Demi Adejuyigbe: ‘Everything I do is because of my love for Ocean’s Eleven’

TruthLens AI Suggested Headline:

"Demi Adejuyigbe Reflects on Creativity and Influences in Comedy and Music"

View Raw Article Source (External Link)
Raw Article Publish Date:
AI Analysis Average Score: 8.8
These scores (0-10 scale) are generated by Truthlens AI's analysis, assessing the article's objectivity, accuracy, and transparency. Higher scores indicate better alignment with journalistic standards. Hover over chart points for metric details.

TruthLens AI Summary

Demi Adejuyigbe, known for his creative parodies and humorous takes on popular culture, has reflected on his journey from celebrating the song 'September' by Earth, Wind and Fire to experiencing stress at just the thought of it. Over five years, Adejuyigbe produced elaborate tributes to the song, but the overwhelming attention led to a panic attack, prompting him to reconsider his relationship with the song. He candidly admitted that while he initially enjoyed the fun of the tributes, the pressure to maintain the persona of a passionate fan became burdensome. This realization highlights the complexities of audience expectations and the performer’s own emotional well-being, as he humorously noted he was 'hoist by his own petard' for making the song a focal point of his work.

In addition to his musical parodies, Adejuyigbe shared anecdotes about his interactions with celebrities, including a memorable encounter with Charli XCX at a festival where he awkwardly congratulated her on a performance she hadn’t given yet. He also discussed his favorite parodies, particularly his fake Childish Gambino rap about Star Wars, which cleverly blurred the lines between reality and satire. Adejuyigbe expressed a deep admiration for the film 'Ocean’s Eleven,' calling it the 'platonic ideal of a watchable film' and acknowledging how it has influenced his creative process. He believes that the charm of the film and its cast—despite any flaws—encapsulates the essence of storytelling and performance. Furthermore, he shared insights on the necessity of superhero films in the current cinematic landscape, arguing that they play a crucial role in sustaining theaters. As he prepares for upcoming performances in Australia, Adejuyigbe continues to navigate the delicate balance of humor, creativity, and personal expression in his work.

TruthLens AI Analysis

The article explores the reactions and reflections of Demi Adejuyigbe, a creator known for his unique tributes to the song "September" by Earth, Wind & Fire. It delves into his relationship with the song, his experiences with celebrities, and his penchant for musical parodies. By discussing these topics, the piece aims to provide insight into Adejuyigbe's creative process and personal anecdotes, which might resonate with fans and followers.

Audience Perception

The narrative crafted around Adejuyigbe's experiences seeks to create a relatable image of him as a creative individual grappling with the burdens of popularity. By sharing his discomfort with the song "September," the article may evoke empathy and understanding from the audience, particularly those who have experienced similar feelings of being overwhelmed by their own creations or public personas.

Hidden Agendas

There doesn't appear to be any significant information being hidden or obscured within the article. Instead, it seems more focused on establishing a connection with the audience through shared experiences and humor. The story of his interaction with Charli XCX, while cringeworthy, adds a layer of authenticity, reinforcing the notion that celebrities are just like everyone else—making mistakes and feeling awkward in social situations.

Manipulative Elements

The article does not exhibit a high level of manipulation. It presents Adejuyigbe's feelings and experiences in a candid manner. The use of humor and self-deprecation could be seen as a way to engage the audience emotionally. However, one could argue that there is an element of crafting a specific narrative around his love for "Ocean's Eleven," which could lead to a perception of him being solely driven by that passion.

Credibility and Truthfulness

The article appears to be credible, as it shares personal anecdotes from Adejuyigbe without sensationalizing them. The reflections on his experiences feel genuine, which enhances the overall reliability of the piece. The focus on his creative process, mixed with humorous incidents, aligns well with the type of content his audience expects.

Cultural Implications

This piece may serve to highlight cultural phenomena surrounding music and celebrity interactions. It appeals to a demographic that values authenticity and humor in their entertainment. The relatability of his experiences may foster a sense of community among fans and followers who appreciate the behind-the-scenes aspects of creativity.

Potential Economic Impact

While this article likely does not have direct implications for stock markets or economic trends, it could influence the popularity of Adejuyigbe's work, potentially leading to increased viewership or engagement with his content. Artists and creators in similar niches may see a boost in interest as audiences seek out more relatable and genuine content.

Community Engagement

Adejuyigbe’s narrative resonates particularly with younger audiences familiar with social media and internet culture. His humorous takes on celebrity interactions and music parodies may engage communities that appreciate creativity and light-hearted commentary.

Geopolitical Context

The article does not explicitly connect to broader geopolitical issues or power dynamics, focusing instead on personal experiences within the entertainment industry. However, it reflects a contemporary cultural moment where personal storytelling and authenticity are valued in media.

Use of Artificial Intelligence

There is no clear indication that AI was used in the writing of this article. However, if AI were involved, it might have contributed to the structure of the narrative or the identification of engaging topics, which are common in interviews and articles about public figures.

In summary, the article offers a personal glimpse into Demi Adejuyigbe's life, balancing humor with relatable experiences, while successfully engaging an audience that appreciates authenticity and creativity.

Unanalyzed Article Content

On 21 September each year between 2016 and 2021, you made a series of increasingly elaborate tributes to the Earth, Wind and Fire song September that were viewed millions of times. Do you hate that song now?

