Andrew Hunter Murray: ‘Every time I read Pride and Prejudice I find more jokes’

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"Andrew Hunter Murray Reflects on Influential Books and Their Impact on His Writing"

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TruthLens AI Summary

In a recent interview, author Andrew Hunter Murray shared insights into his literary journey and the books that have shaped his reading experiences. He reminisced about his earliest reading memory, which involved discovering Brian Jacques's 'Redwall' at a secondhand book sale, a tale of noble monastic mice that captivated his seven-year-old imagination. As he grew older, Douglas Adams's 'The Hitchhiker’s Guide to the Galaxy' became a favorite, blending humor with deeper existential themes that resonated with his teenage mind. During his teenage years, Murray encountered Ken Kesey's 'One Flew Over the Cuckoo’s Nest,' a challenging read that ultimately broadened his perspective on writing and storytelling. He also highlighted how reading Hannah Ritchie's 'Not the End of the World' shifted his previously pessimistic outlook on humanity's future, making him more optimistic and enjoyable at social gatherings.

Murray reflected on the evolution of his reading preferences, noting a newfound appreciation for Charles Dickens, particularly 'Bleak House,' which moved him to tears during a commute. He has been revisiting Jane Austen's 'Pride and Prejudice' for two decades, finding new layers of humor and wisdom with each read, which has deepened his admiration for the work. His current reading list includes Mick Herron's 'Slough House' series, which he describes as both depressing and humorously British. He also expressed his love for the comfort of P.G. Wodehouse's works, stating that despite the challenges faced by characters like Bertie Wooster, a sense of optimism always prevails. Murray’s latest book, 'A Beginner’s Guide to Breaking and Entering,' is available for purchase, showcasing his journey as a writer influenced by a diverse array of literary voices.

TruthLens AI Analysis

The article presents an engaging perspective on Andrew Hunter Murray's literary journey and his reflections on various influential books and authors. It serves as a personal narrative that explores the impact of literature on his life, while also hinting at the broader cultural significance of these works.

Literary Influence and Personal Development

Murray shares his reading experiences, starting from his childhood with "Redwall" and evolving through significant literary encounters like "The Hitchhiker's Guide to the Galaxy" and "One Flew Over the Cuckoo's Nest." This progression highlights how literature has shaped his understanding of the world and himself. His mention of the shift in perspective due to Hannah Ritchie’s "Not the End of the World" reflects an increasing awareness of optimism in the face of global challenges, which resonates with current societal concerns about climate change.

Cultural Reappraisal

Murray’s evolving appreciation for authors like Charles Dickens illustrates a cultural reappraisal of classic literature. His initial dismissive view transformed into admiration, emphasizing the timeless relevance of Dickens's themes. This transformation serves to encourage readers to revisit and reassess works they may have previously overlooked or misunderstood, promoting a more inclusive literary culture.

Connection to Broader Themes

The discussion of "Pride and Prejudice" as a perennial source of humor suggests that classic literature continues to offer fresh insights, inviting new interpretations with every reading. This idea aligns with contemporary discussions around the relevance of classical works in modern society, reinforcing the notion that literature is a living, evolving conversation.

Manipulative Potential and Public Perception

While the article primarily focuses on personal insights, there is a potential for manipulation in the way it positions literature as a means of fostering optimism and personal growth. The choice of words and emphasis on transformation may lead readers to a more favorable perception of literature as a solution to existential concerns. However, this is not overtly deceitful but rather encourages a positive narrative around reading.

Trustworthiness of the Article

The authenticity of the personal anecdotes lends credibility to the article. The reflections on various books and authors are relatable and grounded in personal experience, making it a trustworthy account of Murray's literary influences. The absence of sensationalism or controversial claims further enhances its reliability.

Implications for Society

This article can inspire individuals to explore literature more deeply, potentially influencing reading habits and cultural engagement. The emphasis on optimism and re-evaluation of classic works may lead to a broader acceptance of diverse literary voices and genres, fostering a more dynamic literary landscape.

Target Audience

The article appeals to bibliophiles, aspiring writers, and those interested in the intersections of literature and personal development. It aligns well with communities that value introspection through reading and those seeking to find meaning in classic literature.

The article does not directly influence financial markets or global power dynamics. However, it reflects a cultural shift that values literary engagement, which can have long-term effects on educational trends and publishing industries.

Overall, the narrative presents a sincere exploration of literature's role in shaping personal and societal perspectives, resonating particularly with audiences who seek meaning and connection through reading.

Unanalyzed Article Content

My earliest reading memoryAt a secondhand book sale at school, a kind teacher recommended my mum buyBrian Jacques’sRedwall. Noble monastic mice battle thuggish rats: catnip for a seven-year-old.

My favourite book growing upThe Hitchhiker’s Guide to the GalaxybyDouglas Adams. The mad robots and two-headed aliens are great for the teenage brain, but beneath all that is the sadness, and the questions about why life has to be like this, all filtered through poor Arthur Dent. I sometimes pull it off the shelf to read half a page, just to remind myself how comedy writing is done.

The book that changed me as a teenagerI triedOne Flew Over the Cuckoo’s Nesta bit young, was baffled and thrown back by it, and then had another go, and couldn’t believe how bracingKen Kesey’s writing was. It’s pure psychedelia and probably hasn’t aged tremendously well, but in terms of the way you could write, it really freed my mind (man).

The writer who changed my mindI was a full-on doomer about humanity’s future until last year, when I read statistician and climate scientistHannah Ritchie’s excellentNot the End of the World. I’m now a fraction more optimistic, which makes me a fraction more fun at parties.

The book that made me want to be a writerI don’t remembernotwanting to be one, which is obviously insufferable. But I didn’t seriously think about how to go about doing it until my mid-20s, when I readJohn Wyndham’sThe Kraken Wakes. It’s great sci-fi, but rooted in complex characters doing their best in an extraordinary situation, and it sparked the idea that became my first novel.

The book or author I came back toI used to thinkCharles Dickenswas very boring and stuffy, but the more I read him now, the more I think he’s the absolute nuts. Slightly embarrassingly, I welled up reading bits ofBleak Houselast year on a crowded commuter train. I had to pretend I had something in my eye.

The book I rereadI’ve been readingPride and Prejudiceevery few years for two decades now. I studied Austen at university, spent 10 years in aJane Austen-themed improvised comedy group called Austentatious, and P&P only gets better. Just when you think you’ve got everything out of it, you find more jokes, more wisdom, more understanding. It’s stunning. Plus, everyone fancies Lizzie.

The book I could never read againThe Art of the Deal, by Donald Trump and Tony Schwartz. Such beautiful prose, and Trump’s ruined it for everyone now.

The book I discovered later in lifeA few years ago I discovered the publisherPersephone, which specialises in mid-20th-century books, mostly by women. The pitch is that these authors are all undeservedly forgotten. I was given a subscription by some comedian friends several years ago and am now about 50 books in. They are comfort reading, but high-quality, like a wholemeal pizza. Actually, that sounds horrible.

The book I am currently readingI’m regretfully coming to the end ofMick Herron’s Slough House series, which has been a perfect, very British, very depressing, very funny pick-me-up.

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My comfort readAnything byPG Wodehouse. No matter how grim the path Bertie Wooster treads, no matter how strait the gate or charged with punishments the scroll, you know sunshine will eventually win the day.

A Beginner’s Guide to Breaking and Entering by Andrew Hunter Murray is published by Penguin. To support the Guardian order your copy atguardianbookshop.com. Delivery charges may apply.

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Source: The Guardian