Forgotten: Searching for Palestine’s Hidden Places and Lost Memorials review – existence is resistance

TruthLens AI Suggested Headline:

"Raja Shehadeh and Penny Johnson's "Forgotten" Explores Palestinian Heritage Amid Ongoing Conflict"

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AI Analysis Average Score: 7.1
These scores (0-10 scale) are generated by Truthlens AI's analysis, assessing the article's objectivity, accuracy, and transparency. Higher scores indicate better alignment with journalistic standards. Hover over chart points for metric details.

TruthLens AI Summary

Raja Shehadeh, a prominent Palestinian lawyer and writer, has consistently voiced the complexities of Arab-Israeli relations through his literary works. His previous books, such as "When the Bulbul Stopped Singing" and "Palestinian Walks," have addressed the impact of Israeli occupation on Palestinian identity and landscape. In his latest collaboration with academic Penny Johnson titled "Forgotten," Shehadeh adopts a more hopeful tone amid the backdrop of ongoing conflict. The book combines a meticulous exploration of Palestinian history with personal reflections, as the authors traverse the West Bank in search of cultural remnants and memorials that signify the resilience of the Palestinian people. They employ a first-person plural narrative, which not only personalizes their journey but also reinforces the shared experience of loss and endurance among Palestinians. This collaborative effort offers a fresh perspective, contrasting Shehadeh's previous works, which leaned more heavily into despair following the events of October 7, 2022.

"Forgotten" serves as a poignant reminder of the enduring Palestinian heritage, as the authors seek out significant sites like the ruins of Kafr Bir’im and the tomb of Mahmoud Darwish. Their travels reveal the ongoing erasure of history under Israeli policies, where geographical and cultural landmarks are manipulated or obliterated. The book resonates with themes of biopolitics, showcasing the restrictions imposed on movement within Palestine that aim to exhaust the spirit of its people. Despite these challenges, Shehadeh and Johnson highlight the beauty of the land and its ability to persist against adversity, symbolized by the blooming flowers and trees that reclaim devastated spaces. Ultimately, "Forgotten" emerges as a work of resistance, asserting that history and identity cannot be easily erased, thus offering a vision of hope and continuity for the future of Palestine amidst the shadows of oppression.

TruthLens AI Analysis

The article provides a detailed examination of Raja Shehadeh's latest work, "Forgotten," co-authored with Penny Johnson. It highlights Shehadeh's evolution as a writer and activist in the context of Palestinian history and culture, emphasizing a shift from despair to a more hopeful engagement with the topic. The narrative serves to illuminate the importance of remembering and preserving Palestinian heritage amidst ongoing conflict.

Purpose of the Publication

The piece aims to shed light on the often-overlooked aspects of Palestinian culture and history, emphasizing the significance of memorials and historical sites in the West Bank. By focusing on Shehadeh's narrative, the article seeks to inspire readers to recognize the resilience of Palestinian identity and the importance of cultural preservation. This is particularly relevant in the current political climate, where narratives surrounding Palestine are frequently marginalized.

Community Perception

The article is likely intended to foster a sense of solidarity and awareness among readers, particularly those sympathetic to the Palestinian cause. It highlights the emotional and historical weight of the Palestinian experience, encouraging readers to empathize with the struggles faced by the community. This approach aims to counteract the often one-dimensional portrayals of the conflict in mainstream media.

Potential Omissions

While the article emphasizes the cultural and historical significance of the Palestinian narrative, it may overlook the complexities of the political situation, such as the perspectives of Israeli citizens or the broader implications of the ongoing conflict. By focusing primarily on cultural resilience, there is a risk of simplifying the multifaceted nature of the issue.

Manipulative Elements

The article employs evocative language and personal anecdotes, which could be seen as manipulative in the sense that it aims to elicit an emotional response from readers. The framing of Shehadeh and Johnson's journey as a search for lost heritage invokes a sense of urgency and importance, potentially steering readers toward a specific viewpoint regarding the Palestinian experience.

Truthfulness of the Content

Overall, the content appears to be grounded in genuine experiences and reflections. Shehadeh is a credible figure in the context of Palestinian literature and activism, lending weight to the insights presented. However, the selective focus on cultural narratives may lead to a skewed understanding of the broader conflict.

Public Sentiment

The article is likely to resonate with audiences who are already sympathetic to the Palestinian cause or interested in Middle Eastern history. It may strengthen the resolve of those advocating for Palestinian rights and cultural recognition, while potentially alienating readers who hold opposing views.

Economic and Political Impact

While the article itself may not directly influence stock markets or economic indicators, it contributes to the broader discourse surrounding the Israeli-Palestinian conflict, which can have indirect effects on geopolitical stability in the region. Awareness of cultural narratives may influence public opinion and policy discussions, potentially affecting international relations.

Global Power Dynamics

The themes presented in the article are highly relevant to current global discussions about colonialism, nationalism, and identity politics. The focus on cultural resistance aligns with global movements advocating for marginalized voices, which is a significant aspect of contemporary political discourse.