I do feel stressed whenever I hear September, but I try to ignore it. A few years ago, before the last video came out, I had a panic attack at a Home Depot simply by imagining that it came on. That’s when I was like, I gotta stop doing this – I don’t think I enjoy it any more. I made people think I really love that song. It was just a fun idea. I don’t want people to feel bad for me. I was hoist by my own petard. I’m the one who made it a thing!

What’s been your most cringeworthy run-in with a celebrity?

One year I was at a festival when Charli xcx was performing. I have mutual friends with her and I knew that we share a birthday, we’re the exact same age and we were both born in the UK. So I was a little drunk and I didn’t see her set but I was side of stage and saw her standing there, typing on her phone. So I went up to her and said “Hey, great performance up there. It’s funny, you and I have the same birthday.” And she said, “Oh thanks. Cool.”

I later learned that something went wrong during her set and it hadn’t happened yet. Clearly she knew I hadn’t been watching her at all. I’m sure weird stuff happens to her all the time, but this was a decade ago and I think about it every time she pops up. It is not interesting to have the same birthday as someone.

I sing your fake Lana Del Rey song at least once a week. What is your favourite of all your musical parodies?

I think my Childish Gambino rap L-A-N-D-O, which was a fake tie-in track about Star Wars filled with Star Wars puns. The timing was just right, because everyone went “wait, is this real?” The Lana Del Rey one is also a favourite – the reveal of who she is singing about builds so slowly, it is very satisfying.

I love all the artists I choose, which means I can recognise the patterns in their songs and write a pretty convincing parody. It’s fun to inhabit someone else’s skin like that. It’s not about making fun of them – so much of the joke is trying to pass my songs off as the real thing.

What is the most effort you’ve put into a joke that you wished more people appreciated?

A couple of years ago, I wrotea fake children’s book that retold the story of the Fast and the Furious films. I had a friend illustrate it for me, and I just put it on Medium. It was a very accurate recap of the franchise. But it just came and went! It’s like I let my child out in the world and now I have no idea where it is.

Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning

If you could change the size of any animal to keep as a pet, what would it be?

A pig. I would love to have a pet pig, but they grow really big. If I could have a pig that just stayed small, I would let it roam around the house and play with my cat. Pigs are so cute. They are so cuddly and slovenly. I even like that they’re big, but a small one would be easier to deal with.

Do you remember howGeorge Clooney had a massive pet pig for like 20 yearsand it slept in his bed with him? And all through the 1990s, everyone was like, ‘So why is this guy a bachelor?’

I can’t imagine too many women were staying over. “You have to leave, the pig sleeps here.”

What book, film or album do you always return to, and why?

Speaking of Clooney, the movie I always return to is Ocean’s Eleven. It is the platonic ideal of a watchable film. It’s so well written, well scripted and well directed. It stands out as an example of the last movie star era, where you just can’t believe all these people are in a movie together. These days that’s how every big movie is made. But Ocean’s Eleven defined my idea of what movies can and should be. I love heists and cons. Actually, everything I do, trying to deceive an audience and capture their attention, is because of my love for Ocean’s Eleven.

But what about Don Cheadle’s cockney accent?

No, I love it. Yes it’s bad, but it exists in a world where you don’t care it’s bad. I think they should all be doing bad accents. They’d get away with it, because it’s all charm. If you look very closely, Brad Pitt and George Clooney are actually very stupid in it and they fuck up a lot. But when you watch it, you go “damn, those guys are brilliant”. They needed 11 people to get the job done!

What’s the best lesson you’ve learned from someone you’ve worked with?

I was 23 or 24 and working in my first writers room, on The Good Place. I would point out problems in the scripts a lot – “Oh, this doesn’t work” or “This sort of breaks the world, we can’t use that” – and I could feel the tension building. Someone eventually gave me the advice that if you’re going to point out a problem, try and point out a solution too. You don’t want to be the person who’s just saying “that doesn’t work”. Either propose a fix or accept that it is a temporary solution. Some things won’t work perfectly to you, but let it go.

Would you rather die at the bottom of the ocean or out in space?

Space. I don’t fear the ocean like a lot of people do but I feel like I wouldn’t be impressed by the bottom of the ocean. Imagine being in space! I look down. I see Earth. I see starlight. Space is more magnificent, more fancy. Who cares about the ocean. I’ve been in water before.

What’s your most controversial pop culture opinion?

Superhero films are necessary. I’m not saying they’re great or they’re bad. But a lot of people think Marvel films are the death of cinema and I think that we need to remember that we need big blockbusters that everyone wants to see in order for theaters to thrive – and unfortunately, Marvel movies are the thing of the moment. We need them so we can also have Phantom Thread playing in theaters, because some people won’t go see anything else. Yes, we do need more films like Sinners but we also need Avengers 25 so a family of six can take all their kids to see that three times.

I think a lot of people believe that if Marvel weren’t taking up all the screens, then a family would go see a Steven Soderbergh instead. No, they just won’t go to the theatre at all, unfortunately.

What is the weirdest thing you have done for love?

I have repeatedly put a lot of effort into unrequited crushes that wasn’t necessary. I’ve made art for people that took so much work and time, even when it has been clear they aren’t into me. You are not going to convince someone that you love them by Photoshopping fake Criterion DVDs for them. That is a lesson that everyone has to learn – I just had to relearn it a couple times.

Demi Adejuyigbe is performingDemi Adejuyigbe Is Going to Do One (1) Backflipon 6-7 June in Sydney, 12-13 June in Adelaide at Adelaide Cabaret festival, 17 June in Auckland and 20-21 June in Melbourne.

Back to Home
Source: The Guardian