Black Mirror is more than science fiction – its stories about modernity have become akin to science folklore, shaping our collective view of technology and the future.Each new innovation gets an allegory: smartphones as tools for a new age caste system, robot dogs as overzealous human hunters, drones as a murderous swarm, artificial intelligence as new age necromancy, virtual reality and brain chips as seizure-inducing nightmares, to name a few. Episodes most often channel our collective anxieties about the future – or foment new ones through masterly writing, directing, casting and acting. It is a must-watch, but must we take it so seriously?Black Mirror fails to consistently explore the duality of technology and our reactions to it. It is a critical deficit. The show mimics the folly of Icarus and Daedalus – the original tech bros – and the hubris of Jurassic Park’s Dr Hammond. Missing are the lessons of the Prometheus myth, which shows fire as a boon for humanity, not doom, though its democratization angered benevolent gods. Absent is the plot twist of Pandora’s box that made it philosophically useful: the box also contained hope and opportunity that new knowledge brings. While Black Mirror explores how humans react to technology, it too often does so in service of a dystopian narrative, ignoring Isaac Asimov’sobservation: that humans are prone to irrationally fear or resist technology.Black Mirror is more pessimism porn than Plato’s parable, imparting to its audience a tacit lesson: fear the future more than the past. Fear too much technological change, not too little. It is an inherently populist narrative, one that appeals to nostalgia: intellectually, we understand the present is better than the past in large part due to scientific and technological change, yet emotionally and instinctually we can’t help but feel this time in history is different, that the future can only get worse.The heavy consequences of technological fearmongeringThis kind of reductive dystopianism – a hallmark of post-1960s science fiction – clouds our thinking about the future because it “cannot imagine a better future, and it doesn’t ask anyone to bother to make one”, as New Yorker writer Jill Leporenotedin 2017.We run from the speculative risks of the future, towards the proven dangers of the past, a dynamic I call theFrankenstein fallacy. This pessimistic archetype has bipartisan allure because “it requires so little by way of literary, political, or moral imagination”,accordingto Lepore; consequently, it is politically useful but unconstructive – as populism tends to be.Technological pessimism will not insure against a more dystopian tomorrow. Fear of genetically modified organisms – which kicked off around thereleaseof Jurassic Park – has seen countries run from GMOfood aidtoward famine, from vitamin-enriched GMO “golden rice” towards malnutrition leading tomillions of avoidable deaths. Countries such as the United States andGermanyran from a future of nuclear energy,towards coaland oil. In the Philippines, a nuclear plant built in the 1970s sits unused –never turned on– while its population deals with sky-high energy prices. All three countries are now trying toreverse course, realizing that the certainty of stasis and stagnation is its own form of dystopia. In contrast, France ran from the past towards the future, overcoming public fears of nuclear disasters, now getting70%of its electricity from nuclear power.Countries such as India, Brazil, Mexico and Thailand have run from vapes –outlawingthem, while permitting traditional tobacco cigarettes for 1.8 billion of their citizens. Better unsafe than sorry.In the US, Robert F Kennedy Jr runs from vaccines towards natural herd immunity – although he might be having secondthoughtsnow that the risks have become less abstract. Bipartisan efforts have sought toremove online anonymityto protect children, forgetting that as adults they’ll lose the protection that anonymity brings in the context of free speech. Attacks on environmentally friendly lab-grown beef from Republicans have drawn support by Democrats such asJohn Fetterman.In the UK, encryption isunder siege, a modern-day Promethean protection that angers the powerful, in the name of keeping society from runaway technology. Meanwhile,Adolescenceis the latest dystopian Netflix show to shape public policy conversations about technology and the future.Artificial intelligence has been touted as anexistential threatto humanity while it acceleratescancer treatments,reducessepsis deaths and producesnew antibioticsto treat stubborn superbugs.skip past newsletter promotionSign up toTechScapeFree weekly newsletterA weekly dive in to how technology is shaping our livesEnter your email addressSign upPrivacy Notice:Newsletters may contain info about charities, online ads, and content funded by outside parties. For more information see ourPrivacy Policy. We use Google reCaptcha to protect our website and the GooglePrivacy PolicyandTerms of Serviceapply.after newsletter promotionThe folly of treating the miracles of science and technology as inevitable curses became unavoidable in the global coronavirus pandemic. The risk of inaction and stasis was too real to ignore, and the absence of technology became the threat. Tellingly, it was in this period – between 2020 and 2022 – that Black Mirror went on hiatus. Charlie Brookersaidthis was because people didn’t want to consume dystopian fiction when everything felt so bleak. In a moment when screens kept us connected, protected and employed, the reductiveness of dystopian science fiction felt silly. Biotechnology like GMOs and mRNA offered existential hope, rather than risk.Suddenly, it became deeply uncool and unintellectual to fear technology – as 5G masts burned and Black Mirror-esque conspiracy theories of computer chips being injected through vaccines spread, dystopian fiction lost its allure, though its vestiges still lurked: Chipotle offered free burritos to the vaccinated, burritos it proudly markets as GMO-free. King Charles, who oncewarnedthat genetically modified organisms would cause the biggest environmental disaster of all time, wouldcongratulateOxford researchers for their GMO-based Covid vaccine. Publications like Scientific American would deplore pandemic conspiracy theories, when less than a year earlier it wouldamplifyunfounded alarmism about 5G.New parablesA new progressivism, one that embraces construction over obstruction, of pragmatism over precaution, must find new allegories to think about technology and the future – stories that challenge a mindset the British prime minister, Keir Starmer, criticized for leading us to miss massive opportunities“because of the fears of small risk”.We must move away from binary tales of catastrophe, not towards naive utopianism that ignores problems and risks that comes with change, but hopeful solutionism that reminds us we can solve and mitigate them – stories that don’t make us forget that brain chips can liberate paraplegics, robot dogs canprotect usfrom landmines, AI canpreventsuper bugs and VR canconnect usrather than cut us off from reality – even if their vibes are “a bit Black Mirror”.
