I am sick of seeing the rich and powerful on my screen. Where are all the TV shows about normal people? | Rebecca Shaw

TruthLens AI Suggested Headline:

"Call for Diverse Representation in Television Beyond Wealthy Narratives"

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AI Analysis Average Score: 5.9
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TruthLens AI Summary

In a heartfelt critique, Rebecca Shaw expresses her discontent with the overwhelming focus of contemporary television on the lives of the wealthy and powerful, particularly rich white individuals. She acknowledges her love for television while highlighting a growing trend in shows and films that satirize the elite, citing examples such as 'The White Lotus,' 'Succession,' and 'Big Little Lies.' Shaw argues that this saturation of narratives revolving around the affluent has reached a point of exhaustion, suggesting that it is time for a shift towards stories that reflect the realities of ordinary people. She emphasizes the need for representation of diverse experiences, particularly those of individuals from working-class backgrounds, who often find themselves disconnected from the glamorous portrayals of wealth and privilege on screen.

Shaw reminisces about the relatable narratives she cherished growing up, such as those found in 'Roseanne' and 'Malcolm in the Middle,' which illustrated the struggles and joys of everyday life. She contends that stories centered on the lower classes, while perhaps less visually appealing, can offer valuable life lessons and resonate deeply with audiences. Shaw calls for a broader spectrum of storytelling that includes the grit, humor, and resilience of those facing adversity. She argues that the current dominance of elite-centric narratives is partly due to the privilege of those in decision-making positions within the industry. Shaw encourages viewers to seek out and support creators from varied backgrounds, advocating for a more inclusive representation of society in television and film that goes beyond the lives of the rich and powerful.

TruthLens AI Analysis

The article articulates a growing frustration with the representation of wealth and power in modern television. The author, Rebecca Shaw, expresses a desire for narratives that focus on ordinary people rather than the lives of the wealthy elite, suggesting that the current trend of television programming has become monotonous and overly focused on the experiences of affluent characters.

Cultural Reflection on Class Representation

Shaw's critique highlights a significant cultural issue—how media reflects and shapes societal values. By emphasizing stories centered around the rich and powerful, television may inadvertently reinforce class disparities and diminish the visibility of everyday experiences. The mention of specific shows serves as examples of this trend, indicating a saturation of narratives that revolve around wealthy individuals facing adversity. This could suggest an underlying societal discontent with the glorification of wealth in media.

Audience Sentiment and Engagement

The article aims to resonate with a wide audience who may feel alienated by the predominance of rich characters in popular media. By calling for a more diverse representation of social classes, Shaw aligns with viewers who seek relatable content that reflects their own experiences. The frustration presented could foster a sense of community among those who share similar feelings, potentially leading to increased demand for programming that showcases the lives of "normal" people.

Potential Concealment of Broader Issues

While the focus on class representation may seem straightforward, it could also serve to divert attention from more pressing societal issues, such as economic inequality or the influence of wealth on politics. By concentrating on the trivial experiences of the elite, there is a risk of neglecting deeper conversations about the systemic challenges faced by the majority. This could be perceived as a manipulation of narrative priorities to avoid confronting uncomfortable truths about society.

Manipulative Elements and Trustworthiness

The article’s tone and language are crafted to evoke a visceral reaction against the current state of television. This emotional appeal may be seen as manipulative, particularly if it oversimplifies the complexities of class representation in media. However, the genuine frustration expressed lends credibility to Shaw's argument, making it a reliable critique of contemporary television programming.

Comparative Analysis with Other Media

The themes discussed in this article connect with broader discussions in various forms of media that critique wealth and privilege. Other recent publications and shows have also taken similar stances, suggesting a collective cultural shift towards questioning the status quo in entertainment. This interconnectedness indicates a growing awareness and dialogue about class representation across different media landscapes.

Impact on Society and Future Trends

If the demand for more relatable content grows, we may witness a shift in programming strategies. Networks and streaming services could respond by creating more diverse narratives that include a broader spectrum of socio-economic backgrounds. This shift might not only reflect changing audience preferences but could also influence societal perceptions of class and privilege.

Community Engagement and Support

The article likely resonates more with communities that value authenticity and diversity in storytelling, particularly those who feel underrepresented in mainstream media. By advocating for more inclusive narratives, Shaw appeals to a demographic seeking connection and relatability in the stories they consume.

Market and Economic Implications

The push for more diverse representation in media could have implications for the entertainment industry, potentially affecting the stock performances of companies that do not adapt to these changing consumer preferences. Networks that embrace this shift may see increased subscriber numbers and viewer engagement, while those that continue to focus solely on wealthy characters may risk losing their audience.

