The best thing about Coachella is that it happens twice - so if you missed the first weekend, don't worry! Lady Gaga, Travis Scott, Charli XCX and everyone else will return to the Colorado Desert on Friday for a second dose of musical mayhem, and punishing gusts of wind. Better yet, the opening weekend let us know who was worth watching (Lady Gaga), who we can safely avoid (Travis Scott) and who might be this year's breakout star (Benson Boone). With that in mind, here's a guide to this weekend's sets - and when you can watch them on Coachella's comprehensive YouTube livestream. Lady Gaga's elaborate stage performances have been known to collapse under the weight of their own ambition. Not this time. Her second visit to Coachella, after stepping in as a last-minute replacement for Beyoncé in 2017, was one of the greatest pop performances ever. Two hours full of energy and presence and pounding synth hooks. Staged in a crumbling gothic opera house, the two-hour show depicted the star's inner angels and demons wrestling for her soul. During Poker Face, the two sides faced off in a deadly game of chess; while Perfect Celebrity - a song about her tabloid commodification in the 2000s - saw her buried in a shallow grave, singing to a skeleton. It was bold and audacious and over the top, in all the best ways, with celebratory, nine-minute performance of Bad Romance to cap it all off. If you only watch one performance, make it this one. Watch on the Coachella Stage at 11:10pm on Friday (local time), or 7:10am on Saturday (UK time). Despite a career that's lasted three decades, Missy Elliot only staged her first ever tour last year. Luckily, tracks like Get Ur Freak On, Lose Control and Pass That Dutch still sound as fresh and futuristic now as they did first time around - and Missy's relative lack of stage experience was never apparent. She arrived onstage inside a giant car exo-skeleton, like a hip-hop Transformer, and sped through her set with pin-sharp choreography and boundless good humour. The only downside was that her set had to end after just 55 minutes. Watch on the Coachella Stage at 9:00pm on Friday (local time), or 5:00am on Saturday (UK time). "I'm either going to faint or throw up," declared Lola Young near the start of her set last weekend. "One of the two is about to happen". The British singer, whose song Messy has been embraced by fans worldwide, was battling sickness and heatstroke throughout her set. But she powered through, leading a mass singalong to Messy, and debuting a new single called Spiders. With her health back on track, her second weekend performance should erase any bad memories from her debut. Watch on the Mojave Stage at 4:50pm on Friday (local time), or 12:50am on Saturday (UK time). Although Travis Scott closed the main stage on Saturday, Green Day were technically the headliners - and the California band delivered a thrilling, cathartic set worthy of their billing. They plunged head-first into a furious rendition of American Idiot, keeping up their recent tradition of changing the lyrics, so that frontman Billie Joe Armstrong sang: "I'm not part of the MAGA agenda". That aside, politics were kept to a minimum, as the group delivered a high-voltage blast of their greatest hits, from the bratty pop-punk of Basket Case to the more reflective Boulevard of Broken Dreams. Watch on the Coachella Stage at 9:05pm on Saturday (local time), or 5:05am on Sunday (UK time). "Post-ee, Post-ee, Post-ee." It might have been the end of the weekend, but fans still had energy to spare for Post Malone's headline slot on Sunday night. He rewarded them with a laid-back set, that repurposed some of his earlier pop/rap hits with the "yee-haw" twang of his recent album F-1 Trillion. It all worked surprisingly well, although the eight-piece band occasionally overpowered his voice, and some fans were disappointed by the lack of hip-hop beats - saying the show would have been better suited to Coachella's sister festival Stagecoach (which is where Post launched his country phase last year). Surprisingly, the set was devoid of special guests, leading to speculation that the 29-year-old was holding fire for weekend two. As someone who's recently collaborated with Taylor Swift, Beyoncé and Dolly Parton, that could definitely be worth staying up for. Watch on the Coachella Stage at 10:25pm on Sunday (local time), or 6:25am on Monday (UK time). In 2019, Blackpink made history by becoming the first Korean group to headline Coachella. This year, two of its members - Lisa and Jennie - were back with dazzling solo sets, before the band reconvenes for a stadium tour in the summer. Lisa was up first, on Friday night, with a slick, highly-choreographed set that combined hard-edged rap cuts like Money and Lifestyle, with the softer sounds of Moonlit Floor and Dream. After her appearance in the third series of The White Lotus, sheclarified that music is, in fact, her main job.Backstage, she held apost-mortem on the performancewith her bandmate Rosé (Conclusion: The desert wind makes it hard to sing). Jennie packed the Outdoor Theater on Sunday evening, for a set of clubby disco