Bob Geldof told Freddie Mercury ‘don’t get clever’ before 1985 Live Aid set

TruthLens AI Suggested Headline:

"Bob Geldof Advised Freddie Mercury to Focus on Hits at 1985 Live Aid"

View Raw Article Source (External Link)
Raw Article Publish Date:
AI Analysis Average Score: 8.2
These scores (0-10 scale) are generated by Truthlens AI's analysis, assessing the article's objectivity, accuracy, and transparency. Higher scores indicate better alignment with journalistic standards. Hover over chart points for metric details.

TruthLens AI Summary

Freddie Mercury's legendary performance with Queen at the 1985 Live Aid concert is often celebrated as one of the highlights of rock history, showcasing the singer's unparalleled charisma and stage presence. However, prior to taking the stage, Mercury received specific instructions from Bob Geldof, the event's organizer, who advised him, "Don't get clever; just play the hits – you have 17 minutes." This advice came amid concerns about the band's readiness, as they were not actively touring at the time. Despite initial hesitations from both Mercury and Geldof regarding Queen's participation, it was ultimately guitarist Brian May's persuasion that led the band to join the iconic lineup. May emphasized the importance of being part of such a significant event, suggesting that they would regret not performing if they woke up the next day without having taken the opportunity. This commitment to the cause was reflected in their electrifying performance, which later earned the title of the greatest rock gig ever by fans and critics alike.

During their brief yet powerful six-song set, Mercury captivated an audience of 72,000, creating a moment of unity that resonated throughout the stadium. Drummer Roger Taylor recalled the incredible experience of witnessing the crowd, particularly during the songs "Radio Ga Ga" and "We Are the Champions," where the audience swayed together like a field of wheat. The decision to include Queen in the lineup was initially met with skepticism from Geldof, who doubted that the band had not peaked. However, producer Harvey Goldsmith advocated strongly for their inclusion, believing that Mercury's dynamic performance would be a perfect fit for the festival's late afternoon slot. The collaboration and determination of the musicians and organizers culminated in a performance that not only entertained but also contributed significantly to the philanthropic success of Live Aid, raising millions for famine relief in Ethiopia.

TruthLens AI Analysis

You need to be a member to generate the AI analysis for this article.

Log In to Generate Analysis

Not a member yet? Register for free.

Unanalyzed Article Content

Freddie Mercury’s performance with Queen at Live Aid in 1985 is often seen as the crowning glory of one of the greatest showmen the world has ever seen.

But he still needed some very clear instructions fromBob Geldof, the festival’s organiser, before going out on stage. “Don’t get clever,” the Boomtown Rats frontman told him, according to fellow Queen members Roger Taylor and Brian May. “Just play the hits – you have 17 minutes.”

Twenty years after Live Aid, Queen’s six-song performance was voted the world’s greatest rock gig. During the short set, Mercury had 72,000 people clapping as one. Speaking tothe Radio Times, Taylor, the band’s drummer, said: “During Radio Ga Ga, it did seem that the whole stadium was in unison. But then I looked up during We Are the Champions, and the crowd looked like a whole field of wheat swaying.”

The performance might never have happened, too, if it were not for the persuasive powers of May, Queen’s lead guitarist. “We weren’t touring or playing, and it seemed like a crazy idea, this talk of having 50 bands on the same bill,” May said. “I said to Freddie: ‘If we wake up on the day after thisLive Aidshow and we haven’t been there, we’re going to be pretty sad.’ He said: ‘Oh, fuck it, we’ll do it.’”

He added: “It was one of the few moments in anyone’s life that you know you’re doing something for all the right reasons.”

The singer was not the only one who wasn’t immediately convinced thatQueenshould even play that day. It has previously been reported that Geldof was reluctant too.

Speaking toMojo magazineearlier this month, the promoter Harvey Goldsmith said he and Geldof were working together on the lineup. “Being the producer, I understood how slots work and who went where. I was also dealing with the technical side: we were doing two shows [London and Philadelphia] and had to stay strictly to time because of the satellite.

“I thought about it, and said for the late afternoon slot the perfect act would be Queen. Bob said: ‘No, they’ve peaked. I don’t think they should play! I said to Bob, I really think they’ll be perfect to go on in that 5.30, 6 o’clock type slot – knowing Freddie as I did, I knew they’d really make a show of it.

Back to Home
Source: The Guardian