Guardian writers on their ultimate feelgood movies: ‘Unfailing ability to cheer me up’

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"The Guardian Writers Share Their Favorite Feelgood Movies and Why They Resonate"

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AI Analysis Average Score: 7.8
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TruthLens AI Summary

In a recent series, writers from The Guardian have shared their ultimate feelgood movies, each reflecting personal nostalgia and the comfort these films provide. The selections range from romantic comedies to classics, showcasing a variety of genres and styles. For instance, Amelia Tait praises "The Lizzie McGuire Movie" for its ability to evoke nostalgia without the harshness often found in teen films of the era. She appreciates its humor and how it inspired her as a child without fostering negative self-image. Similarly, Alaina Demopoulos highlights "Sullivan’s Travels," emphasizing its message about the importance of finding happiness amidst life's struggles. Each writer articulates the unique connection they have with their chosen films, often linking them to memories of family or significant life moments, illustrating how these movies have become integral to their emotional landscapes.

The selections also reflect a broader cultural significance, as many films feature iconic performances and memorable soundtracks that resonate with audiences. For example, Martin Pengelly's fondness for "Withnail and I" stems from its ability to evoke different experiences throughout his life, while Alim Kheraj finds solace in "You’ve Got Mail," which maintains a sense of optimism about personal connections in the digital age. The diverse range of films includes classics like "When Harry Met Sally" and vibrant Bollywood hits like "Kabhi Khushi Kabhie Gham," demonstrating the universal appeal of feelgood cinema. As the list continues to grow, it serves as a reminder of the power of film to uplift spirits and provide comfort, encapsulating the heartfelt reasons why these movies are cherished by their viewers.

TruthLens AI Analysis

The article provides a personal and reflective insight into the power of feelgood movies as shared by various writers from The Guardian. It highlights how these films evoke nostalgia, comfort, and joy, serving as a reminder of the simple pleasures in life. The selection of films, each accompanied by a writer's personal commentary, emphasizes the unique qualities that make these movies rewatchable and uplifting.

Purpose and Audience Perception

The intent behind this piece is to celebrate cinema that brings happiness and to foster a sense of community among readers who share similar sentiments about these films. By showcasing different perspectives, the article seeks to resonate with a wide audience, particularly those who cherish nostalgic and uplifting content. It subtly encourages readers to reflect on their own favorite feelgood movies, thereby creating a shared experience.

Hidden Agendas or Information

There is no evident attempt to obscure information within the article. However, by focusing solely on positive narratives surrounding film, it may divert attention from the broader context of current cinema trends, such as the rise of more complex, darker narratives in contemporary storytelling. This could suggest a desire to promote a more optimistic viewpoint on cinema, perhaps as a counter to prevailing cultural narratives.

Manipulative Elements

The article does not exhibit overt manipulative tactics, but it does utilize a warm, inviting tone that could influence readers' emotional responses. By framing the discussion around nostalgia and positivity, it may lead some to overlook critical perspectives on film and its societal impacts, favoring instead a purely positive outlook on entertainment.

Reliability of Content

The reliability of the content is fairly high, as it consists of subjective opinions from various writers rather than presenting unverifiable facts. The personal anecdotes and reflections lend credibility to the sentiments expressed, even if they are inherently subjective. Readers are encouraged to view these movies through the lens of personal experience, which is a valid approach for a cultural commentary.

Cultural and Societal Implications

This piece could impact societal perceptions of happiness and nostalgia, potentially leading to a resurgence in interest in classic feelgood films. It may also shape discussions around the role of cinema in providing comfort during challenging times, especially in a post-pandemic world where audiences seek solace in familiar narratives.

Target Audience

The article seems to resonate particularly well with audiences who value nostalgia, emotional well-being, and cultural reflections on cinema. It may appeal more to adults who experienced these films in their youth and are looking for comfort in their entertainment choices.

Market Influence

While the article may not have a direct impact on stock markets or financial markets, it could influence media and entertainment sectors by highlighting the demand for feelgood content. Film studios might take note of this nostalgic trend and consider producing more lighthearted films that cater to this desire for comfort.

Connection to Current Events

Though the article does not directly address current global power dynamics or issues, it touches on the universal need for joy and comfort in the face of adversity, which is relevant in today's often tumultuous social climate.

AI Influence in Writing

It’s possible that AI tools were employed in the writing or editing process to refine language or structure, but the personal nature of the commentary suggests that human writers played a significant role. If AI was used, it may have influenced the tone to be more engaging and relatable, aligning with the overall feelgood theme.

The article stands as a celebration of positive cinema while subtly inviting readers to reflect on their own experiences, making it a feelgood piece in itself.

Unanalyzed Article Content

“Feelgood” movies are often thought of as big-hearted romantic comedies, comforting classics, or childhood favourites that still hold up decades later. In our series,My feelgood movie, Guardian writers reflect on their go-to flick, and explain why their pick is endlessly rewatchable.

