It was the greatBritpopshowdown in the summer of 1995, billed as a contest between cheeky chaps and lairy lads. Thirty years on, a new play is to revisit the fierce rivalry between Blur and Oasis when both British bands put out a new single in the same week and competed to grab the No 1 spot in the charts. Some purchased both releases, many couldn’t care less, but for a few days it was a decision that defined you: whether to spend £2.99 on Oasis’s Roll With It or Blur’s Country House?
The Battle is the debut stage play of novelist and screenwriter John Niven who said of the era: “Music was so central to the culture that two pop groups could dominate the entire summer, the evening news and the front page of every newspaper in the country. We’re going to take you back there.”
These days, said Niven, music has “splintered into a billion different TikTok feeds”. The Official UK Singles Chart, now based on streams and downloads as well as CDs and vinyl, does not bring the nation together as its Sunday afternoon radio broadcasts once did. The play’s director, Matthew Dunster, said of the time: “Music mattered. I remember being in my 20s in 1995. What a wild time. Full of energy, naughtiness and hilarity. Just like John Niven’s play.” The Battle, said Dunster, is “a punchy, hilarious and revealing comedy about two of the best bands of all time”.
The play – billed as “based (mostly) on real events” – will follow the feud between the two bands preceding the chart battle, including the 1995 Brit awards where Blur beat Oasis to the trophies for best British single, album and group of the year. A year after the chart battle, coverage of a music industry charity football match centred onLiam Gallagherand Damon Albarn tussling on the pitch as the group’s rivalry continued to be hyped by the media.
The new play will explore how music fans clashed as they picked which band to support. An allegiance to Blur or Oasis could go beyond the tunes and also open up questions about class, fashion, masculinity and the north-south divide. Producer Simon Friend said: “Throughout my sister’s teenage years, she had an enormous poster ofDamon Albarnon her wall, and I remember her falling out with friends over which band they loved more. Ever since, this story has been in the back of my mind, and I was delighted that John Niven agreed to write it because there is no more qualified or hilarious chronicler of this world. Combined with Matthew Dunster directing, we have a fearless team recreating the sweaty mid-90s carnage of the Battle of Britpop”.
Niven worked in the music industry for more than a decade and drew upon some of his experiences in the Britpop novel Kill Your Friends, which was published in 2008 and then adapted as a film in 2015. Dunster is the director of the hit2:22: A Ghost Story, is currently revivingDealer’s Choice at the Donmar Warehouseand will this summer stage an adaptation ofThe Hunger Games in London.
Casting for The Battle has not yet been announced. The play opens atBirmingham Repin February. Joe Murphy, the theatre’s artistic director, said: “Our audiences are going to have the time of their lives being taken back to the rivalries, the chaos and the big personalities that made it all so unforgettable.”
After it finishes in Birmingham the play will go on tour and have aWest Endrun. As spoilers go, it’s not quite up there with The Mousetrap but, for the record, Blur emerged triumphant that Sunday in mid-August. Country House sold 274,000 copies while Roll With It shifted 216,000.
On top of their Britpop rivalries, Oasis’s Gallagher brothers also feuded with each other for years but this summer they are reuniting for the much-anticipated Oasis 25 international tour. In a joint statement after its announcement, the band said: “The guns have fallen silent. The stars have aligned.” The Blur v Oasis battle has also long since abated. “I like them,”said Blur’s Alex James in 2024. “He’s an incredible singer, Liam, and he can’t help being a rock star.”