‘Grifter loneliness is not for me any more’: Julia Stiles on dance, Dexter and her directorial debut

TruthLens AI Suggested Headline:

"Julia Stiles Reflects on Directing, Comedy Roles, and Her Career Journey"

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TruthLens AI Summary

In a recent interview, Julia Stiles shared her experiences working under the direction of Paul Greengrass, known for his unique documentary-style approach to filmmaking. Stiles described Greengrass as an extraordinary and visionary director who kept the actors on their toes during intense action sequences. Reflecting on her time filming 'The Bourne Ultimatum' in Tangier, she noted the spontaneity that Greengrass brings to the set, which requires actors to remain engaged and responsive at all times. Stiles also expressed her enjoyment of comedic roles, highlighting her recent work in the Christmas comedy 'Unbearable Christmas' alongside improv comedians. She acknowledged that while many may not see her as a comedic actress, she relishes the challenge of making others laugh and appreciated the creative energy that comes from such performances.

Stiles also discussed her directorial debut, 'Wish You Were Here,' emphasizing how her background in English literature has helped shape her understanding of storytelling and character development. She sought advice from experienced directors like Doug Liman and Susan Seidelman, valuing their insights into the filmmaking process. The actress reflected on her iconic role in 'Save the Last Dance,' where she had to convey deep emotions without drawing from personal experiences, relying instead on her imagination. Additionally, Stiles fondly recalled her culinary roots, specifically her love for New York City pizza, and her fond memories of cooking before becoming a mother. As she continues to evolve in her career, Stiles remains focused on embracing new challenges and opportunities, demonstrating her versatility as an actress and a director.

TruthLens AI Analysis

Julia Stiles' interview provides a glimpse into her experiences in the film industry, discussing her work with notable directors, her comedic roles, and her reflections on her directorial debut. The conversation highlights her versatility as an actress and her evolving career, particularly in relation to genre and character depth.

Insights on Directorial Influence

Stiles speaks highly of director Paul Greengrass, emphasizing his unique filming techniques that stem from a documentary background. This sheds light on the creative process involved in high-stakes action films, showing how directors can influence an actor's performance by keeping them engaged and adaptable. The reference to her experiences during the filming of "The Bourne Ultimatum" illustrates the pressures and spontaneity actors face in such settings.

Comedic Versatility

Stiles expresses her enjoyment in comedic roles, which contrasts with her more intense performances. This statement could serve to broaden her public image, potentially attracting a different audience segment that appreciates comedic talent. By mentioning her recent work in “Unbearable Christmas,” she highlights her range and willingness to embrace diverse roles, which may be aimed at reshaping her brand as an actress.

Exploration of Character Depth

The mention of her role in "Save the Last Dance" signifies her ability to tackle complex emotional themes, such as grief. Stiles' comment about not needing to draw from personal experiences to portray such emotions may suggest a professional detachment that could resonate with audiences who appreciate skillful acting. This also indicates a focus on her craft rather than personal life, which can make her more relatable to viewers who value professionalism.

Audience Engagement and Perception

The interview aims to engage fans by showcasing Stiles' diverse talents and experiences. It may also serve to remind the public of her past successes, thereby reinforcing her place in the industry. The tone is conversational and accessible, making it likely to resonate with both fans and casual readers, fostering a connection with her audience.

Potential Manipulation and Trustworthiness

While the interview appears straightforward, the emphasis on her comedic abilities and recent projects may be a strategic move to shift public perception. However, the authenticity of her statements about her experiences suggests a high degree of credibility in her narrative. The article does not seem to manipulate facts but instead focuses on promoting Stiles’ evolving career.

In summary, the piece serves multiple purposes: it highlights Julia Stiles' artistic journey, showcases her adaptability as an actress, and aims to reinforce her public image. This kind of narrative not only promotes her work but also engages her audience, potentially impacting their perception of her future projects.

Unanalyzed Article Content

Hi Julia. What’s it like being directed byPaul Greengrasswith his fast-cut, handheld camera, reportage style? Do you have to approach your acting in a different way?HighPriest1967Paul is an extraordinary director, a visionary director, and I absorbed so much by watching him work. He comes from documentary, so even though he was filming these elaborate, very expensive, complicated action sequences, he was still able to see things happening spontaneously. I remember when we were shooting The Bourne Ultimatum in Tangier, running through those windy streets. Normally as an actor, you turn a corner and you think you’re off camera, so you’d stop. But you could never do that with Paul because there might be a camera around the corner. He always liked to keep us on our toes.

