Glastonbury ticket cost has damaged the festival’s diversity | Letter

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"High Ticket Prices at Glastonbury Festival Impact Diversity and Inclusivity"

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The rising costs associated with attending the Glastonbury festival have sparked significant concern regarding its impact on diversity and inclusivity. Zoe Williams has pointed out that the high price of tickets, along with the additional expenses of travel and accommodation, has effectively barred many young people and working-class individuals from participating in this iconic cultural event. In her reflection, she questions whether it is unreasonable to lament the loss of a time when young attendees could afford tickets, such as when she herself attended at the age of sixteen with an £80 ticket funded by her part-time job. This sentiment resonates deeply with many who feel that financial barriers are increasingly alienating segments of society from experiences that once felt accessible to all. The festival's ethos of inclusivity is at risk as it becomes a privilege reserved for those who can afford it, rather than a celebration of diverse voices from across the socio-economic spectrum.

Moreover, the implications of these financial barriers extend beyond just young attendees. The letter underscores a broader issue of working-class individuals being systematically excluded from cultural phenomena that significantly contribute to the social fabric of the United Kingdom. The essence of Glastonbury, which has historically stood as a symbol of creativity, community, and inclusivity, is being threatened as it transforms into an event that caters primarily to those with disposable income. This shift not only alters the demographic makeup of the audience but also affects the festival's broader cultural significance, as it is meant to represent the vibrancy and diversity of the nation. As more people find themselves priced out of attending such events, the festival's ability to reflect the diverse tapestry of UK society diminishes, prompting urgent discussions about accessibility and equity in cultural participation.

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Zoe Williams is right to highlight the prohibitively high price of a ticket to Glastonbury festival, as well as the wider costs involved in getting there (BuzzBallz, brat tenacity and hangover face: 25 things I learned about the world at Glastonbury 2025, 29 June). “Is it unreasonable to mourn a time when more young people could afford to come?” she asks. Having attended as a 16-year-old, with an £80 ticket bought with money from my part-time job, I sympathise with young people who have been priced out. But it’s not just young people –

attending a festival has become another part of the social and cultural life of the country from which working people are increasingly being cut off. Sadly, this fundamentally changes the nature of a festival like Glastonbury, which for so long represented and celebrated the best of inclusivity, diversity and creativity in the UK.Huw RobertsLiverpool

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Source: The Guardian