Dutch museum displays 200-year-old condom: ‘We suspect it was never used’

TruthLens AI Suggested Headline:

"Rijksmuseum Exhibits 200-Year-Old Condom as Part of New Sexual Health Exhibition"

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TruthLens AI Summary

The Rijksmuseum in Amsterdam is set to showcase a 200-year-old illustrated condom, marking a significant addition to its art collection as the first contraceptive sheath to be displayed alongside works from the Dutch Golden Age. This unique artifact, believed to have been manufactured from a sheep's appendix around 1830, is thought to have originated from an upscale brothel in Paris. The condom features an erotic etching that portrays a partially undressed nun gesturing towards the genitals of three clergymen, accompanied by the phrase 'Voila, mon choix,' which translates to 'There, that’s my choice.' According to curator Joyce Zelen, the imagery cleverly references the Greek myth of the Judgement of Paris, suggesting that the individual who owned the condom was likely well-educated and sophisticated in their tastes. The condom was purchased for €1,000 at an auction in Haarlem last November and is now the centerpiece of a small exhibition titled SafeSex?, which explores themes of sexual health and sex work through a collection of Dutch and French prints and drawings.

Historically, condoms prior to the advent of vulcanized rubber in 1839 were made from various materials such as linen, animal membranes, and even turtle shells, providing limited protection against sexually transmitted diseases and pregnancy. During the 1830s, the use of condoms faced societal condemnation, particularly from religious institutions, and they were typically sold discreetly in brothels or barber shops. Zelen noted that this particular condom, measuring 20cm in length, was likely never used, as suggested by examinations under UV light. The etching's ambiguity regarding which clergyman the nun is pointing to adds a layer of intrigue, allowing for broader appeal among potential consumers of the time. This exhibition not only highlights a rare historical artifact but also serves as a commentary on the evolution of sexual health and societal attitudes towards contraception over the centuries.

TruthLens AI Analysis

The article presents a unique cultural artifact, a 200-year-old illustrated condom, which is now part of an exhibition in the Rijksmuseum in Amsterdam. This display aims to bridge historical perspectives on sexuality and contraceptive use, while also challenging contemporary views on sexual health and morality.

Cultural Significance

The inclusion of the condom in a museum dedicated to Dutch masters highlights the intersection of art, history, and sexuality. By showcasing an object that was once taboo, the museum appears to promote a more open dialogue about sexual health and the historical perceptions surrounding it. The curator’s comments emphasize the sophistication of the past consumer, suggesting that discussions around sexuality have always been complex and nuanced.

Public Perception and Social Commentary

This exhibition may influence public perception by normalizing discussions about sexual health. By presenting a piece that was likely never used, the museum invites viewers to contemplate the cultural attitudes of the time and how they relate to modern views on contraception and sexual behavior. This could resonate particularly with progressive communities who advocate for sexual health education and awareness.

Potential Hidden Agendas

While the primary focus seems to be on cultural education, there could be underlying motives to address contemporary issues surrounding sexual health and contraceptive use. By unveiling historical artifacts, the museum might be aiming to provoke thought and discussion about the ongoing stigmas related to sexual health in modern society.

Manipulative Elements

The article seems to balance between educational and sensationalist tones, which could potentially manipulate public interest. The phrasing around the condom's history, its artistic etching, and its perceived sophistication might aim to evoke curiosity and draw visitors to the exhibition, thus enhancing the museum's profile and attendance.

Trustworthiness of the Report

The report appears credible, referencing specific details about the condom's origin, its artistic context, and the curator's insights. However, the sensational nature of displaying a condom in a museum may lead to questions about the intent behind such a provocative exhibit.

Impact on Society and Economy

The exhibition may foster increased dialogue regarding sexual health, which can have broader implications for public health initiatives. Additionally, increased visitor numbers could positively impact the local economy, as more tourists might be drawn to Amsterdam to see the exhibition.

Target Audiences

This news likely appeals to various demographics, particularly those interested in art, history, and sexual health advocacy. It may resonate more with progressive communities that support open conversations about sexuality and health.

Global Market Implications

While the direct impact on stock markets or specific industries may be minimal, the article contributes to broader discussions on health and wellness, which can influence sectors like healthcare, education, and tourism.

Relevance to Current Events

The topic of sexual health and contraception remains highly relevant today, especially in the context of ongoing debates about reproductive rights and sexual education globally. This historical artifact serves as a reminder of the importance of understanding the past to navigate present challenges.

In conclusion, the article and the exhibition it discusses serve to both educate and provoke thought concerning historical and contemporary views on sexuality. The motivations behind this display may be multifaceted, aiming to enrich cultural discourse while also attracting interest and visitors to the museum.

Unanalyzed Article Content

A 200-year-old illustrated condom will go on display with Dutch golden age masters in Amsterdam this week, after the 19th-century “luxury souvenir” became the first-ever contraceptive sheath to be added to the Rijksmuseum’s art collection.

The condom, which was probably made of a sheep’s appendix circa 1830, is thought to have come from an upmarket brothel in France, most likely in Paris. It features an erotic etching depicting a partially undressed nun pointing at the erect genitals of three clergymen, as well as the phraseVoila, mon choix(“There, that’s my choice”).

The Rijksmuseum curator Joyce Zelen said the composition of the etching deliberately alluded to the Greek myth of the Judgement of Paris, in which a Trojan prince is asked to pick the most beautiful of three goddesses. “So we believe that whoever acquired the condom would have been fairly sophisticated and well educated,” she said.

Bought for €1,000 at an auction in Haarlem last November, the contraceptive has gone on display in a glass case this week as the centrepiece of a small exhibition at the Rijksmuseum called SafeSex?, featuring Dutch and French prints and drawings on the themes of sex work and sexual health.

Before the invention of vulcanised rubber in 1839 made them safer and more widely available, condoms were made from linen, animal membranes or even turtle shells – and did little to provide protection from sexually transmitted diseases such as syphilis or to prevent pregnancy.

“In the 1830s, when this condom was made, the use of condoms was still frowned upon, especially by the church,” said Zelen. “They were mostly sold under the counter at brothels or barber shops, though there are some reports of luxury shops offering bespoke tailoring.”

Like all effective advertising, the promotional souvenir displayed in Amsterdam managed to flatter its consumer, measuring 20cm in length. “We looked at it with UV light and suspect it was never actually used,” Zelen clarified.

“It’s also unclear whether the nun in the etching is pointing at the bald man, the thin man, or the one who looks slightly overweight,” Zelden said. “That way, any type of man could feel spoken to.”

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Source: The Guardian