Holiday bookings to Japan are down - could a 90s manga comic’s earthquake prediction be to blame?

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"Decline in Holiday Bookings to Japan Linked to Manga Predictions of Earthquake"

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TruthLens AI Summary

A significant decline in holiday bookings to Japan from several key Asian markets has been attributed to a prediction made in a manga titled 'The Future I Saw,' first published in 1999. This graphic novel, authored by Ryo Tatsuki, is based on her 'prophetic' dreams and includes a foreboding reference to a 'great disaster' occurring in March 2011, the time when Japan experienced a catastrophic earthquake and tsunami. A recently released edition of the manga contains a new prediction stating that the next major disaster will occur on July 5, 2025. This assertion has sparked a wave of sensational social media posts warning potential travelers to avoid Japan, despite the lack of scientific evidence supporting these claims. The impact of this prediction is particularly pronounced in South Korea, Taiwan, and Hong Kong, where data from Bloomberg Intelligence indicates that flight bookings to Japan have sharply decreased, with Hong Kong's bookings down 50% year-on-year and some periods experiencing an 83% drop. Travel agencies in the region have noted a significant reduction in holiday plans, with one agency reporting that bookings for the spring break were halved compared to the previous year.

The trend of declining bookings contrasts sharply with the tourism boom Japan has experienced since the easing of COVID-19 restrictions, which saw a record 3.9 million visitors in April alone. The government aims to attract 60 million visitors annually by the end of the decade, encouraged by favorable exchange rates. Despite the alarming predictions stemming from the manga, local officials, including Yoshihiro Murai, the governor of Miyagi, have urged travelers to disregard these unfounded rumors. They emphasize the importance of expert advice, as Japan is indeed prone to earthquakes due to its geographical location on the Pacific 'ring of fire.' However, experts highlight that accurately predicting the timing and location of such seismic events is impossible. Meanwhile, Tatsuki has expressed her hope that her work raises awareness about disaster preparedness, while cautioning against taking her predictions too literally and stressing the importance of relying on expert opinions regarding natural disaster risks.

TruthLens AI Analysis

The article highlights a notable decline in holiday bookings to Japan, attributing this trend to a 25-year-old manga's earthquake prediction. This connection raises questions about the influence of media on public perception and behavior, especially in the context of tourism and travel.

Influence of Nostalgia and Media on Public Behavior

The report suggests that the manga "The Future I Saw," particularly its prediction of a significant disaster, has created fear among potential travelers. This phenomenon illustrates how cultural artifacts can shape public sentiment, especially when they relate to real-world events, such as the devastating earthquake and tsunami in March 2011. The juxtaposition of a fictional narrative with historical events may lead people to reconsider their travel plans, reflecting a broader tendency to respond to media narratives with caution.

Public Perception and Social Media Dynamics

Sensationalist social media posts amplifying the manga's predictions have likely contributed to a heightened sense of anxiety. The article indicates that despite the lack of scientific basis for these claims, the association with a past tragedy lends credibility to the fears surrounding upcoming travel. This raises concerns about how misinformation can spread rapidly online, impacting tourism markets in regions reliant on travel to Japan.

Economic Implications for the Tourism Sector

The article details significant drops in bookings from key markets such as South Korea, Taiwan, and Hong Kong, with some reports indicating a staggering 83% decrease in reservations. This decline can have profound implications for Japan's economy, particularly in the tourism sector, which is vital for the country's GDP. The mention of specific statistics from travel agencies underscores the tangible effects of the manga's narrative on consumer behavior.

Target Audience and Community Reaction

The article likely resonates with audiences who are sensitive to cultural narratives and their implications. It appeals to individuals who may already harbor fears about natural disasters or those who closely follow trends in media. By focusing on a popular manga, the report engages those familiar with Japanese culture and media, while also warning about the broader consequences of fear-driven narratives.

Market Impact and Broader Economic Context

This news might affect stock prices of companies related to travel and tourism, particularly airlines and travel agencies operating in Asia. A decline in bookings could lead to reduced revenue forecasts, impacting investor confidence and stock performance. This connection to broader economic trends raises questions about how cultural fears can translate into real financial consequences.