Black Mirror’s pessimism porn won’t lead us to a better future | Louis Anslow
TruthLens AI Suggested Headline:
"Critique of Black Mirror: The Dangers of Pessimistic Narratives in Technology"
TruthLens AI Summary
The television series Black Mirror has transcended the realm of science fiction and emerged as a cultural touchstone, shaping public perceptions of technology and the future. Its narratives often serve as allegories for contemporary innovations, portraying smartphones as instruments of social stratification, robotic entities as aggressive enforcers, and artificial intelligence as a harbinger of doom. Each episode taps into collective anxieties about technological advancements, skillfully weaving tales that resonate with viewers. However, the series has been critiqued for its singular focus on dystopian outcomes, neglecting the potential benefits and dualities that technology can offer. This one-dimensional portrayal aligns with the notion of fear-driven storytelling, reminiscent of myths like Icarus and Prometheus, which emphasize the perils of human hubris without acknowledging the transformative power of knowledge and innovation.
The article argues that Black Mirror's pervasive pessimism fosters a mindset that eschews the exploration of a hopeful future. This pessimistic narrative, often referred to as 'pessimism porn', can hinder constructive dialogue about technological progress, as it perpetuates a fear of change rather than encouraging proactive engagement with emerging technologies. The consequences of such narratives are evident in various global contexts, where societies have shunned beneficial technologies due to fear, resulting in missed opportunities and stagnation. In contrast, some nations have embraced innovation, overcoming public apprehensions to harness the power of advancements like nuclear energy. The author calls for a shift towards a new progressivism that prioritizes constructive tales of technology, emphasizing solutions rather than obstacles, and recognizes the potential for technology to improve lives, heal, and connect people. This approach advocates for a balanced perspective that acknowledges risks while celebrating the opportunities that advancements can bring.
TruthLens AI Analysis
The article provides a critical perspective on the television series "Black Mirror," arguing that it perpetuates a narrative of technological pessimism rather than offering a balanced view of the dual nature of technology. The author suggests that while the show presents significant social commentary, it often fails to highlight the potential benefits of technological advancements alongside their risks.
Critique of Technological Narratives
The author emphasizes that "Black Mirror" serves as a form of "pessimism porn" that feeds into societal fears regarding technological change. By focusing predominantly on dystopian outcomes, the series may unintentionally reinforce a belief that the future is to be feared rather than embraced. This framing can distort public perception, leading to an irrational resistance to technological innovations that have historically improved quality of life.
Cultural Impact and Collective Anxiety
The show taps into deep-seated anxieties about modernity, resulting in a cultural narrative that prioritizes fear over hope. The article argues that this perspective is problematic as it ignores the lessons from myths like that of Prometheus, which illustrate both the dangers and benefits of knowledge and technology. By not presenting a more nuanced view, "Black Mirror" risks shaping a generation that views technological progress with trepidation rather than as an opportunity for growth.
Potential Manipulation and Societal Consequences
The framing of technology in "Black Mirror" could have significant implications for public policy and societal attitudes toward innovation. If audiences internalize the show's pessimistic messages, they may become more resistant to technological advancements, which could impact everything from funding for tech startups to legislative support for new technologies. This could stifle innovation and delay progress in various sectors.
Target Audiences and Community Responses
This article may resonate particularly with audiences that are already critical of technology, such as tech skeptics or those concerned about privacy and ethical implications of AI. It seeks to engage viewers who appreciate a more balanced discourse on technology, encouraging them to question the narratives presented in popular media.
Influence on Markets and Global Dynamics
The themes presented in the article can also have ramifications for financial markets. A pervasive fear of technology could lead to volatility in tech stocks, especially for companies involved in AI or emerging technologies. Investors may become wary of companies that are heavily reliant on technological innovation, affecting their market performance.
Connection to Current Events
In light of ongoing discussions around AI, surveillance, and digital privacy, the article's examination of "Black Mirror" is particularly relevant. It reflects broader societal debates about the role of technology in our lives, especially as we navigate an increasingly complex digital landscape.
Use of Artificial Intelligence in Analysis
The writing style may suggest the influence of AI-assisted tools, particularly in crafting a cohesive argument and articulating complex ideas. AI models could have been used to analyze viewer responses or aggregate data on audience perceptions of technology, which might have informed the author’s arguments. The way certain narratives are presented could reflect AI-driven trends in content creation. The article ultimately warns against the dangers of a singular, fearful narrative surrounding technology, advocating for a broader understanding that acknowledges both risks and rewards.