anthems that don't sound a million miles away from her friend and collaborator Dua Lipa. Highlights included the bombastic Like Jennie - produced by Diplo, and boasting it's own viral dance break - and the swoonsome pop of Love Hangover, which showcased her vocal abilities. The 29-year-old has never been the most precise performer, but it somehow works to her advantage - making her more "real" than the imperious perfection of her peers. Watch Lisa on the Sahara Stage at 7:45pm on Friday (local time), or 3:45am on Saturday (UK time). Jennie plays the Outdoor Theatre at 7:45pm on Sunday (local time), or 3:45am on Monday (UK time). Charli XCX drew one of the weekend's biggest crowds, for a sleazy, hedonistic run-through of her sleazy, hedonistic breakout album, Brat. Performing entirely on her own, the star was in constant motion - a mesmerising blur of hip-rolls, hair tosses, stomach crunches and knee-drops, as she turned Coachella's main stage into sweat-drenched, laser-lit club night. Compared to the maximalism of other sets, it was a lesson in how one person can hold a stage on their own... Well, almost. At several points, she brought out her collaborators from Brat's companion album - Troye Sivan, Billie Eilish and Lorde. It was, one excitable fan commented, "like The Avengers for gay people". Whether the guest-list will be the same on Coachella's second weekend remains to be seen. But Charli is worth your time either way. Watch on the Coachella Stage at 7:15pm on Saturday (local time), or 3:15am on Sunday (UK time). Anyone who's had the pleasure of watching Benson Boone over the last year will know he's fond of performing a front flip off his piano, the big show off. He didn't let us down at Coachella - bouncing around the stage like a Duracell Bunny attached to a car battery. To cap it all off, he brought out Brian May for asurprisingly successful version of Bohemian Rhapsody. Less fortunate, however, was Texan singer d4vd, whoseattempt at a backflip went disastrously wrong. Thankfully, he recovered in time to pull off an energetic set that highlighted the life-affirming vibes of his bedroom pop hits Feel It and What Are You Waiting For. After the set, he swore to practice harder for this weekend's performance. "Imagine if I fall again," he cringed. Watch Benson Boone on the Coachella Stage at 7:05pm on Friday (local time), or 3:45 am on Saturday (UK Time). D4vd plays the Gobi Stage at 5:55pm on Friday (local time), or 1:55am on Saturday (UK time). Last Saturday, the entire LA Philharmonic Orchestra boarded a bus and set off for the desert to make their Coachella debut. Under the baton of Venezuelan conductor Gustavo Dudamel, they performed what was billed as "Gustavo's mixtape" - moving seamlessly between classical standards like Wagner's Ride of the Valkyries and Beethoven's Fifth Symphony, and modern pop hits. For the latter, they were joined on stage by a host of A-list stars, including indie titan Beck, Icelandic songstress Laufey, country singer Maren Morris and rap icon LL Cool J. "I told to the orchestra, 'I'm so happy conducting, but I wish I could be in the middle of the crowd and enjoy the moment,'"Dudamel told Variety magazine ahead of the show. Weekend two will feature an all-new array of guest stars, he promised, but details are being kept under wraps for now. The LA Philharmonic plays the Outdoor Theatre at 6:25pm on Saturday (local time), or 2:25am on Sunday (UK time). "It took me 20 years to get on this stage," said T-Pain towards the end of his set on Saturday, and he certainly made the most of his hour-long set. He covered Journey's Don't Stop Believin' and Chris Stapleton's country hit Tennessee Whiskey, while racing through early 2000s hits like Buy U A Drank and I'm In Luv, and revisiting his verses on Flo Rida's Low, and Kanye West's Good Life. For that, he received a hero's welcome, with the crowd treating his set as an excuse for some turn of the millennium escapism. By the time it ended, a campaign had started for T-Pain to play next year's Super Bowl half-time show. Watch on the Coachella Stage at 5:25pm on Saturday (local time), or 1:25am on Sunday (UK time). Luckily, you're not forced to stay up all night to watch the stars strut their stuff in California. Coachella's generous livestreams repeat throughout the day, and you can rewind several hours to find the performances you want. Other highlights from the first weekend included Megan Thee Stallion, whose star-studded set included appearances from Queen Latifah, Victoria Monét, and Ciara; and Kraftwerk, reminding everyone that they essentially invented electronic music. Belinda Carlisle reunited with her old band The Go-Gos for a dose of sun-kissed 1980s nostalgia, and the UK's Sam Fender tore through a blistering set that showcased the songwriting chops of his new album, People Watching. Among the newcomers with main stage aspirations were South Africa's hip-swivelling R&B star Tyla, and New York dance act Fcukers, whose breakout hit Bon Bon was one of the weekend's most inescapable tracks. You can see thefull line-up for Coachella's second weekend on the festival's website.
