‘A giant parenting group’: how online comedians are making a living by laughing about the chaos of kids

TruthLens AI Suggested Headline:

"Online Parenting Comedians Find Success by Humorously Addressing Parenting Challenges"

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AI Analysis Average Score: 7.6
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TruthLens AI Summary

In recent years, a new wave of online comedians has emerged, providing a humorous lens through which to view the chaotic and often absurd world of parenting. Comedians like George Lewis and Farideh Olsen have found success by creating relatable content that resonates deeply with parents, particularly those navigating the challenges of raising young children. Lewis's sketches, such as a playful depiction of toddlers discussing their feelings during a game of peekaboo, tap into the universal truths about the unpredictable nature of toddlers and the madness of parenting. Similarly, Olsen's songs address the complexities of motherhood while critiquing societal expectations, highlighting the loneliness many mothers experience. These creators have built a sense of community among parents, offering both laughter and solidarity as they navigate the often isolating experience of parenthood.

The pandemic has played a significant role in the rise of parenting comedians, as social media became a vital outlet for many during lockdowns. Comedians like Sean Szeps and Zach Mander have garnered millions of views by sharing their experiences of parenting with humor and honesty. Szeps’s energetic videos, which explore the nuances of being a parent, have attracted a large audience, while Mander's comedic takes on everyday parenting scenarios have also resonated with viewers. Both comedians credit their success to the increased acceptance of candid discussions about the struggles of parenthood, particularly from a male perspective, which has historically been less common. As these online parenting communities continue to grow, they not only provide entertainment but also foster a sense of connection among parents who may feel overwhelmed by their responsibilities. The shared experiences and laughter serve as a reminder that while parenting is undeniably challenging, it is also a journey filled with moments of joy and humor.

TruthLens AI Analysis

The article explores the emerging trend of online comedians who focus on the chaos of parenting, particularly aimed at parents of young children. It highlights how these comedians resonate with the everyday struggles and absurdities of raising toddlers, creating a virtual community that shares experiences and humor about parenting.

Purpose of the Article

The primary goal of this article is to shed light on a growing niche within the parenting community: the use of humor as a coping mechanism for the challenges of parenthood. By showcasing various comedians and their relatable content, the article aims to validate the feelings of parents who often feel isolated and overwhelmed. It emphasizes the communal aspect of humor in parenting, suggesting that laughter can help alleviate some of the loneliness associated with motherhood.

Perception Creation

The article fosters a perception that parenting, while chaotic and demanding, can also be a source of humor and shared experience. It encourages parents to find solidarity in their struggles, transforming feelings of isolation into a sense of community through shared laughter. This narrative may help to normalize the challenges of parenting, reducing stigma and opening up conversations about mental health and support among parents.

Potential Omissions

While the article focuses on the positive aspects of humor in parenting, it may downplay the serious challenges some parents face, such as mental health issues, financial stress, and societal pressures. By primarily highlighting comedic content, it risks oversimplifying the complexities of parenthood and potentially masking the difficulties that some parents experience without the support of a community.

Manipulative Elements

The article does not appear to contain overt manipulation, but it does selectively emphasize the positive aspects of parenting humor. This choice of focus could lead readers to overlook the more serious issues associated with parenting. The use of relatable anecdotes and humor may also create an emotional response that encourages engagement and sharing, potentially leading to viral content that drives traffic to the publication.

Truthfulness of the Content

The information presented seems reliable, as it draws from real experiences and insights of comedians who are actively engaging with their audience. However, the article's focus on humor may gloss over the harsher realities of parenting, presenting a somewhat idealized view of the parenting experience.

Societal Implications

The article suggests that the trend of parenting comedians could lead to more open discussions about the challenges of parenthood, potentially influencing societal attitudes toward mental health and parenting support. This could encourage parents to seek help and foster community connections, which may have broader implications for family dynamics and social support systems.

Target Audience

This article appeals primarily to parents, particularly mothers, who may feel isolated in their parenting journeys. It seeks to connect with those looking for humor as a way to cope with the stresses of raising young children, thus targeting a demographic that values community and shared experiences.

Economic Impact

In terms of economic implications, this trend could influence markets related to parenting products and services, as brands may seek to collaborate with popular parenting comedians to reach their audience. Companies that produce parenting content or products may benefit from increased visibility and engagement through these comedic platforms.

Global Relevance

Although the article primarily discusses comedians in Canada and the UK, the themes presented are universally relevant. The challenges of parenting are experienced worldwide, making the insights applicable across different cultures and societies. The humor in parenting can resonate with a global audience, fostering connections among parents regardless of geographic boundaries.

Potential AI Involvement

While it is difficult to ascertain if AI was used in the writing of this article, the structured nature and engaging style may suggest some level of AI assistance. If AI was involved, it could have influenced the narrative tone and selection of anecdotes to enhance reader engagement. The use of AI could help in analyzing trends and shaping content that resonates with the target audience.

The overall reliability of this article appears solid, as it presents authentic perspectives from individuals in the parenting community, while also encouraging a sense of connection and shared humor among parents. However, it is important to recognize the potential oversights regarding the complexities of parenting that are not addressed in the humor-focused narrative.