Artificial Intelligence Involvement

There is no clear indication that AI was used in the writing of this article. The personal touch and nuanced understanding displayed suggest a human authorial voice. However, if AI were involved, it might have influenced the structure or style of the article, potentially emphasizing emotional language to engage readers more effectively.

The analysis reveals a complex interplay between cultural representation and political discourse, underscoring the importance of narratives in shaping public perception.

Unanalyzed Article Content

Raja Shehadeh – lawyer, activist and Palestine’s greatest prose writer – has long been a voice of sanity and measure in the fraught, tendentious world of Arab-Israeli politics. His first non-academic book,When the Bulbul Stopped Singing, chronicled the 2002 siege of his hometown, Ramallah, whilePalestinian Walks, which won the Orwell prize, traced how Israel’s de facto occupation of the West Bank had fundamentally altered both its geography and its history. Last year,ShehadehpublishedWhat Does Israel Fear from Palestine?, his first book since the attacks of 7 October. It was a work in two parts: the first, a characteristically measured analysis of how history led us to this point; the second, a bitterly furious record of the devastation wrought upon Gaza. The overwhelming impression was of a man who, after decades of engagement, had finally, tragically, succumbed to despair.

So it is an unexpected relief to find inForgottensomething different: a Shehadeh who is engaged, forensic, alert to history’s weight but unwilling to let it crush him. Perhaps this is due to the presence of his co-author, his wife, the academicPenny Johnson. The prose remains lawyerly, precise to the point of fastidiousness, but the collaboration lends it a quiet strength. The first-person plural voice used throughout the book is intimate yet resolute, while the occasional references to “Raja” and “Penny” in the third person suggest a certain distance – a recognition that they, too, are subjects in this vast historical tragedy, just as much as its narrators.

The project ofForgottenechoesPalestinian Walks, but this time there is a clear objective to Shehadeh and Johnson’s wanderings. They are searching for evidence of Palestinian history in theWest Bank– traces both ancient and recent of the thriving culture that has endured here for millennia, and the memorials that bear witness to the suffering of those who call this place home.

Again and again, I thought ofWG Sebaldas I readForgotten. The resemblance lies not only in the mournful elegance of the prose but also in its method: a meditative excavation of history embedded in the landscape. Readers ofThe Rings of Saturn, in which Sebald wanders the East Anglian coast uncovering the buried violence of empire, will recognise the impulse. But here, in occupied Palestine, the violence is neither buried nor historical. It is immediate, ongoing. “How many human lives and how many futures would have been preserved … had the Israeli government … prevented further settlements?”, the authors ask. “Thousands have died since, and so here we were, on our way to see how Palestinians memorialise their dead in Nablus.”

At the heart of Shehadeh’s work – and the conflict itself – is the idea of biopolitics, as explored by thinkers such asMichel FoucaultandGiorgio Agamben.Forgotten, likePalestinian Walks, examines the way geography and history are manipulated, controlled and erased. To move through Palestine is to navigate a web of restrictions – permits, checkpoints, detours – designed not only to obstruct but to exhaust. It is a book about memory and memorials, but also about the sheer difficulty of reaching them. “Checkpoints, closures and a regime of exclusions have deprived new generations from gaining an impression of the country as a geographical unit,” write Shehadeh and Johnson. And that, of course, is precisely the point.

The writers seek out the ruins of Kafr Bir’im, a Palestinian village in Galilee destroyed by the Israeli army in 1953, and the tomb ofMahmoud Darwish, Shehadeh’s friend and Palestine’s great poet. They visit Ottoman khans – way stations for desert caravans – and search for the remnants of ancient Gibeon and Qasr al-Yahud on the River Jordan, the site of Christ’s baptism. They find a monument to a squadron of Turkish aeronauts and the only public memorial to theNakba, the 1948 expulsion of 750,000 Palestinians. Everywhere, history is distorted or obliterated, rewritten by Israeli power.

And yet, for all this,Forgottenis a book of resistance – not just political, but existential. Shehadeh and Johnson, now in their 70s, offer a vision of Palestinian heritage that refuses to be erased, tracing a lineage that stretches back millennia and persists today despite the relentless attempts to efface it. History, like the land itself, cannot be so easily obliterated. Even after bulldozers and bombs, flowers bloom, trees reclaim razed earth, red anemones push through rock. Shehadeh and Johnson remain awed by the hills, by vultures and eagles wheeling above them, by the annual clouds of almond blossom. All this layered past,Forgotteninsists, holds within it the promise of a future just as rich, just as enduring.

In previous reviews, I wrote that Shehadeh’s books are like beacons held up against the darkness of Israeli oppression.Forgottenis perhaps the brightest light of all.

Forgottenby Raja Shehadeh and Penny Johnson is published by Profile (£14.99). To support theGuardianandObserverorder your copy atguardianbookshop.com. Delivery charges may apply

This article was amended on 16 April 2025 to replace the accompanying image. The previous image was captioned as showing “the ruins of Kafr Bir’im, a Palestinian village in Galilee”. The archaeological remains are in Kafr Bir’im but are those of an ancient synagogue built during the Talmudic period.

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Source: The Guardian