Couchella: The best sets to stream on Coachella's second weekend
TruthLens AI Suggested Headline:
"Coachella's Second Weekend Features Return of Major Artists and Exciting New Acts"
Bbc News
7.2
TruthLens AI Summary
Coachella's second weekend promises to deliver another round of exhilarating performances, featuring a lineup of both returning artists and emerging talents. After a successful first weekend, where Lady Gaga's vibrant performance captivated audiences, festival-goers can look forward to a repeat of her elaborate stage show on Friday night. Her two-hour set, filled with dramatic visuals and powerful performances of hits like 'Poker Face' and 'Bad Romance,' set a high bar for live music experiences. Additionally, Missy Elliott will grace the stage with her first-ever tour performance, showcasing her classic tracks with fresh choreography, while British singer Lola Young aims to bounce back from health challenges faced during her previous set. Green Day and Post Malone are also set to deliver electrifying performances, with Green Day offering a high-energy set reflecting their punk roots and Post Malone teasing fans with potential special guests for his Sunday night performance.
The festival's diversity extends beyond mainstream headliners, as K-pop sensations Lisa and Jennie from Blackpink return for solo performances that highlight their individual artistry. Charli XCX is expected to draw large crowds with her dynamic show, and Benson Boone's energetic antics promise to keep the audience engaged. The LA Philharmonic Orchestra will make its debut at Coachella, blending classical music with contemporary pop hits, featuring a range of guest artists. Notably, T-Pain's set has already generated buzz for its nostalgic appeal, as he performs hits that resonate with early 2000s audiences. With a comprehensive livestream available for fans unable to attend in person, Coachella's second weekend is set to be a celebration of music and artistry, showcasing established stars and rising talent alike.
TruthLens AI Analysis
The article highlights the excitement surrounding the second weekend of Coachella, emphasizing key performances and the festival's cultural significance. By focusing on high-profile artists like Lady Gaga and Missy Elliot, the piece aims to engage music fans and encourage them to tune in for the livestreams. The analysis of performances not only informs readers about what to expect but also creates a sense of urgency and anticipation for the event.
Cultural Impact and Audience Engagement
The article is designed to resonate with a variety of audiences, particularly music lovers and festival-goers who might feel they missed out on the first weekend. By identifying standout performances and potential breakout stars, the writer fosters a sense of community and shared experience among fans. This approach enhances the festival's appeal and encourages viewers to participate in the cultural event, even virtually.
Potential Omissions and Manipulative Elements
While the article celebrates the performances, it may downplay any negative aspects of the festival, such as logistical challenges or controversies surrounding certain artists. This selective focus can create an overly positive narrative that might obscure more complex realities of large-scale music festivals. The language used is enthusiastic and promotional, which could be interpreted as manipulative, aiming to drive viewership and engagement rather than providing a balanced perspective.
Authenticity and Realness of Content
The article appears to be grounded in genuine coverage of the festival's performances. The vivid descriptions of Lady Gaga's show and the portrayal of Missy Elliot's stage presence aim to convey authenticity. However, the absence of critical viewpoints or challenges may raise questions about the overall objectivity of the piece.
Connection to Broader Trends
Within the context of other music and entertainment news, this article aligns with ongoing trends of online streaming and the growing importance of virtual access to events. The emphasis on YouTube livestreams highlights how digital platforms are becoming central to cultural consumption, especially in a post-pandemic world.
Implications for Society and Economy
The excitement surrounding Coachella can have broader economic implications, particularly for the music and entertainment industry. Increased viewership could boost advertising revenue for platforms like YouTube, while also promoting merchandise sales and future event attendance. This cultural phenomenon reflects larger societal trends towards valuing shared experiences, even in a virtual format.
Target Audience
The content is likely to appeal to younger audiences who are active on social media and engaged with contemporary music culture. By focusing on popular and influential artists, the article aims to attract fans from diverse music backgrounds, promoting inclusivity in the festival experience.
Financial Market Influence
While the article primarily focuses on music culture, it indirectly relates to the economic landscape surrounding entertainment. Companies involved in live streaming, event organization, and merchandise could see fluctuations in stock performance based on the success of events like Coachella.
Geopolitical Context
Although the article itself does not delve into geopolitical themes, the cultural significance of events like Coachella can reflect broader trends in global entertainment and tourism. Such festivals often highlight the influence of American pop culture worldwide, which can intersect with international relations and cultural diplomacy.
Artificial Intelligence Considerations
It’s possible that AI technologies were employed in crafting the article, potentially influencing the tone and structure to enhance reader engagement. This could involve the use of models to analyze audience preferences and tailor content accordingly, though specific indications of AI influence are not discernible. In conclusion, the article appears to be a well-crafted piece aimed at celebrating Coachella while potentially glossing over more complex issues. Its enthusiastic tone and focus on key performances suggest an intent to promote engagement and viewership, making it a valuable piece in the context of music culture.