Hark by Alice Vincent audiobook review – a search for silence

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"Alice Vincent's 'Hark' Explores the Journey to Silence and Sound in Motherhood"

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In her audiobook 'Hark', Alice Vincent embarks on an introspective journey to explore the concept of silence, reflecting on the profound impact of sound in her life. The narrative begins with her experience in an anechoic chamber, a space meticulously designed to absorb sound. This unique environment prompts Vincent to confront the internal sounds of her own body, such as the involuntary swallowing and the subtle ringing in her ears. Surprisingly, instead of feeling discomfort, she discovers a sense of comfort and an unexpected familiarity with quietude that she had not realized she was missing. This exploration serves as a backdrop for her broader examination of sound and silence, particularly in the context of her transition into motherhood, where the cacophony of her earlier life as a music journalist contrasts sharply with her current yearning for tranquility.

Vincent's narrative delves into various aspects of auditory experiences, including the phenomenon of misophonia, characterized by heightened sensitivity to common sounds, and the practice of deep listening, which emphasizes the importance of ensuring that speakers feel acknowledged and heard. She also introduces the concept of “deaf gain,” which reframes the idea of hearing loss into a positive and empowering narrative. The audiobook is narrated by Fiona Hampton, who enriches the experience with her vocal interpretation, complemented by voice notes from Vincent that provide additional insights and personal reflections. A particularly poignant moment occurs when Vincent shares her mother’s description of the “baby in the head,” a term used to depict the phantom cries that new mothers often hear. The audiobook culminates in a warm dialogue between Hampton and Vincent, where they reflect on their transformative experiences of motherhood and how these experiences have altered their perceptions of sound and silence, further enhancing the listener’s understanding of the intricate relationship between sound and personal identity.

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When did you last experience total silence? In Hark, the author Alice Vincent goes to extreme lengths to eradicate noise as she spends time in an anechoic chamber, a heavily soundproofed space designed to swallow up sound waves. There she becomes aware of the noises of her own body, from involuntary swallowing to the soft, high-pitched ringing in her ears. But rather than feel unease, she is “confronted with a comfort I couldn’t have imagined – and a familiarity with quietude I didn’t realise I was living in”.

Hark is a book about listening, being heard and the author’s shifting relationship with sound in the early years of motherhood. While working as a music journalist in her 20s, Vincent had been surrounded by noise. But now, in her 30s and plunged into domesticity, she finds herself craving quiet. She also examines how others experience sound, investigating misophonia, an acute sensitivity to everyday noises; deep listening, a practice that ensures the speaker feels heard; and the concept of “deaf gain”, which turns the notion of “hearing loss” into something positive and empowering.

The actor Fiona Hampton is the book’s narrator, though her reading is interspersed with voice notes from Vincent in which she shares reflections and asides not available in the printed edition; ahead of a chapter entitled Ghosts, she recalls her mother talking about the “baby in the head”, her expression to describe the phantom crying often heard by new mothers. The audiobook also concludes with a wonderfully warm conversation between Hampton and Vincent where they discuss their experiences of motherhood and the ways it fundamentally changed how they listen.

Available via Canongate, 8hr 44min

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Source: The Guardian