You stole the show asHeather Graham’s sister in Chosen Family. Is it easier to approach comedic, unpredictable roles as opposed to more intense, serious, Bourne-like performances?BicuserI absolutely love working on comedies. People don’t normally think of me as a comedic actress, but when they do, I really appreciate it. It’s such a different energy, trying to get other people to laugh. Working with Heather Graham was great. I’ve just finished shooting a Christmas comedy, Unbearable Christmas, with a lot of improv comedians, and had to keep up in terms of ad-libbing lines. It was the most fun I’ve ever had.

Have you ever considered being in a superhero film? What hero appeals to you the most?nailsthatglowI wouldn’t mind playing a villain. I think Mike Myers said that the villain is the hero of his own story. I would find a nerdy acting way to make my villain especially villainous.

The hip-hop dance montages in Save the Last Dance were an absolute hook, but the emotional breakthrough scene about the loss of your mother was so powerful. Did you have to dig deep to convey the grief and trauma?MissMuftyThankfully, no, I did not have to draw from personal things. What is beautiful about the setup of that movie, with her mother dying in a car crash, is that it touches on something fundamentally sad and tragic for any human being. So my imagination took over. It was such a wonderful opportunity to do formal dance training. I’d taken ballet, modern dance, jazz and tap classes as a teenager, but never that intensely. I put a lot of pressure on myself, but it was such a great opportunity to dance for six hours a day. I think I got the job because I was better at hip-hop than ballet.

You once said you always wanted to be Madonna in Desperately Seeking Susan. Do you still?MrSOBaldrickWhat I responded to about that character was her free-spiritedness. She just didn’t care, and she was so playful. But I think her grifter loneliness is not for me any more.

You committed to studying Englishliterature when your career was flying, which is hugely impressive. What did your studies do for you the most?SidKupI was an English major. The joke is that English majors are just reading books, writing essays, and what are you really being trained for? But what I was learning was storytelling. When I finally got to direct my own movie, Wish You Were Here, a lot of what I had learned in terms of classical storytelling, act structure and character development came in handy.

Did you seek out advice from other directors?Sagarmatha1953I did. I called Doug Liman, who directed The Bourne Identity. I was lamenting my budget constraints and he gave me advice that I will take with me for ever: when they start giving you more money, they start telling you what to do. I sent Rodrigo García [who directed Stiles in web series Blue] my director’s cut and asked for notes. I also sent it toSusan Seidelman, who directed Desperately Seeking Susan, who I do not know personally, but I’m getting bolder in my old age. She wrote me really extensive, thoughtful notes. I thought that was really lovely, because she didn’t have to take the time to do that.

Do you regret breaking up withDexter?Shauny79Well, I didn’t break up with Dexter. Lumen, my character, broke up with Dexter. I remember the writer saying: she’s now been freed of the darkness. It was a beautiful relationship because he helped heal her from trauma. But she didn’t need to be on the dark side any more. She could go back into the light.

Which meal/dish from New York do you miss when away?RobHughes84I used to be a really good cook. I have three kids now, so I’m really good with things like chicken nuggets. I always miss New York City pizza. That’s one of the first things I want to eat when I come back. If I go to another country, particularly in Europe or even parts of the US, I will taste-test their pizza to see how it compares to New York City pizza. There’s something about a local slice that you really can’t beat. Do I like British food? I love a good Sunday roast. I remember working in London on a play for many, many months. It was a two-hander, so there weren’t a lot of other people to hang out with. But on the weekends, the producers would host a Sunday roast, so it was always something to look forward to.

Have you ever considered opening a tile shop, called Julia’s Tiles?Danko1981No, I have not.

I don’t think I’ve been so entertained by a TV show with such an insane plot line as Riviera. Did it make sense to you, or did you just do the role to spendsummers in the French Riviera and Venice?brianofbritainI loved making that series. I think we really hit our stride in the third season. I would be lying if I said I didn’t … of course, filming in Venice and the south of France was hugely appealing. But I couldn’t go to work every day if I wasn’t interested in the character and the story I was telling.

Can you still remember Kat’s sonnet from the end of 10 Things I Hate About You [as quoted by Drake in his feud with Kendrick Lamar]?RDMillerOh, I don’t think I could remember the whole thing. I’ve had to clear out space in my brain for 25 years of other monologues. Let’s see … “I hate the way you talk to me. I hate it when you stare … something, something, something … I hate your big dumb combat boots and the fact that you read my mind … something, something, something. But mostly I hate the way I don’t hate you, not even a little bit, not even at all.” That’s the heartbreaking part of it. She’s like: I reallylikeyou. Am I going to be in the sequels? Oh, they’re news to me!

Wish You Were Here is available to rent or buy now

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Source: The Guardian