This list will be updated weekly with further picks.

Want more options?Here is our earlier list of thebest 100 movies of the 20th centuryand thebest movies about movies.

Starring:Hilary Duff and Adam Lamberg

Directed by:Jim Fall

Why our writer loves it: “Nostalgia clouds the mind but I do think this movie is genuinely funny … While the film is undeniably a trite tableau of teen movie cliches, it avoids the harshest and grossest ones that were popular at the time. No one is mocked for having an eating disorder or stalked oh-so-romantically. It is aspirational in the silliest sense – while other movies might’ve inspired you to flirt like this or dance like that, nothing in The Lizzie McGuire Movie could be copied: you’re either in danger of being mistaken for an Italian pop star or you’re not. This means it didn’t make 11-year-old me feel bad about herself, and it still makes adult me feel good.”(Amelia Tait)

Read the full review

Starring:Veronica Lake and Joel McCrea

Directed by:Preston Sturges

Why our writer loves it: “Sullivan’s Travels reminds us there’s something inherently incorruptible about clinging to the scraps of happiness we’re given.”(Alaina Demopoulos)

Read the full review

Sullivan’s Travels is available to rent digitally in the US and UK

Starring:Tony Hancock

Directed by:Robert Day

Why our writer loves it:“[T]there is something rather wonderful about seeing Anthony Aloysius St John Hancock in full and living colour, operating at the height of his powers, the man who his writersdescribedas ‘the best comic actor in the business’. And of course the film is a wonderful portal to a vanished world, a net-curtained Britain just on the cusp of its transformation by 60s pop culture. Lucian Freud called The Rebel the best film ever made about modern art; well, he should know, but for me it’s more than that – there’s an extra joy in remembering the hours I spent tittering at it with Dad as we lolled on the three-piece suite back in my gormless teenage years. If anything makes me feel good, it’s that.”(Andrew Pulver)

Read the full review

Starring:Paul McGann and Richard E Grant

Directed by:Bruce Robinson

Why our writer loves it:“The tape went back to Blockbuster. I bought my own. I took it to college and watched it drunk and sober, with friends and alone, in halls and in my desperate pit of a house. Through early adulthood, into fatherhood, on DVD then streaming. To watch Withnail is to discover it again.”(Martin Pengelly)

Withnail and I is available on Max and the Criterion channel in the US and on Channel 4 in the UK

Read the full review

Starring:Tom Hanks and Meg Ryan

Directed by:Nora Ephron

Why our writer loves it:You’ve Got Mail “may be naive and soppy, but as a single person it keeps me optimistic that genuine connection may still be found by logging on to your computer (or unlocking your iPhone)”.(Alim Kheraj)

Read the full review

You’ve Got Mail is available on Hulu in the US and on Now TV in the UK

Starring:Billy Crystal and Meg Ryan

Directed by:Rob Reiner

Why our writer loves it:“I sometimes ask myself whether I should love When Harry Met Sally as much as I do. I mean, isn’t the film a bit reductive when it comes to gender? Maybe. Yet at the same time, it’s a romantic comedy that’s actually romantic and actually funny, something few romcoms can boast today. But the reason it’s my feelgood film is because I discovered it at a time when I needed it most.”(Henry Roberts)

Read the full review

When Harry Met Sally is available to rent digitally in the US and UK

Starring:Shah Rukh Khan, Kajol and Amitabh Bachchan

Directed by:Karan Johar

Why our writer loves it:“Scenes from this movie are seared in mind and I often quote its lines in my daily life – such is its hold on me. I am a complete sucker for the drama, the music, the pageantry, the familiar (though outdated) movie tropes, the costumes, the sets – after all, I grew up watching Bollywood movies (SRK is the love of my life, he just doesn’t know it). It is a heaping dose of nostalgia that instantly uplifts my mood and restores my spirit, no matter how in the doldrums the world around might seem.”(Tasneem Merchant)

Read the full review

Kabhi Khushi Kabhie Gham is available on Netflix and Amazon Prime in the US and UK

Starring:Michael Keaton, Glenn Close and Robert Duvall

Directed by:Ron Howard

Why our writer loves it:“Perhaps it’s all just borrowed nostalgia for the half-remembered 90s, to remix James Murphy’slyric. But I see it as a feelgood film that makes you feel good because it never shouts about it; there’s no need to force joy, it’s just there in all that messy exuberance. The maddening life happening relentlessly, the people at work in the loud city, the thrill of chasing down a story – this is what is actually joyful.”(Larry Ryan)