Global Power Dynamics and Current Events

Although the article centers on a specific cultural phenomenon, it reflects broader issues of how media influences public perception and behavior in a globalized world. In a time when misinformation can spread rapidly and shape public opinion, the implications of such narratives extend beyond mere tourism statistics, highlighting the interconnectedness of culture, economy, and social behavior.

In conclusion, this article blends cultural analysis with economic forecasting, shedding light on how narratives from popular media can influence real-world decisions and market behaviors. The reliability of the information hinges on the credibility of sources cited and the context provided, yet it serves as a cautionary tale about the power of media in shaping public perception and action.

Unanalyzed Article Content

A grim prediction made in a manga first published a quarter of a century ago is being blamed for a dramatic fall in holiday bookings toJapanfrom several Asian countries.

Flight reservations toJapanfrom some of its key tourism markets have reportedly plummeted, with some linking the fall to The Future I Saw, a Japanese graphic novel based on the “prophetic” dreams of its author, Ryo Tatsuki.

The cover of the original, published in 1999, refers to a “great disaster” occurring in March 2011 – the date Japan experienced a deadlyearthquake and tsunami. In a new edition containing additional material that was published in 2021, Tatsuki said the next major disaster would occur on 5 July 2025. Her claim has fuelled sensationalist social media posts warning people to stay away from Japan.

While there is no scientific basis to the claims that are fuelling online speculation, Tatsuki’s dreams have been given credence by her previous reference to March 2011, when anearthquake and tsunami killed more than 18,000 peoplein north-east Japan and triggered the triple meltdown atFukushimaDaiichi nuclear power plant.

The impact of her latest prediction is being felt most in South Korea, Taiwan and Hong Kong, according to Bloomberg Intelligence, which used ForwardKeys data to gauge the impact on airline bookings. Average bookings from Hong Kong were down 50% year-on-year, it said, adding that those between late June and early July had plummeted by as much as 83%.

A travel agency in Hong Kong said the manga had already affected people’s holiday plans, with bookings to Japan during the April-May spring break down by half from last year.

Greater Bay Airlines said it was initially puzzled that reservations for spring were lower than in previous years, given that demand is usually high during the cherry blossom-viewing season in Japan and the Easter holidays in Hong Kong.

“We expected around 80% of the seats to be taken, but actual reservations came to only 40%,” said Hiroki Ito, the general manager of the airline’s Japan office, told the Asahi Shimbun recently.

The airline – along with Hong Kong Airlines – has reduced services to Japan, even as officials pleaded with travellers to ignore the rumours. Yoshihiro Murai, the governor of Miyagi – one of three prefectures hardest hit by the 2011 disaster – said the unfounded story had started to affect tourism to the region and implored people to ignore them.

The trend is out of sync with atourism boomthat has seen record numbers of people visit Japan since the end of the Covid-19 pandemic. A record 3.9 million people visited in April, encouraged by a weaker yen, while the government is hoping the annual number will grow to 60 million by the end of the decade.

The public broadcaster NHK said the manga had spawned more than 1,400 videos on YouTube – which have together been viewed more than 100m times – some of which added to the sense of alarm with predictions of a volcanic eruption and a meteor strike. The re-published version has sold almost 1m copies, it added.

Japan is one of the mostearthquake-pronecountries in the world due to its location on the Pacific’s seismically hyperactive “ring of fire”. But experts point out it is impossible to predict the timing and location of earthquakes with any accuracy.

Concern that the country could soon be struck by a major earthquake intensified last August, when the then prime minister, Fumio Kishida,cancelled an overseas tripafter seismologists warned that the risk of a “megaquake” occurring off the country’s Pacific coast had increased after an earlier quake.

In April, a government taskforce said a quake of up to magnitude-9 in the Nankai Trough, located off Japan’s Pacific coast, would kill as many 298,000 people and destroy more than 2 million buildings, adding that there was a roughly 80% chance of such a quake happening in the next 30 years.

Tatsuki, meanwhile, has warned people not to take her predictions literally. In a recent interview with the Mainichi Shimbun, the artist said she was pleased that her work had raised awareness of the need to prepare for natural disasters, but added: “It’s important not to be unnecessarily influenced … and to listen to the opinions of experts.”

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Source: The Guardian