Unanalyzed Article Content

Many Instagram-frequenting parents of small children will have seen George Lewis’s sketch about two toddlers discussing their feelings of abandonment and relief wrapped in a game of peekaboo.

“It was a normal day, I was just playing with Dad. And then he put his hands in front of his face and he was just gone,” the British comedian and father says in the widely shared video. “He was behaving so erratically.”

Life through a two-year-old’s lens – especially in relation to their sleep-deprived parents – is fertile ground for a growing group of online parent comedians whose content is clocking up millions of views.

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At the heart of the material lies age-old truths: toddlers are sometimes barmy and parenting is often mad. There is a special solidarity among the carers of young children whose days revolve around coaxing vegetables into mouths and bottoms on to potties.

In Canada, Farideh Olsen’s take on the absurdities of motherhood has one eye firmly on the patriarchy. A sexy husband, her songs suggest, is one who does housework, has therapy and respects women.

The 42-year-old singer says it has been a surprise to see how much mothers love watching other mothers “joking about children and partners and marriage and their love for their children”.

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“And, I think that’s because a lot of mothering is extremely lonely,” she says. “You’re at home with your kids by yourself, maybe you meet up at a park, but then you don’t have the depth of a relationship to joke about your kids.”

In the odd three minutes or so that mothers have to check their phones, “they see something that kind of reflects their life – they find the levity in it,” she says.

UK comedian Michael McIntyre was a forerunner when it came to mining laughs from parenting struggles. He told packed theatres well before Covid: “You never love your children more than when they are unconscious, but still breathing.”

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Today’s troupe of parenting commentators home in on micro moments – a request to cut a toastie exactly in half, the unhinged cackle that follows being asked how the toddler slept, that game of peekaboo – that capture the same sentiment.

Farideh thought her music career had been both serious and over before she began writing songs about motherhood. She never considered herself a comedian, nor was she interested in material about parenting, until she had a child.

While many parenting influencers are female, comedy – including the short-and-sharp social media variety – “is still very male-dominated”, she says.

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Sydney-based stay-at-home father Sean Szeps’ video about the ABCs of parenting – “A is for ‘Absolutely not’, B is for ‘Brush your teeth’…” delivered with more than a little loopy energy – has almost 40m views on his social media platforms. Last year, all of the 37-year-old’s video posts, inspired by his twin seven-year-olds, had a combined 228m views, according to Szeps.

Zach Mander, 35, based in Brisbane, has 265,000 TikTok followers and his most popular post has more than 10m views. He has followers all over the world but, as with Szeps, most are in English-speaking countries.

They both credit their successes to the pandemic when creative communities on social media took the edge off lockdowns with children.

Like their overseas counterparts, they’ve earned sizeable niche audiences that wouldn’t have been accessible to real-world comedians playing clubs with disparate audience members. And they’re doing it with disarming honesty.

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“Up until that point, my style was incredibly positive, and then the pandemic hit, and I couldn’t hold back any more,” says Szeps, who’s married to TV presenter and podcaster Josh Szeps. “Technology,” he says, exploded “at the same time as we evolved to realising that it would be much better if we were honest about parenthood”.

The result was that a “shit-ton of mums and dads now make an entire career and a living on just sharing what women mostly, but parents overall, have been feeling for decades, which is: it’s hilariously hard. It is undeniably difficult. If we can’t laugh about it, we’re going to sob uncontrollably”.

Mander’s spoof investigative examinations of Bluey characters, and a video about his children inexplicably losing a slice of pizza in the car (it emerged weeks later “almost mummified”), are among his biggest hits.

“I’ve always made content on things that I was experiencing, and it doesn’t come much bigger than parenting,” he says. “I’m amazed we don’t talk about it more.”

For some, it’s really paying off. Szeps, who has a background in social media advertising, has been living off his Instagram account’s sponsored content for four years and growth is up 50% year on year.

It helps, too, that there will always be new parents. Mander, whose children are two and four, says that because the early years parenting cohort resets about every five years, so does a “whole lot of people experiencing this for the first time – and those are my cohort”.

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Viewers are mostly women, both Szeps and Mander say. Szeps, who moved to Australia from America in 2017, has a theory as to why some of the dozen or so male “power hitters” in the parenting humour space are men talking exclusively to women – and it’s down to old-fashioned gender roles.

“We don’t want women necessarily to be brutally honest about how hard parenting can be, because that makes us worried for the kids. When a man does it, it’s much more accepted,” he says.

Parenting jokes sometimes break into the wider satirical space, of course. The Betoota Advocate recently ran a headline: “Toddler who refuses toast cut the wrong way allegedly ate four servings of vegetable dahl at daycare.”

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For Szeps, Instagram has become a “massive, giant parenting group”.

“You still have to navigate the complications. You still have to navigate the perfect parents. You still have to navigate comparison.

“Parenting is so hard, but I don’t feel alone in it any more, the way that I felt prior to sharing my experiences online.”

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Source: The Guardian