Berlioz and Ravel album review – his orchestra is responsive to Mäkelä’s every move

Klaus Mäkelä and the Orchestre de Paris recently delivered a remarkable performance of Berlioz’s Symphonie Fantastique at the BBC Proms last September, an experience that, while unforgettable, does not fully translate to their subsequent recording made in Paris. The orchestra showcases exceptional skill, demonstrating their responsiveness to Mäkelä’s conducting throughout the performance. From the delicate, vibratoless violins that introduce the piece to the exhilarating witches’ dance that concludes it, Mäkelä’s interpretation of Berlioz’s music is vibrant and impactful. However, the recording lacks some of the thrilling excitement that characterized the live performance. Critics note that the sound appears overly polished and engineered, which detracts from the raw energy of the music. While certain moments, such as the spatial effects in the third movement featuring a cor anglais and a distant oboe, are beautifully rendered, there are times when the production feels too controlled, steering the listener’s attention rather than allowing for a more organic experience of the symphony.

In contrast, the recording of Ravel’s La Valse, which accompanies the Berlioz piece, fares significantly better. The orchestra again displays their exceptional talent, and the energy throughout the performance remains vibrant and engaging. Mäkelä effectively maintains a whirlwind tempo, allowing the music to build momentum that feels almost held together by centrifugal force. This piece captures the dynamic essence of Ravel’s composition, showcasing the orchestra's ability to deliver a compelling performance that resonates with listeners. Overall, while the recording of Symphonie Fantastique may not replicate the excitement of the live performance, the interpretation of La Valse highlights the orchestra's talent and Mäkelä’s skillful direction, making for a worthwhile listening experience.