Global Context and Relevance

The article's themes are relevant in today's global landscape, where issues of inequality and representation are increasingly at the forefront of public discourse. As audiences become more aware of these issues, the demand for authentic storytelling may grow, reflecting a broader societal trend towards inclusivity and representation in all spheres.

In conclusion, while the article presents a legitimate critique of current television trends, it also raises questions about broader societal issues and audience engagement with media narratives. Its emotional appeal and perspective on class representation lend it a degree of reliability, making it a notable commentary on contemporary culture.

Unanalyzed Article Content

It’s important in any healthy relationship to be able to “call each other in” – gently point out issues you are having with behavioural patterns, and ask for some space when needed. I’m thinking particularly about a good friend of mine. Always there when I’m in need, even there when I’m not in need (rarely). That’s right, I’m talking about … television (I’m normal).

I love my television and everything it brings me, but I do have a gripe I need to get off my chest, while I’m lying down on the couch. Mrs TV, love you girl but I’m calling you in: I need TV shows to stop focusing on satirising class only via the lives of rich white people (and occasionally the people around them). This issue has become more obvious since the latest season of The White Lotus, but is not at all restricted to The White Lotus. Recent years have seen TV and movies like Succession, Big Little Lies, The Menu, Triangle of Sadness, Knives Out, Saltburn etc about what is going on with powerful people.

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It doesn’t appear to be slowing down either: in the last couple of days I have seen trailers for a new Apple show about a rich guy (Jon Hamm) who loses it all and starts stealing from rich friends, and Mountainhead, a new movie from Succession writer Jesse Armstrong, about a summit of billionaires. I think the collective noun is actually an “abomination” of billionaires, but I digress.

Don’t get me wrong, I am not here as a hater, in fact I have watched and (mostly) enjoyed everything on that list (yes I do have friends if you were wondering). I am not here to say it’simportantthat we have representation of class in other ways. It’s just that for now it seems that every last drop has been squeezed out of Rich White People Go Through Events (Satirically), and we need a break to let things rejuice. But most importantly, Mrs TV, I am just sick to death of the rich and powerful.

In my daily life I am forced to see billionaires constantly now, their bloated heads and putrid vibes andloser behaviourshoved into my face as I watch the downfall of society on my phone. I personally don’t really want the addition right now of watching another series about the filthy rich, or a movie about a billionaire – unless he is in some sort of trap set by Jigsaw.

Why are we still so obsessed with depicting the elite on screen? Is it to feel some level of power, theorising about their rich inner lives and rich outer lives and watching them go through human experiences, as if it helps us? Is it for upper middle class people to feel smug that they aren’t like that, and wouldn’t be if they had a bit more money? Is it self-flagellation? Or is it still aspirational, admiring wealth even as the wealthy fail, and yearning for the holidays it allows?

Whatever the case, I just want more focus on everyone else too, especially as everyday life continues to get harder for many. I grew up in a very working-class family and while I enjoyed shows and movies about the wealthy, like 90210 and Clueless, they were so far disconnected from my reality as to basically be science fiction. What really resonated with me was watching shows like Roseanne. Seeing a family with a similar life to mine – the struggles, but also the love and the laughter – that is what lit me up. Then came things like Malcolm in the Middle, and Bob’s Burgers, and more recently the underwatched Killing It. Last year, the comedian Julio Torres made Problemista – a surreal comedy that depicts how difficult it is in society’s current structure to get ahead or to even draw equal when you are born behind. These are important life-affirming perspectives, done in unique and funny ways.

Stories about people who have little power are not as shiny, not as pleasing to the eye, not as aspirational in the traditional sense. But they are aspirational in that they show you how to get through the days when life does not treat you kindly. Sometimes that is enough to aspire to. Seeing people with normal lives, or struggling with having a more difficult time, does not have to be depressing. It’s not a coincidence that many of the best TV shows made about the lower classes are comedies, or about funny people.

A lot of TV about class focuses on the people who have power and money, and what they do to get more, or keep what they have. What about if you never had it, and learned to use humour for survival? Those are the people I want to see more about, those are the stories that I relate to.

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The frustration and grit and pain and unfairness – everything that makes people interesting – is available to plunder for comedy or drama, but it doesn’t happen enough. Some of this is because the people making decisions about what TV and movies are made, and often the people making them as well, are themselves from a certain level of privilege, which is not something that can be changed easily (not your fault, Mrs TV). But in the meantime we can all seek out the other perspectives that are available – even if they aren’t at the top of your Netflix recommendations. We can ask for more, demand more. We can pay attention and support creators from different backgrounds. And we can write complaint letters to our televisions.

Rebecca Shaw is a writer based in Sydney

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Source: The Guardian