Read the full review

The Paper is available to rent digitally in the US and UK

Starring:Adam Sandler and Drew Barrymore

Directed by:Frank Coraci

Why our writer loves it:“One thing I love most about The Wedding Singer is the soundtrack that includes You Spin Me Round (Like a Record), Blue Monday and Every Little Thing She Does Is Magic. Barrymore sings a bit of 99 Luftballons into her oversize headphones. Sandler gets to perform his own compositions: Somebody Kill Me (“I was listening to the Cure a lot when I wrote this”) and Grow Old With You – the latter he performs on a plane to stop Barrymore from marrying the evil Glenn. The ending features a brilliant cameo from 1998 Billy Idol playing 1980s Billy Idol, who wakes from his booze-addled slumber to shove Glenn in the airplane toilets. (“Excuse me, sir. I have to serve the beverages.”)”(Rich Pelley)

The Wedding Singer is available to rent digitally in the US and on Amazon Prime in the UK

Read the full review

Starring:Meryl Streep, Amanda Seyfried and Pierce Brosnan

Directed by:Phyllida Lloyd

Why our writer loves it:“Mamma Mia! isn’t a movie – it’s a holiday. It’s a film so divorced from subtext and intricacy that its only ask for viewers is to bask in the Greek sunshine as the sounds of Abba wash over them … It was never meant to be taken seriously; it’s a film without pretense. Much of what he complains about is precisely what makes Mamma Mia! the perfect cinematic comfort blanket.”(Jeffrey Ingold)

Mamma Mia! is available on Max in the US and on Now in the UK

Read the full review

Starring:Divine, David Lochary and Mary Vivian Pearce

Directed by:John Waters

Why our writer loves it:“The will to create a movie for the specific purpose of appalling anyone unaware of its true meaning turned Pink Flamingos into the ultimate litmus test. You either got its sick jokes or you didn’t. But those who did got something far more lasting than a laugh. We got a one-way ticket to an underground populated by parallel dissidents, an entire community of the unruly and free. That’s a lot to gain, which is why, even decades after I first saw Pink Flamingos, I return to it whenever I need to be reminded there’s a universe of possibilities out there not reflected in the world we know now.”(Jim Farber)

Read the full review

Starring:Meryl Streep and Albert Brooks

Directed by:Albert Brooks

Why our writer loves it:“Life-affirming” is perhaps an overused adjective, but few movies have successfully illuminated the human condition as well as this one. Fear is commonplace in our daily lives, but Albert Brooks’s film might hold the key to ridding the worries of anxiety-ridden people such as myself. As the new year often brings about feelings of regret and unease, Defending Your Life is the warmest hug you can receive.”(Oliver Macnaughton)

Defending Your Life is available to rent digitally in the US and the UK

Read the full review

Starring:Julia Roberts and Hugh Grant

Directed by:Roger Michell

Why our writer loves it:“What is so wonderful about the film is how effortless it all seems. The story isn’t complex; there are no gunfights or CGI raccoons; the greatest jeopardy in the film involves Grant having to catch Roberts before she goes back to America – a problem that reads as plausibly insurmountable in 1999 but today would be remedied with a few WhatsApps. But, despite the illusion of effortlessness, getting everything right in this way is deceptively tricky. Has a single romcom ever managed to marry all of the necessary elements – cast, script, timing, an intangible magic – so perfectly? (No. The answer is no.)”(Ralph Jones)

Notting Hill is available on Netflix in the US and Channel 4 in the UK

Read the full review

Starring:Michelle Pfeiffer and Matthew Modine

Directed by:Jonathan Demme

Why our writer loves it:The movie is a long list of quirky pleasures, including a “starter kit of premium 80s college rock (New Order, Pixies, the Feelies), well-placed family dog reaction shots, and an FBI agent who dresses himself like Wallace in the Wallace & Gromit shorts. Few of the laughs in the film feel like punchlines or payoffs to some heavily orchestrated joke. Demme’s approach is more low-key and breezy, cruising confidently on the assumption that his DayGlo gangland will be fun enough without him having to push too hard. He catches a rhythm and does the mambo Italiano. It feels like your feet never touch the floor.”(Scott Tobias)

Married to the Mob is available on Hoopla, Kanopy and Pluto in the US and Amazon Prime in the UK

Read the full review

Starring:Jackie Chan and Chris Tucker

Directed by:Brett Ratner

Why our writer loves it:“Rush Hour taps into something that stirred my heart then and now: an ease settles into the two actors, Chan and Tucker’s joviality feeling so genuine that the east-meets-west tropes evolve into characters who have something real at stake, and who are also having fun.”(Tammy Tarng)

Rush Hour is available on Netflix in the US and Amazon Prime in the UK

Read the full review

Starring:Steve Martin, Diane Keaton and Martin Short

Directed by:Charles Shyer

Why our writer loves it: “Why do I come back to this film again and again? As a girl and younger woman I was emphatically against marriage (though I’ve since softened) and watched it more as a comedy horror than anything aspirational. The only aspect of the Bankses’ life I’d want is the kitchen. And yet watching Franck and the family put on their ridiculous show makes me want to be part of it. I love ritual, and ceremony, and Steve Martin, and Martin Short, and Diane Keaton.”(Laura Snapes)

