail, everyone’s up and dancing.

The song that makes me cryStill Feel It All by Maro. This is sparse, there is a quality to her voice that is spacious, minimal, you hear the emotion, but it leaves space. It is a beautiful song.

The song I want played at my funeralShanti-Mantra by Ravi Shankar, which has always been a favourite of my dad’s. It means prayer for peace. It feels hallowed and uplifting.

Anoushka Shankar’s Chapter III: We Returnto Lightis out now. She isguestdirector ofBrighton festival,3 to 26 May.

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Source: The Guardian