‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists

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"Pedro Pascal Critiques Trump’s Attacks on Artists at Cannes Film Festival"

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TruthLens AI Summary

Pedro Pascal has voiced strong criticism against Donald Trump's recent attacks on artists during a press conference at the Cannes Film Festival. While promoting Ari Aster's new film 'Eddington', Pascal encouraged creatives to resist intimidation and continue to express themselves freely. He emphasized the importance of storytelling in the face of fear, urging artists to 'fight back' and not let adversarial forces prevail. His remarks came in the context of Trump's derogatory comments about musicians like Bruce Springsteen and Taylor Swift, which Pascal described as part of a broader atmosphere of hostility towards the arts. He articulated his concerns about the implications of political messages in films, especially regarding the safety and protection of artists and their ability to speak on significant issues without fear of repercussions.

Pascal, who is an immigrant himself, shared his personal background as the child of parents who fled the dictatorship of Pinochet in Chile. He expressed solidarity with those seeking protection and safety, reflecting on his own privilege of growing up in the United States after his family sought asylum. The film 'Eddington' explores themes of fear and societal division, set during the early days of COVID-19 and the Black Lives Matter movement, featuring Pascal as a mayor advocating for restrictions. Director Ari Aster also acknowledged the anxiety surrounding the political ramifications of their work, admitting to fears that the film's political messages could hinder cast members' re-entry into the U.S. Aster highlighted the film's roots in a time of heightened individualism and societal fragmentation, indicating that the project was born out of a desire to address these pressing issues through the medium of cinema.

TruthLens AI Analysis

Pedro Pascal's recent statements at the Cannes Film Festival reflect a growing concern among artists regarding the political climate in the United States, particularly with Donald Trump's actions and comments toward public figures. This article highlights the intersection of politics, art, and personal identity, illustrating how prominent figures in the entertainment industry are responding to perceived threats against artistic expression and immigrant rights.

Political Context and Artist Solidarity

Pascal's remarks come in the wake of Trump's derogatory comments about artists like Bruce Springsteen and Taylor Swift. By emphasizing the need for creatives to "fight back," Pascal is not only rallying support for fellow artists but also addressing a broader issue of political censorship and intimidation. His personal background as an immigrant fleeing a dictatorship adds a poignant layer to his advocacy for protection and safety for marginalized communities.

Fear of Political Repercussions

The apprehension expressed by Pascal and director Ari Aster about the potential weaponization of political messages in films indicates a chilling effect that current political sentiments may have on artistic expression. This fear reflects a broader anxiety within the creative community about how their work could be scrutinized, particularly when addressing controversial topics. Aster’s acknowledgment of being "scared of everything" underlines the pervasive uncertainty artists face in today's political landscape.

The Role of Celebrity in Political Discourse

As public figures, Pascal and Aster wield significant influence. Their statements can serve to mobilize public opinion and foster solidarity among artists and audiences alike. The message of resilience against fear and censorship resonates particularly with those who feel disenfranchised or threatened by current political rhetoric. This article serves to amplify that message, aiming to inspire action and support within the arts community.

Implications for Society and Culture

The sentiments expressed in this article may have ripple effects on societal attitudes toward political engagement in art. As artists take a stand, they may embolden others to do the same, potentially leading to a cultural shift in how political issues are addressed in creative works. This could also affect audience expectations and the types of narratives that gain traction in popular media.

Manipulation and Trust in Media

While the article presents a passionate call to action, the framing of Pascal as a heroic figure standing against oppression could be seen as a form of manipulation, appealing to emotions to garner support for a particular viewpoint. However, given the authenticity of Pascal's experiences and the current political climate, the article maintains a level of credibility, though one must remain aware of the potential biases inherent in such narratives.

The article ultimately serves to galvanize support within the artistic community against political threats to creative expression, promoting a narrative of resilience and activism. The concerns raised are valid within the current sociopolitical context, and while there may be elements of emotional manipulation, the underlying message aligns with ongoing struggles for freedom of expression and protection of marginalized voices.

Unanalyzed Article Content

Pedro Pascal has sharply criticised Donald Trump’s attacks against artists, as the director of a conspiracy theory satire starring the actor said he feared the political messages of films could be weaponised by US border guards.

“Fuck the people that try to make you scared,” the Game of Thrones andThe Last of Usactor said at a press conference at the Cannes film festival, promoting Ari Aster’s new filmEddington. “And fight back. And don’t let them win.”

He urged creatives to “keep telling the stories, keep expressing yourself and keep fighting for it”.

The comments came shortly after the US president used his Truth Social platform tocall singer Bruce Springsteena “pushy, obnoxious JERK” for criticising his leadership, and claim that Taylor Swift’s popularity had decreased since he announced his “hatred” for her.

“Obviously, it’s very scary for an actor participating in a movie to sort of speak to issues like this,” Pascal said when asked whether he feared that the US could completely close down to all forms of migration. “I want people to be safe and to be protected, and I want very much to live on the right [side] of history.”

“I’m an immigrant”, said Pascal, whose parents fled Pinochet-led Chile when he was nine months old. “We fled a dictatorship, and I was privileged enough to grow up in the US, after asylum in Denmark, and if it weren’t for that, I don’t know what would have happened to us. And so I stand by those needing protection, always.”

Pascal plays a small-town mayor in New Mexico alongside Joaquin Phoenix, Emma Stone and Austin Butler in the new film by Aster, the acclaimed director of “elevated horror” films Midsommar and Hereditary.

Asked whether he was concerned that the political message of films could be used against cast members when they tried to re-enter the US, Aster said: “The truth is, I’m scared of everything. All the time. So, yeah. The tongue is sort of in the cheek in that answer, but it’s also true.”

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Set in the first summer of Covid-19 restrictions and Black Lives Matter protests, Eddington pits Pascal’s restrictions-advocating mayor Ted Garcia against Phoenix’s lockdown-sceptic sheriff Joe Cross.

“I wrote this film in a state of fear and anxiety about the world”, Aster said in Cannes. “I feel like over the last 20 years we’ve fallen into this age of hyperindividualism. The social force that used to be central in liberal mass democracies, which is an agreed-upon version of the world, that is gone now. And Covid felt like the moment where that link was finally cut for good.”

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Source: The Guardian