Where to watch:Father of the Bride is available on Hulu and Disney+ in the US and on Disney+ in the UK and Australia

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Starring:James Woods and Louis Gossett Jr

Directed by:Michael Ritchie

Why our writer loves it:“Diggstown is the perfect feelgood movie – a breezy but exciting genre mashup with enough of a hangout vibe that you can have it on in the background, but also enough stakes that you will inevitably end up giving it your full attention.”(Zach Vasquez)

Where to watch:Diggstown is available on Amazon Prime

Read the full review

Starring:Cher and Christina Aguilera

Directed by:Steve Antin

Why our writer loves it:“Many of those who panned Burlesque on its release would feel punished by this cosmically appointed choice of comfort movie. A sequined patchwork quilt of all manner of backstage musicals and melodramas from various eras of Hollywood – starring, in a naked reach for cross-generational gay fandom, dual divas Christina Aguilera and Cher – the film inspired critical comparisons to A Star is Born, Cabaret and Showgirls, most of them unflattering. It made $90m at the global box office: not a flop but not a palpable hit either, least of all for a film where the feather budget alone could have funded a modest indie drama. Antin, whose long but scattered pre-Burlesque career ran the gamut from acting to screenwriting to stunt work to producing Pussycat Dolls reality shows, hasn’t directed another film since. The world, by and large, hasn’t mourned.”(Guy Lodge)

Where to watch:Burlesque is available to watch on Netflix in the US, on Sky Cinema in the UK and ABC iView and Amazon Prime in Australia

Read the full review

Starring:Chris Rock and Bernie Mac

Directed by:Chris Rock

Why our writer loves it:“I’ve come back to this film so many times after the election for laughs, only to wind up seeing the whole picture as a clearer allegory for Kamala Harris’s defeat than Obama’s victory. Like Harris, [Chris Rock starring as Mays Gilliam, a small-time politician turned presidential hopeful] was a party sacrifice, offered up to make a certain loss look less bad on the cards, thrown into the fray at the 11th hour, plugged into a humming campaign apparatus, and touted as a history maker. It really makes you think about how close comedy is to horror.”(Andrew Lawrence)

Where to watch:Head of State is available to stream in the US on Freevee, Tubi, Paramount+ and MGM+, in the UK on Paramount+ and on Amazon Prime in Australia

Read the full review

Starring:Heath Ledger, Shannyn Sossamon and Paul Bettany

Directed by:Brian Helgeland

Why our writer loves it:“To me, watching a feelgood film is an intensely nostalgic exercise. That’s because whenever a film is special or timely enough to take up lodging in your heart, rewatching it is also an act of remembering an old version of yourself.A Knight’s Taleis shaded by the genuine sadness of Ledger’s death only seven years after its release, but when I watch it I also remember the way it used to make me feel, as a girl who loved the jousting because her older brother did, all the while secretly cherishing an action film for being so brazenly sentimental.”(Francesca Carington)

Where to watch:A Knight’s Tale is available on Amazon Prime in the US and available to rent digitally in the UK and Australia

Read the full review

Starring:Rosa Salazar, Christoph Waltz and Jennifer Connelly

Directed by:Robert Rodriguez

Why our writer loves it:“My feelgood movie for when humanity lets me down is Alita: Battle Angel, a movie where much of humanity hangs out in a city-sized junkpile. And though I don’t press play with this aspect particularly in mind, it’s nice to imagine a future where things have gone terribly wrong (that just seems realistic at this point) yet unforeseen triumphs still emerge from the tech-nightmare garbage heap. There are plenty of more time-honored films that take a more direct path to temporary bliss, including sci-fi movies better-equipped to restore faith in humanity.”(Jesse Hassenger)

Where to watch:Alita: Battle Angel is available to watch on Hulu in the US, on Netflix and Disney+ in the UK and on Disney+ in Australia

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Starring:Wendy Hiller, Roger Livesey, Pamela Brown

Directed by:Michael Powell and Emeric Pressburger

Why our writer loves it:”I Know Where I’m Going! offers up such portentous moments of mystical and romantic significance lightly, alongside comical asides and colourful eccentricity. It’s a disarming strategy, which tends to leave the audience every bit as bewitched as (the film’s main character) Joan. In this corner of the universe, anything might be possible, even an ancient curse.”(Pamela Hutchinson)

Read the fullreview for I Know Where I’m Going!

Where to watch:I Know Where I’m Going! is available to watch on Tubi, Amazon Prime and the Criterion Channel in the US and is available to rent digitally Australia and in the UK and watch on BBC iPlayer

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Source: The Guardian