It’s midday on Friday at Glastonbury – a fairly early call time for a nocturnal drag superstar, but Bimini is already putting the world to rights. The DJ, musician, model, podcaster, author and activist (to name just a few of their other job titles) is taking to the stage for the first of three Guardian Live Q&As this weekend, interviewed by journalist Zoe Williams. And don’t worry, all your important style conundrums are being answered: “Crocs, yes or no?”
“Yeah!” Bimini enthuses. “They’re comfortable footwear at a festival.” It’s unclear whether they’ve packed any for later on, as they kick their heel into the air, revealing 16-in PVC stilettos. The 2025 festival style trend? “Skimpy,” they say, without missing a beat (they’re wearing a union jack corset and teensy leather hot pants).
With the all-important fashion business out of the way, the conversation – dotted with questions from Guardian readers – covers anxiety, allyship and why policing body autonomy is “horrible”.
Talk inevitably turns to the recenttrans bathroom ban. “Trans people just want to live their lives,” Bimini says, though they are hoping for more unity: “What needs to happen is more conversations where we come together and find a solution.” That includes “honest conversations with trans people, actually allowing trans people to speak about their existence,” they continue. “They’re mocked or ridiculed and I don’t think it’s a fair representation.”
Right now, Bimini tells the crowd, we’re in a “hostile” place, “and we need to either get really angry and start a revolution or take acid and love each other”.
“That’s what’s so beautiful about coming to Glastonbury. It feels like utopia, right? Although you probably couldn’t live here for ever because you’d be knackered.”
They have memories of performing here in 2017, as part of the NYC Downlow’s drag coterie; it felt like a simpler time. “There was still a lot of hope and acceptance. Homophobia and transphobia wasn’t as high as it is now.” Even so, they add, Brexit was a catalyst for echo chambers. It “leads to ideas of, oh, there are other people that think like me, and then that slowly starts to build up, and we get to the place where we’re the most divided we’ve been in a long time”.
But back to Glastonbury. On a brighter note, they say, “I think this year is just about having fun, being radical with it, and standing up for what you believe.” And besides, adds Bimini, “I’ve always got something to say”.
As Thomas George Graeme Hibbitts, growing up in Norfolk, they always had the acerbic, surreal sense of humour that they’re known for. “Bimini is just a bit more fun to look at.” They studied journalism, as well as international relations, at university, “so I was always quite into current affairs,” they explain. But drag allowed them to bring that on to the stage and “I was able to explore politicsandperform”.
In response to a reader’s question about a recent social media post, in which they wrote about a time when they’d fallen out of love with performing, Bimini opened up about their mental health struggles in the aftermath of starring on season two of RuPaul’s Drag Race. “I felt a lot of pressure. There were a lot of different people around me telling me what I should do and how I should be.” They were thrust into “a different world that wouldn’t normally have accepted me. I got caught up and I became a bit depressed.”
They’re also feeling weary about the politics side of things. “I’ve never understood how human rights is a discourse in itself,” they say. “Surely if there’s a war going on and people are trying to flee, we try to help them as much as we can.” Instead, they say, the UK government is doing the opposite: “It’s disgusting.” Bimini refuses to stop being outspoken about what they believe in. For a recent show, they were told to remove the line “Free Palestine” from one of their songs. In response, Bimini refused to let their song be used: “I’m not doing it.”
Making and playing music, however, has revitalised them. “I’ve been making an electro-punk album,” they say, as well as officially remixing Anastacia’s 2000 smash I’m Outta Love and getting back into DJing (they’re playing two sets across Glasto weekend). Plus, we’ve nearly at the end of another Pride month. “This year is so important because we need to come together for the trans community. We need to come together for the migrants, disabled people, anyone that is a minority that doesn’t feel like they are being looked after.”
As well as inclusivity, they urge collective action: “We need to fight.” They attended the recent lobby outside parliament to protest against the UK government’s bathroom ban. “What’s worrying is the policing of bathrooms. How do you police who’s going to the toilet? Is someone checking your genitals? I just think everyone needs to piss in peace.”